Kaskade quotes:

I have really fond memories of growing up in Chicago, and I always love going back. I still have a lot of really good friends from high school that I go to dinner with. It's kind of become a tradition when I go out there to do a show to give a few friends a call, tell some funny stories about high school and walk down memory lane.

Music evokes a lot of different emotions and triggers different senses.

The art of DJing is sharing music with one another... The technology's definitely taking it into a new direction to where it's really becoming performance-based.

Blending tracks and weaving and manipulating prerecorded music to create this mood, some people do it much better than others.

I remember last time I played Nocturnal Wonderland I dropped that 'Move 4 First Aid' mashup and people ripping their hair out... crazy night.

I DJ'd for years. I DJ'd in high school, and I think my parents thought it was a passing thing. And then when I was in my second year of college, I was like, 'Yeah, you guys don't need to send me money anymore. My DJ gigs are good enough. I'm selling music; I think I'm gonna have a record deal. I can pay my tuition.'

I've always had a passion for music, but I never saw me as a musician for a living. I never thought that I could make a living. It never dawned on me.

Listening to music is such an uplifting, spiritual thing. It's far-fetched to some - I understand that. But the way dance music brings people together, it's not a big stretch from hymns.

Club culture is about leaving your cares behind, and I am trying to create that environment.

I'm a person who has always been clear about my love of music and vocal about trying to live in a way that lends itself to health.

For me, 'Atmosphere' was more about looking inwards and reaching out to people close to me. To emphasize the fact that I'm singing on the first single, this album is really more about me and songs that I've written instead of collaborating with people.

People know my lyrics; they know the stuff I've written, and it's all about life, love, happiness, and these big euphoric moments. It would always bug me when I'd go to a club, and they're playing some chick on a stripper pole on the monitor behind me. I'm like, 'So that's not what I do - that's the other guy.'

As a kid, my parents had the typical stuff going on in the home, like Bee Gees, The Carpenters. Then I got exposed to what my brothers were listening to: a lot of classic rock, Led Zeppelin. It was around the mid-'80s when the whole Electro-Techno-Pop-House music thing started happening in Chicago.

People don't listen to terrestrial radio. They don't find their music that way. They don't get their news that way. They go to blogs. They go through Sirius/XM. They go through all these different places.

I think people look at dance music and see it as kind of a bad thing, and bad people hang out in nightclubs, but it never felt that way for me. Growing up in Chicago, music was the thing that saved me, that kept me on the straight and narrow.

I think how Chicago plays a role in my life - it had such a role in my youth and the decisions that I made as a kid and formulated who I am as an artist early on.

When I graduated college, I had a fairly successful weekly club gig and was buying more studio equipment and writing my own music. I realized I didn't want to work.

I'm more of an artist and a songwriter than I am a DJ. That word seems a little bit - well, it doesn't really describe what I do.

The producers and writers of dance music are becoming the stars, not so much the DJs.

I don't feel that electronic music has to stand on the back of urban artists or anyone else to be recognized. It's great music.

I think rap music has made more money on dance music than dance music has made on dance music. Just a thought.

I do feel like there's a level of ridiculousness going on in electronic music... It's getting borderline absurd out there.

A lot of people see electronic music as a flavor of the week, but it can be more than that - has to be more than that.

There is so much great talent in the underground, and electronic music is finally getting the props that it's deserved for so long. I feel like now that everyone is discovering it and it's so fresh sounding to so many people. It doesn't get any more rock n' roll than playing EDC or the Staples Center. It's really madness.

When I can control my own show, I want the price to be affordable so fans can actually see me. It's a challenge because I have to do a lot of navigating to make the production stellar but do it on a realistic budget.

I think that most people who hire me to do a remix just want it to work in a nightclub, whereas when I'm writing my own album, I don't have to worry so much about 2 A.M.

To do more of a concert thing, it takes so much preparation. You don't just show up and wing it. You're putting countless hours in the studio, not just to write and produce stuff, but to come up with edits and special things for the show.

I think there is some truth to the fact that yeah, okay, cool, obviously the more mainstream kind of easier-to-grasp-onto dance music has become popular, but that holds true with almost any genre. It wasn't like the Sex Pistols hit the radio. It was poppier versions of that is what hit. It's never, like, the true core stuff.

People book me because of the songs I write, not because of the sets that I play, per se... I'm sure I'm going to be moving to a laptop really soon, but I was one of the last guys to let the vinyl go. I was crying. In my room, I still have thousands of records. I still pull them out and play them all the time.

It's weird, when I go back to San Francisco, the few times that I've done shows there since leaving, it still feels like I live there. It's very, very strange for me. That's where my daughter was born, at UCSF. I have this huge attachment to San Francisco. It's like a love affair.

Music leaves such a big impression. I always wondered, 'Man, if I grew up in Nashville, would I be making Country records now?' I honestly feel like Chicago had such a big impact on me.

But know this: as far as a music culture goes, EDM is the one who will accept the kids on the outliers, the ones who get bullied, the ones who feel like they may not quite fit in. This community is exceptional in its ability to bond all types together, and I am not exaggerating when I say it saves lives. Our audience is intelligent and kind, discriminating only in regards to which sound they like best. Our audience is unprecedented in their drive to proactively support each other.

Copyright law is a dinosaur, ill-suited for the landscape of today's media.

Dance music will always be around. People around the world love to dance.

Don't be fooled by your emptiness, there's so much more room for happiness.

It's an honor for me to close out Mysteryland. In American music history this is hallowed ground. I think electronic music has a lot in common with the spirit of rock and roll and what Woodstock had going on at the time. We are kind of the new kids on the block and this music isn't accepted by everyone so we are still kind of getting into pop culture and I think its appropriate that this festival is here and kicking down the door.

It's impossible to recreate music from the past. Music always states the truth.

Listening to music is such an uplifting, spiritual thing. Its far-fetched to some - I understand that. But the way dance music brings people together, its not a big stretch from hymns.

Music is not disposable, people. We can twist it, sample it, mash it and experience it in endless ways. Open up.

You and I could paint the sky together. As the world goes by, we'll go on forever.

You don't have to move on to let go.