Brecht quotes:

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  • I'm Opera Singer. I can sing Brecht, Weil. -- Nina Hagen
  • [Bertholt] Brecht looked very thin, like a herring with very sensitive hands. -- Lotte Lenya
  • In order to improve democracy, then, it's necessary to change the people, as Brecht ironically proposed. -- Alain Badiou
  • I'm from East Berlin. I grew up in the Bertold Brecht, Kurt Weil tradition, also in the old hippie tradition. -- Nina Hagen
  • I hesitate to say because it sounds silly, but the first play I did was The Caucasian Chalk Circle by Brecht. -- Justin Kirk
  • While I don't script and I don't use other performers, I think my taste for underlying precision gives me something in common with Allan and George Brecht. -- David Antin
  • A lot of people don't know that my background is completely classical. For a while there, I was all about Moliere and the Greeks and Brecht and Tennessee Williams. -- Katy Mixon
  • I had the training at drama school where I studied Shakespeare and Brecht and Chekov and all these period historical playwrights and I think that I responded to the material. -- Orlando Bloom
  • The dilemma of Brechtian performance is that, for all of Brecht's emphasis on rationality and the undermining of theatrical illusion, the actor must convincingly portray something that she is not. -- Philip Auslander
  • I got my interest in Lotte Lenya and the Brecht-Weill canon from my parents. And I love classical music - I got that from my parents. I love Cole Porter - that I got from my dad. -- Marianne Faithfull
  • I hesitate to say because it sounds silly, but the first play I did was 'The Caucasian Chalk Circle' by Brecht. -- Justin Kirk
  • I've never done a [Berthold] Brecht. In the 1960s when the Berliner Ensemble came over [to England] with Helene Weigel [Brecht's second wife], I saw all the Berlin actors. It was an amazing time, very exciting early 1960s. -- John Hurt
  • I was interested in the ways that artists responded to totalitarianism - the Czech Jazz Section, Romanian absurdist theatre, Brecht's alienation effect. The anything-goes, anarchic qualities of jazz and Surrealism seemed to offer a way to cross some of the forbidden frontiers of Eastern Europe. -- Nicholas Royle
  • Every work of art (unless it is a psuedo-intellectualist work, a work already comprised in some ideology that it merely illustrates, as with Brecht ) is outside ideology, is not reducible to ideology. Ideology circumscribes without penetrating it. The absence of ideology in a work does not mean an absence of ideas; on the contrary it fertilizes them. -- Eugene Ionesco
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