Julie Harris quotes:

I did a film called Dracula and it was very nice because I had lots of trips to New York on Concorde.

God comes to us in theater in the way we communicate with each other, whether it be a symphony orchestra, or a wonderful ballet, or a beautiful painting, or a play. It's a way of expressing our humanity.

Richard Chamberlain on The Slipper and the Rose was lovely to work with. He wore the clothes so beautifully and sang his songs so well.

I saw a very good Hollywood film the other day. It was about Cole Porter.

A lot of it, as it is in any job in life, is being in the right place at the right time.

When you look at Darling and the Oscars, it has to be luck. It was a black and white film and it was the last time that there was a black and white Oscar.

I got the boot once from Stanley Donen. The film was called The Little Prince.

I liked The Slipper and the Rose, as I have already mentioned, because it was such a lovely film to do.

But with period clothes, people know less so they accept the pretty drawing that I give them.

The actors nowadays, both young men and young ladies, don't always wear their period clothes as well as they might. They tend to stomp around a bit in them.

I wish we did have responsibility for the hair. I have been screwed up by the hair on many occasions.

With the black and white films, one was concerned with tone... You had to make sure that the tone of your dress was not the same tone as the curtains, for instance.

You had to make sure that the tone of your dress was not the same tone as the curtains, for instance.

I have to go back to my younger days, when I just adored Hollywood musicals.

I really have a generation gap about modern clothes.

I liked Live and Let Die, where money was no object.

You are lucky that I can't sing tonight because I might get carried away.

It's nice when you work with someone who has an eye for clothes and will show what you've given them.

There are wonderful museums with lots of photographs of 1920's musicals.

To fine that light within--that's the genius of poetry.

On the speech day, the production designer, who has a lot of say in things, and sometimes I didn't agree with him but I had to do what I was told, wanted the speech day to be all in neutral colours for the women, which was a good thing.

I find shoestrings very hard work. I like big budgets.

With the black and white films, one was concerned with tone.

I would loathe to work on modern films.

I didn't know whether I wanted to be an actress or a singer then.

I don't know much about football but everyone seems to say that it is all about possession.

I don't understand what modern clothes are about at all.