Roger Rosenblatt quotes:

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  • Every writing teacher gives the subliminal message, every time they teach: 'Your life counts for something.' In no other subject that I know of is that message given.

  • The God I do believe in is the God who doesn't care: James Joyce's God who stands back, paring his fingernails.

  • Remote control. Ingenious contradiction of terms. Fits like a handshake. Aims like a gun.

  • If the sad truth be known, writers, being the misfits we are, probably ought not to belong to families in the first place. We simply are too self-interested, though we may excuse the flaw by calling it 'focused.'

  • If you're going to believe in God, if you're going to take that leap of faith, as I do, then the God that seems the most comprehensible to me would be the God who set us spinning and said 'Good luck.'

  • Uncle Scrooge preferred to let the poor die "and decrease the surplus population." Scrooge may not have had God on his side, but his arithmetic was impeccable.

  • Whatever brief delights it provides, mere strangeness in poetry and prose eventually leaves us cold, especially when we suspect the writer is stretching for effect to avoid the actual life before his eyes.

  • I think there must be something wrong with me as a writer. Because all my friends who are writers find reasons to hate everything about their day. But I just love writing. I love starting the day with language and seeing if I can make something of it.

  • The only reason I wanted 'Making Toast' as the title is that it is a simple gesture of moving on. Every morning there's the bread and you make the toast and you start the day.

  • The trick in foraging for a tooth lost in coffee grounds is not to be misled by the clumps. The only way to be sure is to rub each clump between your thumb and index finger, which makes a mess of your hands.

  • For those at home, as well as for those in battle, war is curiously disabling. The mere realization that one's country is at war poisons the bloodstream, creates an incessant mood of worry that infiltrates even the most casual moments.

  • Why, for example, do the great writers use anticipation instead of surprise? Because surprise is merely an instrument of the unusual, whereas anticipation of a consequence enlarges our understanding of what is happening.

  • My guess [is] . . . that the great majority of Americans are saying they favor gun control when they really mean gun banishment. . . . I think the country has long been ready to restrict the use of guns, except for hunting rifles and shotguns, and now I think we're prepared to get rid of the damned things entirely - the handguns, the semis and the automatics.

  • One senses, in all autobiography, a straining toward perfection, perfection of a kind that connects the individual with a cosmic pattern which, because it is perfect in itself, verifies that individuals own potential perfection.

  • The best in art and life comes from a center - something urgent and powerful, an idea or emotion that insists on its being. From that insistence, a shape emerges and creates its structure out of passion. If you begin with a structure, you have to make up the passion, and that's very hard to do.

  • The belief in potential human virtue underlies the whole idea of the Bill of Rights; the document is a very tough guardian of that belief.

  • If you need three adjectives to describe something, then you've probably chosen the wrong something.

  • No writer besides Shakespeare has created more memorable characters attached to vices and virtues. In even their least sympathetic characters, one senses a kind of helplessness to passion quivering between the poles of good and evil.

  • A five-year old is in a pretty good position to assess who is beautiful and who is not. Removed from the confusions of sexuality, he or she can judge a face as a face.

  • Anytime you make a person into something other than himself, you make a monster.

  • Blame is especially useful in situations in which there is no apparent villain-those moments that prove, despite our advancement of learning, how susceptible we are to high winds and wet roads.

  • Come September, children return to school, grownups to work, and the brain to the head.

  • Death is something that happens to others, you think, until it happens to you.

  • A library should be like a pair of open arms.

  • Children love to be alone because alone is where they know themselves, and where they dream.

  • Death is too much for men to bear, whereas women, who are practiced in bearing the deaths of men before their own and who are alsopracticed in bearing life, take death almost in stride. They go to meet death--that is, they attempt suicide--twice as often as men, though men are more "successful" because they use surer weapons, like guns.

  • Do not keep company with people who speak of careers. Not only are such people uninteresting in themselves; they also have no interest in anything interesting. . . . Keep company with people who are interested in the world outside themselves. The one who never asks you what you are working on; who never inquires as to the success of your latest project; who never uses the word career as a noun -- he is your friend.

  • Friends are lights in winter; the older the friend, the brighter the light.

  • Get rid of the guns. We had the Second Amendment that said you have the right to bear arms. I haven't seen the British really coming by my house looking for it. And besides, the right to bear arms is not an absolute right anyway, as New York's Sullivan Law proves. We talk about ourselves as a violent society, and some of that is right and some of it is claptrap. But I think if you took away the guns, and I mean really take away the guns, not what Congress is doing now, you would see that violent society diminish considerably.

  • If a man spends enough time in a library, he may actually change his mind. I have seen it happen.

  • If you put anger in the writing, then it's like an actor crying on stage. The audience will not cry with the actor and in some way inure itself against the emotion.

  • Just because the person who criticizes you is an idiot doesn't make him wrong.

  • Live in the past, but don't remember too much.

  • One of the very important things that have to be learned around the time dying becomes a real prospect is to recognize those occasions when we have been useful in the world.

  • Only by moving in the direction you least trust can you be saved

  • Slum kids die slowly, their lives eroded at so languid a pace that even they would have trouble tracing the disintegration. To the children of war death explodes like a car bomb.

  • The Constitution is more than literature, but as literature, it is primarily a work of the imagination. It imagined a country: fantastic. More fantastic still, it imagined a country full of people imagining themselves.

  • The God worth worshipping is the one who pays us the compliment of self - regulation, and we might return it by minding our own business.

  • The problem with death is absence

  • There is nothing like a man for bringing out the animal in an animal.

  • Time can be such a menace to a man. By this age do that; by that age do better.

  • What is the difference between grief and mourning? Mourning has company.

  • Whatever you think matters - doesn't. Follow this rule, and you will add decades to your life.

  • When you have the goods, you don't need to dress up what you're writing.

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