John Ashbery quotes:

There is the view that poetry should improve your life. I think people confuse it with the Salvation Army.

The evening light was like honey in the trees When you left me and walked to the end of the street Where the sunset abruptly ended. The wedding-cake drawbridge lowered itself To the fragile forget-me-not flower. You climbed aboard. Burnt horizons suddenly paved with golden stones, Dreams I had, including suicide, Puff out the hot-air balloon now. It is bursting, it is about to burst

A perfect example of the new republic's urge to drape itself with the togas of classical respectability.

I don't look on poetry as closed works. I feel they're going on all the time in my head and I occasionally snip off a length.

The ellipse is as aimless as that, Stretching invisibly into the future so as to reappear In our present. Its flexing is its account, Return to the point of no return.

I'm heading for a clean-named place like Wisconsin, and mad as a jack-o'-lantern, will get there without help and nosy proclivities.

And we may be led, then, upward through more Powerful forms of poetry, past columns With peeling posters on them, to the country of indifference. Meanwhile if the swell diapasons, blooms Unhappily and too soon, the little people are nonetheless real.

Reading is a pleasure, but to finish reading, to come to the blank space at the end, is also a pleasure.

You stupefied me. We waxed, Carnivores, late and alight In the beaded winter. All was ominous, luminous.

Much that is beautiful must be discarded So that we may resemble a taller Impression of ourselves.

And the way Though discontinuous, and intermittent, sometimes Not heard of for years at a time, did, Nonetheless, move up, although, to his surprise It was inside the house, And always getting narrower.

How many people came and stayed a certain time,Uttered light or dark speech that became part of youLike light behind windblown fog and sandFiltered and influenced by it, until no partRemains that is surely you.

I don't want to read what is going to slide down easily; there has to be some crunch, a certain amount of resilience.

All beauty, resonance, integrity, Exist by deprivation or logic Of strange position.

Extreme patience and persistence are required, Yet everybody succeeds at this before being handed The surprise box lunch of the rest of his life.

Part of the strength of Pollock and Rothko's art, in fact, is this doubt as to whether art may be there at all.

To the poet as a basement quilt, but perhaps To some reader a latticework of regrets ...

Darkness fell like a wet sponge.

I write with experiences in mind, but I don't write about them, I write out of them.

So I cradle this average violin that knows Only forgotten showtunes, but argues The possibility of free declamation anchored To a dull refrain....

Just keep playing, mastering as you do the step Into disorder this one meant. Don't you see It's all we can do? Meanwhile, great fires Arise, as of haystacks aflame. The dial has been set And that's ominous, but all your graciousness in living Conspires with it, now that this is our home: A place to be from, and have people ask about.

The gray glaze of the past attacks all know-how....

I like poems you can tack all over with a hammer and there are no hollow places.

The promise of learning is a delusion.... Tomorrow would alter the sense of what had already been learned, that the learning process is extended in this way, so that from this standpoint none of us ever graduates from college, for time is an emulsion, and probably thinking not to grow up is the brightest kind of maturity for us, right now at any rate.

Most reckless things are beautiful in some way, and recklessness is what makes experimental art beautiful, just as religions are beautiful because of the strong possibilities that they are founded on nothing.

Until, accustomed to disappointments, you can let yourself rule and be ruled by these strings or emanations that connect everything together, you haven't fully exorcised the demon of doubt that sets you in motion like a rocking horse that cannot stop rocking.

The Unknown TravelersLugged to the gray arbor,I have climbed this snow-stone on my face,My stick, but what, snapped the avalancheThe air filled with slowly falling rocksBreathed in deeply--arrived,The white room, a table coveredWith a towel, mug of ice--fearAmong the legs of a chair, the ashman,Purple and gray she starts upright in her chair."

Most reckless things are beautiful in some way, and recklessness is what makes experimental art beautiful, just as religions are beautiful because of the strong possibilities that they are founded on nothing."

A little bunny or some kind of ferret was probablythere too, and bore witness as only rodents can.

The music brought us what it seemed / We had long desired, but in a form / so rarefied there was no emptiness of sensation

Alone with our madness and favorite flower We see that there really is nothing left to write about. Or rather, it is necessary to write about the same old things In the same way, repeating the same things over and over For love to continue and be gradually different.

Silly girls your heads full of boys

But always and sometimes questioning the old modes And the new wondering, the poem, growing up through the floor, Standing tall in tubers, invading and smashing the ritual Parlor, demands to be met on its own terms now, Now that the preliminary negotiations are at last over.

I think that in the process of writing, all kinds of unexpected things happen that shift the poet away from his plan and that these accidents are really what we mean when we talk about poetry.

Sometimes a musical phrase would perfectly sum up The mood of a moment. One of those lovelorn sonatas For wind instruments was riding past on a solemn white horse. Everybody wondered who the new arrival was.

A yak is a prehistoric cabbage; of that, we can be sure.

The summer demands and takes away too much. /But night, the reserved, the reticent, gives more than it takes

The first year was like icing. Then the cake started to show through "¦

What I like about music is its ability to be convincing, to carry an argument through successfully to the finish, though the terms of the argument remain unknown quantities.

Poetry is mostly hunches.

In the increasingly convincing darkness The words become palpable, like a fruit That is too beautiful to eat.

I don't find any direct statements in life. My poetry imitates or reproduces the way knowledge or awareness come to me, which is by fits and starts and by indirection. I don't think poetry arranged in neat patterns would reflect that situation. My poetry is disjunct, but then so is life.

We are prisoners of the world's demented sink. The soft enchantments of our years of innocence Are harvested by accredited experience Our fondest memories soon turn to poison And only oblivion remains in season.

Then let yourself love all that you take delight in Accept yourself whole, accept the heritage That shaped you and is passed on from age to age Down to your entity. Remain mysterious; Rather than be pure, accept yourself as numerous.

The soul is not a soul, Has no secret, is small, and it fits Its hollow perfectly: its room, our moment of attention.

Not until it starts to stink does the inevitable happen.

The term ignorant is indeed perhaps an overstatement, implying as it does that something is known somewhere, whereas in reality we are not even sure of this: we in fact cannot aver with any degree of certainty that we are ignorant. Yet this is not so bad; we have at any rate kept our open-mindedness -- that, at least, we may be sure that we have -- and are not in any danger, or so it seems, of freezing into the pious attitudes of those true spiritual bigots whose faces are turned toward eternity and who therefore can see nothing.

Expecting rain, the profile of a day Wears its soul like a hat....

The facts of history have been too well rehearsed.

It never seems to occur to anyone that each reader is different, and that even those who might be said to resemble each other will each bring an individual set of experiences and references to their reading, and interpret and misinterpret it according to these.

Imagine a painter crucified by his subject!

And so we turn the page over. To think of starting. This is all there is.

This whole moment is the groin Of a borborygmic giant who even now Is rolling over on us in his sleep.

The poem is sad because it wants to be yours, and cannot be.

Where then shall hope and fear their objects find?

I feel that poetry is going on all the time inside, an underground stream.

One can lose a good idea by not writing it down, yet by losing it one can have it: it nourishes other asides it knows nothing of, would not recognize itself in, yet when the negotiations are terminated, speaks in the acts of that progenitor, and does recognize itself, is grateful for not having done so earlier.

Somewhere someone is traveling furiously toward you, At incredible speed, traveling day and night....

Once you've lived in France, you don't want to live anywhere else, including France.

until only infinity remained of beauty

Its a bit mad. Too bad, I mean, that getting to know each just for a fleeting second Must be replaced by unperfect knowledge of the featureless whole Like some pocket history of the world, so general As to constitute a sob or wail

Death is a new office building filled with modern furniture, A wise thing, but which has no purpose for us.

I tried each thing, only some were immortal and free.

Somewhere someone is traveling furiously toward you, At incredible speed, traveling day and night, Through blizzards and desert heat, across torrents, through narrow passes. But will he know where to find you, Recognize you when he sees you, Give you the thing he has for you?

Things can harden meaningfully in the moment of indecision

In the evening Everything has a schedule, if you can find out what it is.

I would like to please the reader, and I think that surprise has to be an element of this, and that may necessitate a certain amount of teasing. To shock the reader is something else again. That has to be handled with great care if you're not going to alienate and hurt him, and I'm firmly against that, just as I disapprove of people who dress with that in mind--dye their hair blue and stick safety pins through their noses and so on.

The soul establishes itself. But how far can it swim out through the eyes And still return safely to its nest?

Will occur as time grows more open about it.

The sun fades like the spreading Of a peacock's tail, as though twilight Might be read as a warning to those desperate For easy solutions.

Life is beautiful. He who reads that As in the window of some distant, speeding train Knows what he wants, and what will befall.

Life is not at all what you might think it to be A simple tale where each thing has its history It's much more than its scuffle and anything goes Both evil and good, subject to the same laws.

Each servant stamps the reader with a look.

I lost my ridiculous accent without acquiring another

The winter does what it can for its children.

It is written in the Book of Usable Minutes That all things have their center in their dying....

And just as there are no words for the surface, that is, No words to say what it really is, that it is not Superficial but a visible core, then there is No way out of the problem of pathos vs. experience.

... the first step of the terrible journey toward feeling somebody should act, that ends in utter confusion and hopelessness, east of the sun and west of the moon.

If you need a certain vitality you can only supply it yourself, or there comes a point, anyway, when no one's actions but your own seem dramatically convincing and justifiable in the plot that the number of your days concocts.

I often wonder if I am suffering from some mental dysfunction because of how weird and baffling my poetry seems to so many people and sometimes to me too.

How funny your name would be if you could follow it back to where the first person thought of saying it, naming himself that, or maybe some other persons thought of it and named that person. It would be like following a river to its source, which would be impossible. Rivers have no source.

Once a happy old man One can never change the core of things, and light burns you the harder for it.

What is the past, what is it all for? A mental sandwich?

I am often asked why I write, and I don't know really--I just want to.

We might realize that the present moment may be one of an eternal or sempiternal series of moments, all of which will resemble it because, in some ways, they are the present, and won't in other ways, because the present will be the past by that time.

Therefore bivouac we On this great, blond highway, unimpeded by Veiled scruples, worn conundrums. Morning is Impermanent. Grab sex things, swing up Over the horizon like a boy On a fishing expedition.

I want a bedroom near the sky, an astrologer's cave Where I can fashion eclogues that are chaste and grave.

Some certified nut Will try to tell you it's poetry, (It's extraordinary, it makes a great deal of sense) But watch out or he'll start with some New notion or other....

It is because everything is relative That we shall never see in that sphere of pure wisdom and Entertainment much more than groping shadows of an incomplete Former existence so close it burns like the mouth that Closes down over all your effort like the moment Of death

The mind Is so hospitable, taking in everything Like boarders, and you don't see until It's all over how little there was to learn Once the stench of knowledge has dissipated.