Kate Bernheimer quotes:

When I wrote the eight fairy tales that appear in 'Horse, Flower, Bird' I was working toward a completely new form of artistic expression, trying to create a new kind of tale that also felt vintage: innocent and childlike, but haunted. I tried to write a picture-less picture book.

I often visit Maria Tatar's 'The Grimm Reader' for a cold dose of courage. Her translations come from the Brothers Grimm, whose now-famous collection of 'Kinder- und Hausmarchen' ('Children's and Household Tales') was first published in 1812. The book was not intended for young readers.

It wasn't until I was an adult reader that I began to fathom the influence of fairy tales on writers I was in love with over the years, from Louisa May Alcott to Bernard Malamud to John Cheever to Anne Frank to Joy Williams.

With our evolved busy hands and our evolved busy brains, in an extraordinarily short period of time we've managed to alter the earth with such geologic-forcing effects that we ourselves are forces of nature. Climate change, ocean acidification, the sixth mass extinction of species.

Sometimes, violent details have been eliminated from fairy tales simply because they were deemed too graphic. So one does not, at the end of Disney's version of 'Cinderella,' see the stepsisters' eyes get pecked and pecked by doves, because Disney wanted to market the story for wholesome family viewing.

I love the idea of the 'vignette,' which is associated with the decorative, illustrative, small, and thus with the feminine, and thus easily maligned. I mean, Emily Dickinson wrote vignettes, right?

Well documented, the relationship of literature to myth in the Western world has undergone much change over the millennia, as first the age of gods fell away before the notion of a single god, and then, for many people, that single god slipped away, too.

There are recurring elements in popularized fairy tales, such as absent parents, some sort of struggle, a transformation, and a marriage. If you look at a range of stories, you find many stories about marriage, sexual initiation, abandonment. The plots often revolve around what to me seem to be elemental fears and desires.

Beer bottles, whiskey bottles, brown glass, green. They fell to the lawn and I'd feel serene. Adam was king to my stilted queen.

I love the idea of the vignette, which is associated with the decorative, illustrative, small, and thus with the feminine, and thus easily maligned. I mean, Emily Dickinson wrote vignettes, right?

As I read more and more fairy tales as an adult, I found massive collusion between their 'subjects' and those in my fiction: childhood, nature, sexuality, transformation. I realized that it wasn't by accident that I was drawn to their narrative structure and motifs.

Books are no different from goats! They enjoy an afternoon out on the lawn.

When I first read Anne Frank's 'Diary of a Young Girl,' I saw for the first time that a girl could be a writer and that it had something to do with survival and with ethics and fighting against evil. I admired her, though her diary remained terrifying and mysterious to me. She was a character in a real fairy tale - fairy tales are brutal.

People tend to think of fairy tales as archetypal. They are also extremely sensual, something which translates well over the ages.

The fact that fairy tales remain a literary underdog-undervalued and undermined-even as they shape so many popular stories, redoubles my certainty that it is time for contemporary fairy tales to be celebrated in a popular, literary collection. Fairy tales hold the secret to reading.

From sentence to sentence, in fairy tales there is no reality that is subordinated to any other. Just as, outside the pages there is no reality.

As scientists have discovered - or perhaps explained is a better word, or perhaps identified - we now live in the age of the Anthropocene. The geologic age of the Anthropocene. Those high priests of material evidence have given us our own epoch like the Holocene, the Pleistocene! Apparently we now, it seems, have superhuman powers.

As a reader, coming to my reading as a writer immersed in fairytales, I can't help but notice in so many stories, plays, poems that I read, the sort of breadcrumbs of fairytale techniques, so I'm very excited when I notice that.

In the old fairy tales, often a 'moral' was tacked on at the end of the story - say, if a book was going to be marketed to young readers. And the morals don't really suit the stories at all, which makes them super weird - part of why I love the tradition so much. I do play with this, though I am more concerned with ethics than morals.

As a reader, coming to my reading as a writer immersed in fairytales, I cant help but notice in so many stories, plays, poems that I read, the sort of breadcrumbs of fairytale techniques, so Im very excited when I notice that.

When humans become gods, when our wings grow so great as to beat about the very edges of the earth, no one can answer but us.