Sarah Paulson quotes:

It's OK to sit in the Golden Globe room and look around and think, 'Oh, Helen Mirren's a loser tonight, so is Nicole Kidman. Meryl Streep lost tonight. Jessica Lange didn't win.' If you're gonna be in the company of losers, that's the company to be in.

I love the idea of people walking away with the idea of hope and possibility.

I was constantly, always and forever, trying to perform the musical 'Annie' for anyone who would listen, and I have a terrible singing voice. It was the first thing that made me think I wanted to be an actress.

I'd love to be in the '70s. I'd love to have a big, long wig parted down the middle with flat-ironed hair and bell-bottoms. They're actually very flattering for my figure. The wider the leg, the better for a person with a booty.

Sometimes I think on television, you use maybe a tenth of what you are able to do. So it's nice to go, 'Well, I'm gonna take two months and reinvest in acting and storytelling.' You don't get to do that on television.

My sister's a big karaoke person, and she's never been able to get me to do it.

Acting is doing. The more you do, the more you learn. Work begets work.

To not have any hope is where things start to get really bleak. Things are possible. The impossible can be possible.

The idea of being on a show where each season stands alone, and you can come back the next year and show an entirely different aspect of your personality or your talent or your anything is an enormous gift that you rarely get in television.

I work in the '60s more than I've done anything else. I did a movie, called 'Down with Love', in the '60s. I did a movie for HBO about the Johnson administration in the '60s.

I had gone away from Twitter because before people had been so mean to me. Talking about my lisp and my enormous forehead and all these things. I do have a lisp, I do have a forehead I know you could land a plane on, it's no mystery to me. I just didn't have the skin for it.

I've only been to one concert in my life.

To me, most of life kind of lives in the grey and I don't just mean morally. I just mean kind of everything. If things were black and white it would be a lot clearer as to what to do all the time.

All my friends went to the Madonna concert when I was in, maybe, the 9th grade, and my mother refused to let me go.

If you heard me sing, you would just plug your ears and run, screaming, the other way. I promise.

I usually feel like the role comes to you to sort of illuminate some piece of where you are in your life. I feel like I myself am a single woman and I'm childless - by choice - at this point, and I don't know what will happen.

I played a lesbian reporter in 1964, who was incarcerated, and ended the series as a 75-year-old woman. And then, I was a witch blinded by acid who became the Supreme, and took my mother's energy and life, so that I could live and she would die. And then, I was conjoined twins. And then, I played a heroin addict.

All of my friends went to college and I got a job at Circle Pizza, where I worked for 24 hours. I had to call my mother four times to ask her how to spell Parmesan. I'm not kidding. I was a terrible speller. I think I was really nervous that I somehow didn't feel right out in the world in that way.

Anything is possible, and the truth is any human being at any given moment, no matter how good they are - not only at their job but also as a person - they're capable of anything, and it's not always a conscious thing.

I am a person who is not mated.

I could feel my body temperature - I knew I was bright red. It was so humiliating, I was so upset, and it was nothing I had planned to do. It was just one of those beautiful moments, the alchemy of acting that is so mysterious, where you sort of go, "How did that come out of me?"

I could never have thought, "I wanna play a two-headed woman." That just never would have occurred to me, in a million years.

I do like the immediacy of audience's reaction. I like when I can hear the stillness and I know that they're with us.

I have been sitting around waiting for an opportunity to get to do something that matters for so long. Not just that matters in the world, which I think that season, in particular, had a very important meaning for a lot of people, but for me, as an actress.

I like that feeling in your brain when you've got seven things that you're holding in one moment-you heard that person cough, you heard that person laugh, you're also saying your line, you're also listening to the person who's talking to you.

I like the ritual of putting on my makeup, putting on my costume, doing my warm-ups. I eat the same dinner every night before I go on stage. I like having something that I can count on, something that feels stabilizing for me.

I remember feeling the temperature change the first time the curtain came up, the difference between the audience temperature and the stage temperature. I'll never forget it.

I think it's very important for people to not judge the people you're playing. You have to find a way to love them because their story is theirs. I just don't think there would be any use in that.

I was a victim of what most people are a victim of, which is really, really just gulping down what was being fed to me by the media.

If I had my druthers, I would be working in all different mediums, forever.

If you get on a TV show that's successful, odds are that you're playing the same character for as many years as the show is running, which can be its own blessing, but it can also be a curse because you're playing the same thing and that can be tiresome.

I'm addicted to routine. I don't know if that's because I moved around so much as child - by the time I was 12 years old, I had lived in about 10 different places. But I like going to the theater at a certain time.

I'm interested in telling the character's story, not my beliefs, political or otherwise.

I'm one of those actors who's just standing there, waiting and ready for something to come my way. I don't really try to think about, "Oh, I feel the next thing I should do should be a feature. Now, I think I should do a play." I just hope someone wants to cast me in something.

I'm sporting some really blonde hair because I live in Hollywood and I'm an actress.

I've always really made my living in television. Television has always been so good to me.

I've never been on a show that's run for more than a season.

My great love is the stage because I do feel like it's the place where, if you're lucky and everything is firing in the right way, you have the greatest shot at being successful. I don't mean by getting great reviews, but I mean by finding the core fo the person that you're playing.

No, I'm not a Republican working in Hollywood, I am a Democrat.

Nobody could ever say as many terrible things to me as I say to myself.

The theater commitment is hard, especially in conjunction with a television commitment. That's a big, long commitment.

The thing I worry about for myself is I spend a lot of time alone, and another person comes around and you're like, 'What are you doing here? Get out of here.

There are rules, and when certain things happen, there are ceratin consequences.

When I have brown hair I feel the most like myself, but I don't feel glamorous. It's a disgusting thing to admit.

When I look at my career, the bulk of it has been television, and I love working in television. But there's a speed at which you do it. You're doing seven to ten pages a day on a series, and it's hard to feel like you're doing the detail-oriented work that I like to do.