Roger Scruton quotes:

Concerning no subject would [George Bernard] Shaw be deterred by the minor accident of total ignorance from penning a definitive opinion.

Sometimes the intention is to shock us. But what is shocking first time around is boring and vacuous when repeated.

We should not value education as a means to prosperity, but prosperity as a means to education. Only then will our priorities be right. For education, unlike prosperity is an end in itself. .. power and influence come through the acquisition of useless knowledge. . . irrelevant subjects bring understanding of the human condition, by forcing the student to stand back from it.

Something of the child's pure delight in creation survives in every true work of art.

Music exists when rhythmic, melodic or harmonic order is deliberately created, and consciously listened to, and it is only language-using, self-conscious creatures ... who are capable of organizing sounds in this way, either when uttering them or when perceiving them. We can hear music in the song of the nightingale, but it is music that no nightingale has heard.

Architecture, like dress, is an exercise in good manners, and good manners involve the habit of skillful insincerity - the habit of saying "good morning" to those whose mornings you would rather blight, and of passing the butter to those you would rather starve.

In place of the old beliefs of a civilization based on godliness, judgment and historical loyalty, young people are given the new beliefs of a society based on equality and inclusion, and are told that the judgment of other lifestyles is a crime. ... The "non-judgmental" attitude towards other cultures goes hand-in-hand with a fierce denunciation of the culture that might have been one's own

When art becomes merely shock value, our sense of humanity is slowly degraded.

Through the pursuit of beauty we shape the world as a home, and in doing so we both amplify our joys and find consolation for our sorrows.

The sexual parts are not only vivid examples of the body's dominion; they are also apertures whose damp emissions and ammoniac smells testify to the mysterious putrefaction of the body.

Art and music shine a light of meaning on ordinary life, and through them we are able to confront the things that trouble us and to find consolation and peace in their presence.

There are no chords in modernist architecture, only lines - lines that may come to an end, but that achieve no closure

Affect not to despise beauty: no one is freed from its dominion; But regard it not a pearl of price--it is fleeting as the bow in the clouds.

Art has the ability to redeem life by finding beauty even in the worst aspect of things.

The consolation of imaginary things is not imaginary consolation.

Beauty can be consoling, disturbing, sacred, profane; it can be exhilarating, appealing, inspiring, chilling. It can affect us in an unlimited variety of ways. Yet it is never viewed with indifference: beauty demands to be noticed; it speaks to us directly like the voice of an intimate friend. If there are people who are indifferent to beauty, then it is surely because they do not perceive it.

[Burke] emphasized that the new forms of politics, which hope to organize society around the rational pursuit of liberty, equality, fraternity, or their modernist equivalents, are actually forms of militant irrationality.

The two most potent post-war orthodoxies--socialist politics and modernist art--have at least one feature in common: they are bothforms of snobbery, the anti-bourgeois snobbery of people convinced of their right to dictate to the common man in the name of the common man.

The problems of philosophy and the systems designed to solve them are formulated in terms which tend to refer, not to the realm of actuality, but to the realms of possibility and necessity: to what might be and what must be, rather than to what is.

In argument about moral problems, relativism is the first refuge of the scoundrel.

A philosopher who says, 'There are no truths, only interpretations,' risks the retort: 'Is that true, or only an interpretation?'

[T]o teach virtue we must educate the emotions, and this means learning "what to feel" in the various circumstances that prompt them.

A civilization is a social entity that manifests religious, political , legal, and customary uniformity over an extended period, and which confers on its members the benefits of socially accumulated knowledge.

A philosophy that begins in doubt assails what no-one believes, and invites us to nothing believable

All of us need an identity which unites us with our neighbours, our countrymen, those people who are subject to the same rules and the same laws as us, those people with whom we might one day have to fight side by side to protect our inheritance, those people with whom we will suffer when attacked, those people whose destinies are in some way tied up with our own.

Art once made a cult of beauty. Now we have a cult of ugliness instead. This has made art into an elaborate joke, one which by now has ceased to be funny.

Beauty is assailed from two directions - by the cult of ugliness in the arts, and by the cult of utility in everyday life.

Beauty is vanishing from our world because we live as though it does not matter.

Beauty matters. It is not just a subjective thing but a universal need of human beings. If we ignore this need we find ourselves in a spiritual desert.

Being unpopular is never easy; but being unpopular in a good cause is a shield against despair.

Classical buildings endure because they are loved, admired and accepted, and enjoy an innate adaption to human needs and purposes.

Cognitive states of mind are seldom addictive, since they depend upon exploration of the world, and the individual encounter with the individual object, whose appeal is outside the subject's control. Addiction arises when the subject has full control over a pleasure and can ponder it at will. It is primarily a matter of sensory pleasure, and involves a kind of short-circuiting of the pleasure network. Addiction is characterized by a loss of the emotional dynamic that would otherwise govern an outward-directed, cognitively creative life.

Conservatism is itself a modernism, and in this lies the secret of its success.

Conservatives resonate to Burke's view of society, as a partnership between the living, the unborn and the dead.

Creativity is not enough... the skill of the true artist is to show the real in the light of the ideal and so transfigure it.

Faith exalts the human heart, by removing it from the market-place, making it sacred and unexchangeable. Under the jurisdiction of religion our deeper feelings are sacralized, so as to become raw material for the ethical life: the life lived in judgement.

Fantasy consists in a morbid fascination with unrealities, which secretly transforms itself into a desire to make them real. Imagination is a form of intellectual control, which presents us with the image of unrealities in order that we should understand and feel distanced from them. In imagination we dominate; in fantasy, we are dominated.

Freedom can reside only in a point of view, a way of looking upon the system of necessity.Surely this is the one freedom that we may attain to: not to be released from physical reality, but to understand reality and ourselves as part of it, and so be reconciled to what we are.

If you consider only utility, the things you build will soon be useless... nobody wants to be in it.

In 1970s Britain, conservative philosophy was the preoccupation of a few half-mad recluses.

In all the areas of life where people have sought and found consolation through forbidding their desires-sex in particular, and taste in general-the habit of judgment is now to be stamped out.

In literary representation, the distinction between the genuinely erotic and the licentious is a distinction not of subject-matter, but of perspective. The genuinely erotic work is one which invites the reader to re-create in imagination the first-person point of view of someone party to an erotic encounter. The pornographic work retains as a rule the third-person perspective of the voyeuristic observer.

In our democratic culture people often think it is threatening to judge another person's taste. Some are even offended by the suggestion that there is a difference between good and bad taste, or that it matters what you look at or read or listen to.

In the absence of organized religion, the only vehicle for redemption is art - not just the fragmentary arts of painting or music or poetry, but the kind of art that creates a whole world in itself and in that world we see ourselves reflected and see our religious life perfected.

In the attacks on the old ways of doing things on word in particular came into currency. That word was "kitsch." Once introduced, the word stuck. Whatever you do, it musn't be kitsch. This became the first precept of the modernist artist in every medium.

It is not enough to be nice; you have to be good. We are attracted by nice people; but only on the assumption that their niceness is a sign of goodness.

It is not the truth of Marxism that explains the willingness of intellectuals to believe it, but the power that it confers on intellectuals, in their attempts to control the world. And since, as Swift says, it is futile to reason someone out of a thing that he was not reasoned into, we can conclude that Marxism owes its remarkable power to survive every criticism to the fact that it is not a truth-directed but a power-directed system of thought.

Kant's position is extremely subtle - so subtle, indeed, that no commentator seems to agree with any other as to what it is.

Like adverts, today's works of art aim to create a brand, even if they have no product to sell except themselves.

Marriage does not exist for the benefit of the present generation but for the benefit of the next

Modern art was born from a desire to destroy kitsch.

Modernism in architecture went hand in hand with socialist and fascist projects to rid old Europe of its hierarchical past

Modernist buildings exclude dialogue, and the void that they create around themselves is not a public space but a desertification

Music addresses us from beyond the borders of the natural world

Nothing is more useful than the useless.

Private property is one of the best institutions which has ever evolved, to protect us from the bullying of others.

Sanctions make a substantial contribution to power based on privation, and they have never hurt a single despot in the whole history of their use.

Science proposes something and then does everything it can to disprove it. Religion is not like that. It proposes something and does everything it can to keep it from being disproved.

State solutions are imposed from above; they are often without corrective devices, and cannot easily be reversed on the proof of failure. Their inflexibility goes hand in hand with their planned and goal-directed nature, and when they fail the efforts of the state are directed not to changing them but to changing people's belief that they have failed.

States are more like people than they are like anything else: they exist by purpose, reason, suffering, and joy. And peace between states is also like peace between people. It involves the willing renunciation of purpose, in the mutual desire not to do, but to be.

Styles may change, details may come and go, but the broad demands of aesthetic judgement are permanent.

The abstract, unreal freedom of the liberal intellect was really nothing more than childish disobedience, amplified into anarchy.

The art establishment has turned away from the old curriculum which puts beauty and craft at the top of the agenda.

The best evidence of a mind is when you change it

The conservative response to modernity is to embrace it, but to embrace it critically, in full consciousness that human achievements are rare and precarious, that we have no God-given right to destroy our inheritance, but must always patiently submit to the voice of order, and set an example of orderly living.

The core of common culture is religion. Tribes survive and flourish because they have gods, who fuse many wills into a single will, and demand and reward the sacrifices on which social life depends.

The culture of a civilization is the art and literature through which it rises to consciousness of itself and defines its vision of the world.

The ethical life... is maintained in being by a common culture, which also upholds the togetherness of society... Unlike the modern youth culture, a common culture sanctifies the adult state, to which it offers rites of passage.

The first effect of modernism was to make high culture difficult: to surround beauty with a wall of erudition.

The future of mankind, for the socialist, is simple: pull down the existing order and allow the future to emerge.

The music takes over the words and makes them speak to me in another language.

The pageant of a former hour, Is Beauty in the Grave.

The relation of the soul to the body is like that of a house to its bricks. The soul is a principle of organisation, which governs the flesh and endows it with meaning. It is no more separable from the flesh than is the house from its bricks, even if the soul may survive the gradual replacement of every bodily part.

The welfare state that is built upon this conception seems to prove precisely away from the conservative conception of authoritative and personal government, towards a labyrinthine privilege sodden structure of anonymous power, structuring a citizenship that is increasingly reluctant to answer for itself, increasingly parasitic on the dispensations of a bureaucracy towards which it can feel no gratitude.

There is a crucial distinction to be made between innovation and originality. The second, unlike the first, can never break with what preceded it: to be original, an artist must also belong to the tradition from which he departs. To put it another way, he must violate the expectations of his audience, but he must also, in countless ways, uphold and endorse them.

There is a deep human need for beauty and if you ignore that need in architecture your buildings will not last

There is a sort of mystery to kitsch. When did it begin? If it is just simply another name for faking emotions, it ought to have been a permanent part of the human condition.

There's a real question as to what beauty is and why it's important to us. Many pseudo-philosophers try to answer these questions and tell us they're not really answerable. I draw on art and literature, and music in particular, because music is a wonderful example of something that's in this world but not of this world. Great works of music speak to us from another realm even though they speak to us in ordinary physical sounds.

This "knowing what to do"... is a matter of having the right purpose, the purpose appropriate to the situation in hand... The one who "knows what to do" is the one on whom you can rely to make the best shot at success, whenever success is possible.

To speak of beauty is to enter another and more exalted realm-a realm sufficiently apart from our everyday concerns as to be mentioned only with a certain hesitation. People who are always in praise and pursuit of the beautiful are an embarrassment, like people who make a constant display of their religious faith. Somehow, we feel such things should be kept for our exalted moments, and not paraded in company, or allowed to spill out over dinner.

Unlike every other product that is now manufactured for the table, wine exists in as many varieties as there are people who produce it. Variations in technique, climate, grape, soil and culture ensure that wine is, to the ordinary drinker, the most unpredictable of drinks, and to the connoisseur the most intricately informative, responding to its origins like a game of chess to its opening move.

Were we to aim in every case at the kind of supreme beauty exemplified by Sta Maria della Salute, we should end with aesthetic overload. The clamorous masterpieces, jostling for attention side by side, would lose their distinctiveness, and the beauty of each of them would be at war with the beauty of the rest.

When gifts are replaced by rights, so is gratitude replaced by claims. And claims breed resentment

When many people individually get what they want, the result may be something they collectively dislike.

When truth cannot make itself known in words, it will make itself known in deeds.

Wine is not just an object of pleasure, but an object of knowledge; and the pleasure depends on the knowledge.