Todd McFarlane quotes:

I'm tired of trying to get other people to see into my brain. I'm done.

About 85 percent of what you see is just because I get on the phone and [say], 'Let's go do this'. I don't do any market research or test groups or focus [groups]. I just go, 'It's my company; would I buy it, personally?'

Batman is easily my most favorite character beside Spawn.

I guess The Grudge made over $100 million, but none of them had long legs after they came out but they all opened up and found an audience. If you could make those movies for a price, which is what I want to do with Spawn, then you could have some success.

Given that I have to share my computer with my three children, it's not usually a site that I get to spend that much time on. I'm usually on the Nickelodeon site, coloring with my little five year old or something.

If I ever do anything, it actually might be some fantasy elf thing or even some cute, funny thing. Just to do something a little bit out of the ordinary. I've done my superhero gig.

It works in the comic book, but as the audiences have gotten older and more sophisticated, I think the stories need to grow up with them. This is a story about a couple of rival gangs and what goes wrong in a couple of days.

Obviously Spawn was at the top of the charts at that point so you get a lot of opportunities.

Anthology shows as a whole scare people. The networks can't quite get their heads around it.

That was my fear, which is why when I was took over a book, I was always trying to tweak it a little bit so that it looked like I was trying to add something instead of keeping the status quo.

To me, I was always just standing on the sidelines because up until issue 50, we were just doing Spawn. I wasn't recruiting anybody because I didn't have any books for people to work on.

You've got to let it go and say it was the best I could do at that time and place in my life. You hope that the thing you're doing next is a little bit better.

If your motives aren't clean, money itself becomes evil. But When we don't have money enough evil, the world tells us we're losers. So what determines our place in society is not how much kindness is in our hearts but how much evil is in our wallet."

I'm a guy who likes to watch something cool, creepy and suspenseful and there is no show to watch as an adult that would scare me at for even four seconds.

Image has to be its own fortress, in spite of the owners. People can't separate that or they don't comprehend that you can turn that on and off for each one of the different entities.

This is an odd one. You have one country in the world where a word has a deeper meaning, it can really mess with design plans. ...But we have a difficult situation here so I guess we'll be looking at putting different sound chips in the dolls heading there [Britain].

If your motives aren't clean, money itself becomes evil. But When we don't have money enough evil, the world tells us we're losers. So what determines our place in society is not how much kindness is in our hearts but how much evil is in our wallet.

That became a big time in comic books because it's when people were starting to break out into independent stuff, the market was getting choked with speculators and everybody was trying to do their own trick covers.

A lot was happening, plus there were an enormous number of people in the industry that were going to conventions, so it was a pretty fun time. Also there was a lot of controversy and I was at the forefront of some of that.

Here is a fear for me, I never wanted to be one of those guys that was defined by a body of work 20 years old.

I think people would actually be surprised by what we put out. Unfortunately the shadow that the original founders cast was that they were just artists that can't write books so people swept the whole of Image with that paintbrush.

But again, I put in my time with Marvel and DC so there was that period of my life of trying to learn how to draw and tell stories in a proper fashion.

I got sort of disinterested in working for the system.

I guess we're all just wired different. I just got to the point where I got tired of people telling me what I can and can't do in my life.

I want to go to my grave a free man. Surviving against giants-that's victory.

I don't belong. Not here. Not now. I have to get back there. The bet was rigged, he made me believe. Now there's darkness in my soul. I want to die . . . again. But I choose to come back, why?

As much as we stereotype the women, we do it with the guys. The guys are all good looking, not too many ugly superheroes. They've all got their hair gelled back. They have got perfect pecs on them. They have no hair on their chest. I mean, they are Ryan Gosling on steroids. Right? They are all beautiful. So we actually stereotype and do it to both sexes. We just happen to show a little more skin when we get to the ladies.

I remember there was someone. Someone to love. Someone to hate. And I was something. Something special. And proud of it. For a time. Then they turned on me. He turned on me. I remember . . . dying.

I still do some inking here and there and I've actually got a book that I'm going to ink entirely.

Ive been fortunate to come on places where the question isnt why did I do it? The question to me is always, why didnt anybody else do it before me? Those are the ones that I scratch my head about.

Once again your mind explodes with a searing pain. A floodgate of memories bursts wide. Yet it is her face that keeps haunting you. Always her face. Who is she? Then things begin to crystallize. You remember your funeral. Begging and pleading for someone to release you from the darkness. You're not dead. You can't be. Then you feel her presence. Warm, caring, soothing. But somewhere deep inside she feels empty now. She has no reason. No meaning. No soul. But your soul lives. While her's is dying.

The attempt is that we want to get a couple of minutes under our belt, depending on how good the tests are and take that into Hollywood. The fallback is we're going to DVD anyways. We've got that covered.

The deal is that you can do it, you don't really owe me anything, but at the end of it, I own the film. Then I can actually go out and reprint or not reprint if it I want.

I guess