Spalding Gray quotes:

When I first came to New York City in 1967, I joined up with Richard Schechner's Performance Group - where we worked in the Performing Garage in SoHo.

I think of New York as a puree and the rest of the United States as vegetable soup.

I may look like an American WASPy doctor or lawyer, but I feel just like Woody Allen. Don't cast me for my looks - I have a very ironic, existential, crazy Jew in me.

What's so fascinating about New Yorkers is that each person has a whole lexicon of personal logic in the way that they decipher and do what has to be done to enjoy, stay alive, take pleasure in this place.

I'm the man who sits behind a table and tells true stories from his life. I'm also an actor. I was trained as an actor at Emerson College, and I use that training to play myself.

I fantasize about going back to high school with the knowledge I have now. I would shine. I would have a good time, I would have a girlfriend. I think that's where a lot of my pain comes from. I think I never had any teenage years to go back to.

When Mom had her first nervous breakdown, she said she had a vision of Christ coming to her in the living room.

Skiing is better than sex actually, because for me a good round of sex might be seven minutes. Skiing you can do for seven hours.

One of the ways to reincarnate is to tell your story.

Radio allowed me to be a creator, and TV stole that creation from me by literalizing - and to some extent limiting - my vision.

He won't fly on the Balinese airline, Garuda, because he won't fly on any airline where the pilots believe in reincarnation.

I was raised as an upper-class WASP in New England, and there was this old tradition there that everyone would simply be guided into the right way after Ivy League college and onward and upward. And it rejected me, I rejected it, and I ended up as a kind of refugee, really.

I think of my father and how confused he was by me. He understood my love for theater, and he understood that New York City was the only place that it was happening in America, really, in any live way.

If I can make people laugh it's like being a good lover.

I refer to jet lag as 'jet-psychosis - there's an old saying that the spirit cannot move faster than a camel.

The fact that New York continues in the face of all of the chaos, of the crime, of the madness, you just think that it would just pop and vanish, just explode.

I say that I can't make anything up. I think of myself as a collage artist. I'm cutting and pasting memories of my life. And I say, I have to live a life in order to tell a life. I would prefer to tell it because telling you're always in control, you're like God.

I was darkly convinced that at age 52 I would kill myself because my mother committed suicide at that age. I was fantasizing that she was waiting for me on the other side of the grave.

I'm kind of this control freak that likes to create his own hells before the real one can get to him

How theraputic it is to surrond yourself with people stranger than yourself.

I knew I couldn't live in America and I wasn't ready to move to Europe so I moved to an island off the coast of America - New York City .

Everything is contingent, and there is also chaos.

All the beautiful waitresses existed like eternal responsibilities.

I consulted a therapist at Mass. General. After about 20 minutes, he stopped me and said, 'You're just a big existential garbage pail. Go home and relax.'

And just as I was climbing into that first-class seat, and wrapping myself in a blanket, just as I was adjusting my pillow behind my head, and having a sip of that champagne, and just as I was bringing down and adjusting my Thai purple sleep mask, I had an inkling. I had a flash. I suddenly thought I knew what it was that had killed Marilyn Monroe.

I hadn't had a perfect moment yet. And it's very important for me to have perfect moments in exotic countries like that... it kind of lets you know when it's time to go home...

I see [my pen] as an extension of my musculature. It's like being a painter. It's the closest I can get to my breath.

I understood once I held a baby in my arms, why some people have the need to keep having them.

Real life has always let me down. That's why I do the monologues. I have always said I would rather tell a life than live a life. But I have to live a life in order to tell one.

The only thing I don't doubt is my doubt.

To be famous is to be stuck in an inflexible place. But at least it is to be stuck with money.

When I was in therapy about two years ago, one day I noticed that I hadn't had any children. And I like children at a distance. I wondered if I'd like them up close. I wondered why I didn't have any. I wondered if it was a mistake, or if I'd done it on purpose, or what. And I noticed my therapist didn't have any children either. He had pictures of his cats on the wall. Framed.