Louise Bourgeois quotes:

I don't watch TV. I don't use a computer, a fax or a cellphone.

Clothing is . . . an exercise in memory. It makes me explore the past: how did I feel when I wore that. They are like signposts in the search for the past.

Look at it this way - a totem pole is just a decorated tree. My work is a confessional.

Tell your own story, and you will be interesting.

My mother was a restorer, she repaired broken things. I don't do that. I destroy things. I cannot go the straight line. I must destroy, rebuild, destroy again. My rhythm is not the same. My mother moved in a straight line: I go from one extreme to the other.

I was a 'runaway girl' from France who married an American and moved to New York City. I'm not sure I would have continued as an artist had I remained in Paris because of the family setup.

Artists are born not made. There's nothing you can do for them.

I know that when I finish a drawing, my anxiety level decreases. The realistic drawings are a way of pinning down an idea. I don't want to loose it. With the abstract drawings, when I'm feeling loose, I can slip into the unconscious.

I dont watch TV. I dont use a computer, a fax or a cellphone.

I was a runaway girl from France who married an American and moved to New York City. Im not sure I would have continued as an artist had I remained in Paris because of the family setup.

When my mother died, I fell apart. My father wanted to control me. As a consequence, I ran away to America.

I am a searcher... I always was... and I still am... searching for the missing piece.

My childhood has never lost its mystery, and it has never lost its drama.

To express your emotions, you have to be very loose and receptive. The unconscious will come to you if you have that gift that artists have. I only know if I'm inspired by the results.

A work of art doesn't have to be explained,

Art is a guarantee of sanity.

Art is a guarantee of sanity. That is the most important thing I have said.

Even though what I do does enter the market, it doesn't interest me. I am exclusively concerned with the formal qualities of my work. It is about the need and the right to self-expression.

In my sculpture, it's not an image I am seeking, it's not an idea. My goal is to re-live a past emotion. My art is an exorcism, and beauty is something I never talk about.

It is not so much where my motivation comes from but rather how it manages to survive.

At the dinner table when I was very little, I would hear people bickering... To escape the bickering, I started modelling the soft bread with my fingers. With the dough of the French bread %u2013 sometimes it was still warm %u2013 I would make little figures. And I would line them up on the table and this was really my first sculpture.

The twentieth-century artist who uses symbols is alienated because the system of symbols is a private one. After you have dealt with the symbols you are still private, you are still lonely, because you are not sure anyone will understand it except yourself. The ransom of privacy is that you are alone.

My art is a form of restoration in terms of my feelings to myself and to others.

To be an artist, you need to exist in a world of silence.

... geometry became a symbol for human relations, except that it was better, because in geometry things never go bad. If certain things occur, if certain lines meet, an angle is born. You cannot fail. It's not going to fail; it is eternal. I found in rules of mathematics a peace and a trust that I could not place in human beings. This sublimation was total and remained total. Thus, I'm able to avoid or manipulate or process pain.

A work of art doesn't have to be explained. If you do not have any feeling about this, I cannot explain it to you. If this doesn't touch you, I have failed.

An artist can show things that other people are terrified of expressing.

Art is a way of recognizing oneself...

Art is manipulation without intervention.

Don't get the green disease of envy. Don't be fooled by success and money. Don't let anything come between you and your work.

Every day you have to abandon your past or accept it and then, if you cannot accept it, you become a sculptor.

Everyone should have the right to marry. To make a commitment to love someone forever is a beautiful thing.

Everywhere in the modern world there is neglect, the need to be recognized, which is not satisfied. Art is a way of recognizing oneself, which is why it will always be modern.

For me, sculpture is the body. My body is my sculpture.

Horizontality is a desire to give up, to sleep. Verticality is an attempt to escape. Hanging and floating are states of ambivalence.

I always had the fear of being separated and abandoned. The sewing is my attempt to keep things together and make things whole.

I am not what I am, I am what I do with my hands...

I came from a family of repairers. The spider is a repairer. If you bash into the web of a spider, she doesn't get mad. She weaves and repairs it.

I found in rules of mathematics a peace and a trust that I could not place in human beings. This sublimation was total and remained total.

I have been to hell and back, and let me tell you, it was wonderful.

I have drawn my whole life. My parents were in the tapestry restoration business, and as a young girl, I would draw in the missing parts of the tapestry that needed to be re-woven. My ability to draw made me indispensable to my parents.

I have kept a diary as long as I can remember, and drawings are really another kind of diary.

I like Francis Bacon best, because Francis Bacon has terrific problems, and he knows that he is not going to solve them, but he knows also that he can escape from day to day and stay alive, and he does that because his work gives him a kick.

I was raised a Catholic. But I am not religious. In my work, I am interested in real flesh and blood.

I work like a bee and feel that I accomplish little.

It is a great privilege to be able to work with, and I suppose work off, my feelings through sculpture.

It is not a torment to be an artist. It is a privilege.

My childhood has never lost its magic, it has never lost its mystery, and it has never lost its drama.

My life has been regulated by insomnia.

My work disturbs people and nobody wants to be disturbed. They are not fully aware of the effect my work has on them, but they know it is disturbing.

My work has to do with a defense against fervor. People are always in a rush. To do what? To do nothing! There is a kind of fervor that is completely meaningless. This drawing is a call for meditation.... I am an insomniac, so for me the state of being asleep is paradise. It is a paradise I can never reach. But I still try to conquer the insomnia, and to a large extent I have done it; it is conquerable. My drawings are a kind of rocking or stroking and an attempt at finding peace. Peaceful rhythm. Like rocking a baby to sleep.

Once I was beset by anxiety but I pushed the fear away by studying the sky, determining when the moon would come out and where the sun would appear in the morning.

One must accept the fact that others donâ??t see what you do.

Sometimes it is necessary to make a confrontation-and I like that.

The feminists took me as a role model, as a mother. It bothers me. I am not interested in being a mother. I am still a girl trying to understand myself.

The Spider is an ode to my mother. She was my best friend. Like a spider, my mother was a weaver. . . Like spiders, my mother was very clever. Spiders are friendly presences that eat mosquitoes. We know that mosquitoes spread diseases and are therefore unwanted. So, spiders are helpful and protective, just like my mother.

The subject of pain is the business I am in - to give meaning and shape to frustration and suffering. The existence of pain cannot be denied. I propose no remedies or excuses.

To express your emotions, you have to be very loose and receptive. The unconscious will come to you if you have that gift that artists have. I only know if Im inspired by the results.

What modern art means is that you have to keep finding new ways to express yourself, to express the problems, that there are no settled ways, no fixed approach. This is a painful situation, and modern art is about this painful situation of having no absolutely definite way of expressing yourself.

When I was growing up, all the women in my house were using needles. I've always had a fascination with the needle, the magic power of the needle. The needle is used to repair damage. It's a claim to forgiveness. It is never aggressive, it's not a pin.

You must put the essence of what you want to say into a painting. The rest is arbitrary. Chosen with discernment, but chosen, and choice involves elimination.

Art is restoration: the idea is to repair the damages that are inflicted in life, to make something that is fragmented - which is what fear and anxiety do to a person - into something whole.

I do not need the musing of the philosophers to tell me what I am doing. It would be more interesting to let me know why I am doing it.