Gabriel Byrne quotes:

Presents don't really mean much to me. I don't want to sound mawkish, but - it was the realization that I have a great many people in my life who really love me, and who I really love.

I attended the bedside of a friend who was dying in a Dublin hospital. She lived her last hours in a public ward with a television blaring out a football match, all but drowning our final conversation.

It was either Voltaire or Charlie Sheen who said, 'We are born alone. We live alone. We die alone. And anything in between that can give us the illusion that we're not, we cling to.'

The Catholic Church is an innately conservative rock - they call themselves the 'rock of Peter' - and its resistance to change is, ironically, what has kept it constant throughout the ages.

What is that song that Willie Nelson sang? 'Oh, the days dwindle down to a precious few.' I think of that. No big deal. I've reached a stage in my life where I am content.

It's actually pretty complex, because there's two levels of reality in the narrative. One is what really took place, and the other is Spider's poisoned version of what took place.

Where issues used to be, say, parochial or local in Ireland or England and so forth, all politics is global now because all business is global.

Every minute of every day, a child under 15 is infected with HIV - the overwhelming majority of children under 15 who are HIV-positive get infected through their mothers at birth. Without treatment, half of these children die before they reach their second birthday.

I read a lot on the subject and had many conversations, and I have come to the conclusion that the Catholic Church is a force for evil.

I still cannot fathom how difficult it was for the women I met to find out that they were HIV-positive. It is such a courageous undertaking in countries where there is still considerable stigma about the disease. They got tested to ensure that their unborn babies would have a chance of life by being born free of the virus.

I had one of the best days of my life. I spent the afternoon with my two kids and my ex-wife at Serendipity. Then I came to the theater, and you know, I think I did the play the best I've ever done it.

I'm a product of my Irish culture, and I could no more lose that than I could my sense of identity.

A completely disrespectful photographer was asked to stop taking photographs, and then said, 'I've got what I want. What are you going to do about it?' How would you feel if somebody walked up and started taking your photograph? I don't think you'd be very happy.

I would like to break out of this dark, brooding image, cause I'm actually not like that at all.

When you're still, and some actors are really brilliant at that, you bring a kind of energy to you as opposed to sending the energy out. There are some actors, like Gary Cooper or Kevin Spacey, that are absolutely brilliant - Gene Hackman is another - at being and allowing the audience to just do the work.

I had one of the best days of my life. I spent the afternoon with my two kids and my ex-wife at Serendipity. Then I came to the theater, and you know, I think I did the play the best Ive ever done it.

I would love to go back to any time in European history, especially in Irish history, to the second or third century, prior to the arrival of Christianity when Paganism flourished. I can always go back there in my imagination, of course. It doesn't cost anything, and it's a form of time travel, I suppose.

Viking women were able to rule kingdoms, divorce husbands, own land; and Vikings were very progressive in terms of the rights of women.

No actor who's any good can say truthfully to themselves, 'Yeah, I'm good; I've got this sorted.'

I don't disrespect anybody who espouses a particular religion or belief - that is their own right to do that. But I think it's terribly important to look beyond the comfort that religion gives.

The difference that a drama group or a cinema club can make to a small village or a town. It opens people up to ideas, potential about themselves that really, in a way, education often fails to. It's a way of drawing a community together.

Not to oversimplify it, somebody once said a good rule of thumb in interpreting a character is to find the good in the bad people that you portray and the bad in the good.

The only way you can continue to make artistic films is to make an occasional one of those. They kind of keep your marketability going to the extent that people will employ you.

Unfortunately, I experienced some sexual abuse. It was a known and admitted fact of life amongst us that there was this particular man, and you didn't want to be left in the dressing room with him. It took many years to come to terms with it and to forgive those incidents that I felt had deeply hurt me.

We tend to think of extremes of emotions as registering, for example, you have to cry or laugh or get angry. But for the most part, we find it difficult to read each other most of the time. If you walk through the street, most people are pretty difficult to read. But they're thinking inside.

I'm not a very gregarious person. I can't bear attention being called to me in a public place, which is ridiculous in a business that pays you to be noticed.

I think there's a bit of the devil in everybody. There's a bit of a priest in everybody, too, but I enjoyed playing the devil more. He was more fun.

And then, I suppose, there's also a cinematic reality on top of that. Because it was extremely difficult to keep tabs on, it was quite confusing acting that.

I thought to myself, there's a man who gave up his life to serve others - to touch people in that way is probably the greatest thing you can do as a human being.

I don't think we're living in great times for movies, to tell you the truth.

O'Neill presents a very complex multi-layered kind of challenge. His characters are always deeply complex and, to a great extent, inaccessible.

Generally speaking, I don't think people know a great deal about the Viking culture, apart from the label that is usually attached to them, either pillagers or deviants who came and brought back loot to Norway. It was an incredibly sophisticated, complex and layered culture. They had their own laws, many of which protected women.

I think that if you can convey a kind of a complexity, a mystery, a truth in stillness, that, to me, is really worth striving for, and I totally agree with Michael Fassbender in that less is more. If it's going on inside you, the camera will find it.

Corporations are the new dictators.

From doing A Moon for the Misbegotten, I've learned that nobody's love can save anybody else. There are people who want to die, and nothing or nobody will stop them. The only one who can save you is yourself.

Being listened to and being heard is an experience that doesn't happen terribly often. To listen compassionately or nonjudgmentally to another person - not to get too heavy about it - but I once heard somebody say that was a form of real prayer.

I called Kevin Spacey one day about something else, but he didnt say to me calm down, like The New York Times said. Because I was not deranged.

I would like to break out of this 'dark, brooding' image, cause I'm actually not like that at all. In Ireland, brooding is a term we use for hens. A brooding hen is supposed to lay eggs. Every time somebody says, 'He's dark and brooding,' I think, 'He's about to lay an egg'.

Nobody knows anybody. Not that well.

The manner of your death is not your choosing. But how you prepare for death is

This notion that Americans have. . . that they don't have to do anything other than be American in order to lead - that's very pervasive in the culture, it goes very deep into how they see themselves here.

When you come back to a country that you've left, you're in a very peculiar situation because, in a way, you don't belong to that country any more, even though when I'm in America I feel I don't belong there either.