Robert Glasper quotes:

When I have to compete with John Coltrane and Miles Davis and Louie Armstrong on iTunes, which I'm doing now, that's a problem. That means that jazz is not being heard by younger audiences.

If you really dissect hip-hop you will find a whole lot of Charles Mingus, Ron Carter, Ahmad Jamal, a lot of classic jazz samples in there.

My fan base is extremely random. It's the 14-year-old white kid sitting next to your auntie from St. Luke's Baptist Church, to the 20-year-old Black girl who probably would go to a Rihanna concert, but she's coming to my show.

"Cannonball Adderley said, 'First 20 minutes we'll jazz out, then the last hour it's gonna be songs that people paid to see.' Which is why he was driving a Rolls-Royce."

Instead of hearing, "Oh, he's good," I'd rather hear, "Wow, you changed my feelings today, you made me feel different."

I've gotten bored with jazz to the point where I wouldn't mind something bad happening. Slapping hurts, but at some point it'll wake you up. I feel like jazz needs a big-ass slap.

Jazz is a state of mind. There's no boundaries.

If I was a singer who won those Grammys, I'd be gracing all the magazine covers... I barely got asked to do an interview.

I think there's beauty in repetition. And that's part of my culture and African culture as well: repeated things, mantra. It's spiritual, it's meditation, it's Buddhism, it's praying, it's all these things.

I try to get the hip-hop aesthetic, most times without an MC. I don't use a rapper or a DJ to give it the hip-hop style; it's strictly the band that makes that music, which is a lot harder to do."

I'm not really married to the craft of jazz - I'm married to me, and my style, and whatever I produce.

Jazz is like a big secret club. The mainstream media doesn't pay any attention to it; it's, like, 1 percent of the music market - no one cares. Why? Because the majority of jazz is old.

Experiment is actually doing the art. That's the experiment and then you get to experience the experiment.

I grew up in church. That's how most young African American musicians learn how to perform. You could be six years old and playing organ or drums in front of thousands or hundreds of people.

Once I started getting mainstream people to my shows, I realized we were taking too many solos, and they were too long. I started gauging when people were going on their iPhones.

My first memories of life were in rehearsal; that's why I can sleep through anything.

It came from my mother. She was a singer, and literally every day of the week she sang at a different club in a different genre of music: country, R&B clubs, jazz clubs, church on Sunday morning where she was the music director, pop hits, soft rock. I grew up listening to all this music, so it was never one thing for me.

I started out playing traditional jazz, and I still do: I love standards, I love the music. But it must move on, and it must live and breathe, and continue to grow, and continue to change, and continue to mesh with other music - all that kind of stuff. Jazz can be on the playground too, you know.

When music is crashing around us, when you hear the same five songs on the radio that aren't really saying much, we can always go back to great music. Great music always lives on.

Jazz is like a big secret club. The mainstream media doesn't pay any attention to it, it's like 1 percent of the music market - no one cares. Why? Because the majority of jazz is old,

A lot of times, jazz musicians try to educate people. What other genre does that?

Everybody's not going to like jazz, let's just be honest about it. Everybody doesn't like everything. There's a disconnect in generations and some people just aren't going to feel that music.

I do feel a responsibility because most people like me that are my age or younger, they don't quite make it over to the jazz side. They flirt with it, but they don't quite marry it.

I feel like certain people think that certain styles of music will taint their jazz style.

I think there's good music out there. I just think that radio stations don't play it.

It's the repetitive thing that brings space. That's one of the things I love secretly about hip-hop. Jazz doesn't have that element. It changes every bar, nothing is ever the same.

Ive heard some people say that Im selling out, but Im not. If I hadnt done Black Radio, and just kept on doing just piano trio stuff, I wouldnt be honest with myself; Id be doing it to please other people. That would be selling out.

My first memories of life were in rehearsal; thats why I can sleep through anything.

There is a modern take on certain things you can do that, to me, is still jazz.

When I hear the words jazz pianist, that just means I have the skills to do most things. Because to be a jazz pianist, even to be a bad jazz pianist, you have to be pretty good.

You've got to be uncomfortable and rise to different occasions in order to become your best. No one is born a hero, but things happen and your response makes you a hero. It's instinctual, it's something that you may not even realize is there.