Margot Livesey quotes:

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  • Passonate, irreverent, utterly relevant, Billy Lynn's Long Halftime Walk offers an unforgettable portrait of a reluctant hero. Ben Fountain writes like a man inspired and his razor sharp exploration of our contemporary ironies will break your heart.

  • A vivid portrait of a teenage girl and her family in disarray. Meredith is a wonderful narrator, witty, feisty, full of yearning, and the story she tells is as complicated as life itself. This is a richly satisfying novel.

  • If someone tells you a lie, they're not telling you the truth, but they are telling you something. It just takes longer to figure out what.

  • Barry recounts all this in prose of often startling beauty. Just as he describes people stopping in the street to look at Roseanne, so I often found myself stopping to look at the sentences he gave her, wanting to pause and copy them down.

  • If you feel yourself to be a full member in the world, you probably won't turn to writing, because other methods of communication, more direct methods, will strike you as being more available.

  • Running, I soon realized, was the best way to stay ahead of fear.

  • In his scintillating new novel, Matt Bondurant explores a crucial period in the history of Virginia and of his family. His gorgeous, precise prose brings to life an amazing cast of characters, including Sherwood Anderson, and the often deadly battles of Prohibition. The Wettest County in the World is a remarkably compelling, highly intelligent, and deeply moving novel.

  • he had found himself thinking that marriage was not merely an empty ritual. It was a plea for patience on the part of those involved, and for the mercy on the part of bystanders.

  • As far as I'm concerned it's the other way round. We repeat what we remember. Only forgetfulness sets us free.

  • In How to Be an American Housewife Margaret Dilloway creates an irresistible heroine. Shoko is stubborn, contrary, proud, a wonderful housewife and full of deeply conflicted feelings. I wanted to shake her, even as I was cheering her on, and this cunningly structured novel allowed me to do both. It also took me on two intricate journeys, from post-war Japan and the shadow of Nagasaki to contemporary California, and from motherhood to daughterhood and back again. A profound and suspenseful debut.

  • In The Care and Management of Lies the wonderfully talented Winspear writes irresistibly about the First World War, both in the trenches of France and the fields of England. Her richly complex characters walk right off the page and into our imaginations, as we fight with them, farm with them, cook with them. I devoured this dazzling novel.

  • In The Last of Her Kind, Sigrid Nunez once again creates characters of such depth and situations of such vivid moral complexity that reading these pages is like living them. Only as I closed the book did I sadly realize that Georgette and Ann weren't my neighbors. But happily I can revisit them again, and again, in this beautiful and absorbing novel.

  • In The Moon, Come to Earth Philip Graham takes us on the best kind of journey, as he simultaneously reveals the fascinating city of Lisbon--its neighborhoods, its writers, its customs, its cuisine--and offers an intimate portrait of his beloved family. With his far-reaching intellect Graham is the ideal travelling companion, and The Moon, Come to Earth is a beautiful and surprising book.

  • In the wake of her indispensable textbook, Janet Burroway now offers a splendid and concise guide to the thorny task of revision. Writers, young and old, will feel encouraged and enlightened by this excellent DVD which offers a wonderful range of specific advice and suggestive comments from a group of experienced and thoughtful writers.

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