Enrico Caruso quotes:

To become a singer requires work, work, and again, work! It need not be in any special corner of the earth; there is no one spot that will do more for you than other places. It doesn't matter so much where you are if you have intelligence and a good ear.

I had always sung, as far back as I can remember, for the pure love of it. My voice was contralto, and I sang in a church in Naples from fourteen till I was eighteen.

It is too bad that the public expects from me, always, perfection which it is impossible for me always to attain. I am not a machine. I am a human being.

I know that I am a singer and an actor, yet in order to give the public the impression that I am neither one nor the other, but the real man conceived by the author, I have to feel and to think as the man the author had in mind.

Watermelon - it's a good fruit. You eat, you drink, you wash your face.

I suffer so much in this life. That is what they [the audience] are feeling when I sing, that is why they cry. People who felt nothing in this life cannot sing.

It was he who impressed, time and again, the necessity of singing as nature intended, and - I remember - he constantly warned, don't let the public know that you work. So I went slowly. I never forced the voice.

Jewish cantors employ a peculiar art and method of singing in their delivery. They are unexcelled in the art of covering the voice, picking up a new key, in the treatment of the ritual chant, and overcoming vocal difficulties that lie in the words rather than in the music.

During empathy one is simply 'there for' the other individual, when experiencing their own feelings while listening to the other, i.e. during sympathy, the listener pays attention to something about themselves, and is not 'there for' the client. Consider how you would feel if you sensed that the individual listening to you was getting into their own 'stuff' rather than hearing and reflecting exactly what you were feeling in a moment of need?