Francesca Gregorini quotes:
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I think we all have limitations, as directors. I don't care what the budget is, it's probably never enough money and never enough time. You figure it out. Sometimes the limitations bring more creativity.
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The more personal you get, the more universal a story you end up telling.
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If you're gonna take people on a journey that deals with some pretty heavy themes, I think you best have a sense of humor, here and there.
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Casting is very instinctual. I really like to meet people. To me, it's about their essence more than their audition.
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It takes forever to make a film. It's a gargantuan thing of untold effort.
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The test for me, when I read other people's scripts, is whether I feel like there's something about me that is the best person to tell this story. I have a pretty high bar for myself. There's a lot of scripts that I read and think, "Oh, this is great, but I think there are 50 other directors who could bring this to the cinema."
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I'm very jealous of actors that swoop in for 20 days, and then swoop back out. When you're a director, you're on that train for the next two years, so you best love it like you've never loved anything, ever.
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All the things that live within you find their place, in character and story, once you tap into that other space that is the creative writing space.
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What I love is when I'm in the theater with audiences and I hear them laugh. That's such a relief to me. They're going on the ride and they're allowing themselves to enjoy it, even though we're traversing some dark waters.
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Life, to me, is never one color. Even in the saddest moments, you can have a chuckle. And in the happiest moments, you can shed a tear.
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I think hope is key, in life and in art.
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Ultimately, what audiences respond to is truth. Even as fantastical as the story can be, and out there, at its core, it's dealing with loss, madness and mortality.