Robin Wasserman quotes:

I believed in happily ever after as much as anyone, because Jane Austen, Prince Charming, and Hugh Grant promised me it could happen. But maybe that particular delusion was universal.

Full Disclosure: I hate David with the passion of a thousand fiery suns all going to supernova at the same time

Popularity gives you power only over people who care about being popular. Ostracism gives you power only over those who fear being ostracized.

There are some moments you'd rather sleep through, pass from point A to point B without awareness of the time passing or the events that carry you from present to future. And it's mostly those moments in which it's smarter-safer- to stay awake.

'The Waking Dark' is about what happens when something awakens a town's darkest impulses and unleashes them on the world.

I try not to think too much about an audience when I'm writing the first draft of a book - at that stage, the prospect of anyone reading what I've written would be enough to scare me into setting my laptop on fire.

Instead of inventing imaginary friends, I invented whole imaginary worlds. They were elaborate scenarios about spies and adventurers and top secret missions. I crawled along my swing set, searching for escape routes from my maximum-security prison; I biked through the neighborhood, the wind in my hair and a fleet of evildoers on my heels.

I used to be an obsessive outliner - figuring that writing without an outline was like jumping off a cliff and building a parachute on the way down.

I'm not one of those authors who claims to hear voices in my head or 'let the characters speak through me,' whatever that might mean.

Im not one of those authors who claims to hear voices in my head or let the characters speak through me, whatever that might mean.

Nor did I need anyone's pity, but I would accept it with grace, because I have been well trained. Rudeness was a sign of weakness. Grace stemmed from power, the powere to accept anything and move on.

Teen fiction should be about teenagers - no matter how many arguments there are about what YA lit should be, this seems like the one thing we can all agree on.

A fundamentalist is someone who wants to substitute what he believes for what you believe," Max said. "And someone who thinks he knows the will of God better than anyone else.

It's significantly more satisfying to kick a wall than it is to kick thin air. For the rebellious teen- or the teen who wants to feel like a rebel- a clearly defined law gives you something to define yourself against.

As someone who writes and teaches YA fiction, I spend a lot of time trying to define its character and readership, and I don't think I'm alone - genres are all about boundary drawing, and the YA genre is, in a lot of ways, about carving out boundaries around adolescence, a space for teenagers to do teenage things.

For me, the teen years were all about searching for a place for myself, wondering why I seemed so different than everyone else, wondering especially why no one could look past the surface and figure out who I really was underneath.

But things don't just fall apart. People break them.

In dreams you can become everything you're not. You can reverse the most fundamental truths of your life. You can taste death, the ultimate opposite.

Nobody likes me," he concluded at the tail end of a ten-minute pity fest. "Can't imagine why," Quinn murmured. I turned my snort of laughter into a fake cough, which was an embarrassingly feeble attempt at subterfuge when you consider the fact that I didn't have any lungs.

The only thing more dangerous than a willingness to ignore the Law is an ability to change it.

They ask how the universe is arranged, philosophers, mathematicians, and they draw pretty pictures, impossibilities on the page. They save phenomena by telling one ugly lie after another, epicycles upon epicycles, and the fools care not. It is not enough, I tell you, to ask how the cosmos is designed. We must ask why.

Now I existed solely thanks to the quantum paradox, my brain a collection of qubits in quantum superposition, encoding truths and memories, imagination and irrationality in opposing, contradictory states that existed and didn't exist, all at the same time.

I longed to return to that bloody riverbank, to throw myself in the path of the final arrow, to die ignorant, and so, in love. Better to be killed by an arrow than by the words of the one I most trusted.

And you know what? If there is a God, and it's that same God who's so eager to have temples built in honor of his greatness, and wars fought over him, and people dropping to their knees telling him what a wonderful, magnificent being he is? If this all-powerful, all-knowing creature for some reason just can't get by without my worship? Then let him give me some proof. Or at least get over himself if I decide to go out and get some.

Don't go looking in dark places, because dark things live there.

I guess that's the secret. It would never have occurred to Lia to want to escape -- but then she gets kicked out. Best thing that ever happened to her? I'm not sure she would say yes, because obliviousness tends to be rather pleasant, but once you realized you've been bolivious, there's no turning back. You can't un-know what you know. You know?

I should probably start with the blood.

I spent most of my teen years trying to figure out the rules of life, theories for why things happened, why people behaved as they did, and mostly I came to the conclusion that either there were no rules, or the rules sucked. Reading science fiction wasn't about imagining myself into some more exciting life filled with adventure, it was about finding a world where things worked the way I wanted them to.

I try not to think too much about an audience when Im writing the first draft of a book - at that stage, the prospect of anyone reading what Ive written would be enough to scare me into setting my laptop on fire.

Not that my arms are getting tired or anything, but... how much longer is the hugging phase going to last?

The Waking Dark is about what happens when something awakens a towns darkest impulses and unleashes them on the world.

They had battled and bloodied one another, they had kept secrets, broken hearts, lied, betrayed, exiled, they had walked away, said goodbye and sworn it was forever, and somehow, every time, they had mended, they had forgiven, they had survived. Some mistakes could never be fixed - some, but not all. Some people can't be driven away, no matter how hard you try. Some friendships won't break.

You don't even realize you're living in a before until you wake up one day and find yourself in an after.