Nick Antosca quotes:

I don't think I've ever bench-pressed anything in my life. Until about two years ago I swam a mile almost every day. Then I stopped and I lost a lot of weight because my appetite was less. I'm not skinny now - I'm spindly. I eat an extremely simple diet - mostly salmon, avocado, feta cheese, chicken, eggs, peanut butter, blueberries, and quinoa.

Horror is so basic. You'd get an adrenaline jolt from watching your mom get gored by a woolly mammoth. A horror movie gives you the adrenaline without having to have your mom get gored.

I was tired of working in an office and I wanted to make a living telling stories. There are not many people who find a way to do this.

I write out of enthusiasm. Momentum that comes from a new idea. Eagerness to explore. I also write out of fear - fear of losing an idea - fear of feeling stagnant.

The Shield made me realize there were great opportunities for writers in TV.

I feel like having an actual taxidermy-ed mammal would get gross, like its hair would get dirty and stuff.

I love horror movies. I consider myself a horror author, sometimes.

I rarely exercise at all, except I have some hand weights that I'll lift idly while I'm watching TV. I did do some push-ups last week and somehow hurt my shoulder.

I'm not disciplined in terms of scheduling. I work best late at night, but I can't do that when I'm on a TV show - our hours are roughly 10-6:30, so I have to go to sleep at a reasonable hour. So I'll sometimes write fiction for an hour or two in the evenings, or several hours on the weekend afternoons - unless I'm actively writing a script for the show I'm working on, in which case there's no time to write fiction at all.

Los Angeles is more hospitable to writers [Than NY]. It's less claustrophobic. It feels more unpredictable and dangerous, and the landscape is less structured. You see coyotes lurking all over the place. It just feels wilder and more dangerous.

Sometimes I try to meditate, which I hope will help, but it doesn't really. But lots of times my dreams have the seed of an intriguing story.

Yeah, most guys don't like to think about going to a bar with a girlfriend and watching her leave with someone else.

I don't really think in terms of the future of literature. I think literature will be around "forever" - but in a relatively niche way, like jazz and poetry, although probably more widely consumed than jazz and poetry since it's fundamentally a narrative form. And I think that's important and places like Word Riot and The New York Tyrant and n+1 will be responsible for keeping it alive.

Fiction and screenwriting blend for me. I feel like being a TV writer/screenwriter has definitely made my fiction writing better, although I have less time to do it.

I own some bugs encased in lucite or something. I also have a big cat's eye - a fake one - made for a taxidermist. I really like animals.

I think the reason the stories are briskly paced, when they are, is that I like story. I like stories where things happen and there are surprises and reversals, in addition to vivid characters and a memorable voice. So those are the kinds of stories I try to write. And it turns out that's pretty much the only kind of writing that works for TV. It's a medium that just devours story, demands surprises and reversals. So my sensibility is suited to TV storytelling, at least as we think of it today.

In fiction, I have a residual guilt when I focus on story over language or mood or whatever - the more "literary" things. In screenwriting, I don't have that guilt because story is the only thing. Character, dialogue, everything else - they feed into and drive story.

We're lucky to be in the middle of a TV renaissance. It's the healthiest storytelling medium in our culture.

I'm glad people see some of the stories that way. I see where they're coming from, although none of the stories are specifically intended to arouse. There is a gender divide on the short story "The Girlfriend Game" - women seem to consider it "sexy" but men usually find it uncomfortable.