Emma Thompson quotes:

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  • Any problem, big or small, within a family, always seems to start with bad communication. Someone isn't listening.

  • I was brought up by very witty people who were dealing with quite difficult things: disease and death... I was brought up by people who tended to giggle at funerals.

  • Indeed - judicious, consistent parenting is a dream of mine. No judgements, learning space and listening carefully are my goals.

  • I have a nervous breakdown in the film and in one scene I get to stand at the top of the stairs waving an empty sherry bottle which is, of course, a typical scene from my daily life, so isn't much of a stretch.

  • We need men and women to sit down and talk to each other about sex honestly and openly. That would help us fight Aids so immediately. But our lack of communication is hugely problematic.

  • This morning, I went to wipe my hands on a tea towel, and while I was using it, it seemed like it felt a bit light. I unfolded it and realized my daughter had cut little bits out of it to make frocks for her dolls!

  • I don't mean being famous is a perk, because one knows that it's not necessarily a perk, but there are certain perks to being well-known and respected in one's field. Public perks. Like, I don't know, general friendliness and willingness to please, just to point out two.

  • I don't think people understand that being poor means you have to work from dawn until dusk just to survive through the day. I think there's some notion that poor people lie about all day not doing anything.

  • A lot of people in my world - in the acting world - have either lost friends to Aids or live with HIV because its origin in our culture, in New York for instance, was in the gay community.

  • It is remarkable how many misconceptions there are here about life in the developing world and I think that that knowledge gap has done a lot to contribute to the imbalance quite frankly.

  • When husbands and fathers leave, their wives and daughters tend to value themselves less as a result.

  • Children don't need much advice but they really do need to be listened to and not just with half an ear.

  • The trouble is it's very difficult to pin-point the most important thing because Aids affects everyone in different levels of society, differently and you have to respond to it differently.

  • Shooting Willoughby carrying Marianne up the path. ... Male strength -- the desire to be cradled again? ... I'd love someone to pick me up and carry me off. Frightening. Lindsay assures me I'd start to fidget after a while. She's such a comfort.

  • It's not my fault that there is this gap between rich and poor, it is the fault of governments. I want a different world. One where I don't wake up thinking I'm so lucky to be able to feed my daughter.

  • Marianne Dashwood looks at gray skies and sees blue. That's all very well, and it's not something you ever want entirely to lose. But you must lose a little of it; otherwise you're going to get wet.

  • If you've got to my age, you've probably had your heart broken many times. So it's not that difficult to unpack a bit of grief from some little corner of your heart and cry over it.

  • If you don't want women to do whatever they need to do then you must provide them with food, you must provide them with shelter and their basic human rights.

  • I think the point about ActionAid is what it's asking people to do is engage with poor people in developing countries and understand what their lives are like and understand how the way we live our lives impacts on theirs.

  • I was in Los Angeles making 'Dead Again' and the producer, Lindsay Doran , asked me if I'd be interested in adapting this book, .. Austen is my favorite author and I thought, 'Well, of course, I'd be very interested, but I don't know how. I don't know where to start, A, writing a screenplay and B, sort of adapting it from a great novel.

  • We've got people looking at our seamy side and our sad side a lot of the time because that's easier. It's much more difficult to make a film about happiness with lots of jokes in it.

  • It's such a cold night and it's the only time I've actively been grateful for menopause. I've been entirely comfortable.

  • My appearance has changed a lot over the years, but it has far more to do with how I feel about being a woman.

  • A lot of very beautiful women can be a pain because all they're thinking about is how they look.

  • My godfather sad that story was abut taking the chaotic jigsaw of life, making it into a picture and putting a frame around it so that we could look at it, have control over it. Story and art are the humanizing elements of us.

  • During an election, it's like they're doing my job: they're going around banging the drum for their party and selling their movie. You know, it's the same thing.

  • The only way you can have it all is by delegating all the running of the home to other people - which I don't ever want to do... So you do it yourself, and it takes time and energy and effort. And if you give it the time, it's profoundly enjoyable.

  • I've a problem with the word charity because I think that NGOs, as I prefer calling them, really do take the work of moral and social responsibilities that ought to be taken on by governments.

  • Being disabled should not mean being disqualified from having access to every aspect of life.

  • I have to write for everyone. What really fascinates me is how you make films or make stories that can genuinely be shared by different groups.

  • But certainly in Uganda, Mozambique and South Africa, people don't really talk about sex and certainly religious leaders - some of them - up to now have been very unwilling to accept, for instance, the promotion of condom use

  • The Catholic Church - it's so difficult because I don't want say anything offensive but it makes me very angry that religious leaders from this faith have tried to respond negatively to sexual education and to the promotion of condom use

  • We belabour, I think, under a very heavy crust of consumerism really

  • I hate the way market forces try to separate us out in to the appropriate demographic - basically in order to sell us things. We need to find stories that we can enjoy together, not separately.

  • The films I've made for children have been my hardest work, my best, because kids deserve the best.

  • Can he love her? Can the soul really be satisfied with such polite affections? To love is to burn - to be on fire, like Juliet or Guinevere or Eloise...

  • When you buy Fairtrade products you can guarantee that the farmers who have worked hard to grow them get a minimum price. Fairtrade is a way of giving regular support - and enjoying delicious high quality foods at the same time.

  • The flashbacks are parallel for me. You experience two storylines at the same time, and I'm not switching from one time to another.

  • [Fighting Climate Change] is important for every single person on the planet, which is why it has to be the greatest grassroots movement of all time. This is the battle of our lives. We're fighting for our children.

  • Children are much more understanding of the suddenness and arbitrariness of death than we are. The old fairy tales contain a lot of that, and we've stolen from them, just as they stole from Greek myth, which has that same mixture of pre-Christian chaos.

  • But when I lose my temper, I find it difficult to forgive myself. I feel I've failed. I can be calm in a crisis, in the face of death or things that hurt badly. I don't get hysterical, which may be masochistic of me.

  • I've never been on the cover of Empire. I'm very bitter. I've got an award but now I feel sad and cross.

  • My worst quality is impatience.

  • Girlfriends are vital ... Maggie [Gyllenhaal] and I will always see each other when Maggie's in London or I'm here. We'll always make time to sit and catch up properly.

  • The thing that influenced me most in relation to 'Nanny McPhee' were the Westerns I watched with my father. All the Spaghetti Westerns; all the Virginians; all the High Chaparrals. Because if you think about the form, it's a stranger from out of town.

  • Sometimes I get to put on posh frocks and be Madam Glamour, the vendor of my wares. My lovely friend Kath, a stylist, puts me into things I'd never dream of. But my real life is very different. It's very, very home-based - an intense domestic life, that's the core of everything.

  • I understand what it's like to come with your family, and to uproot yourself and come to another culture. You need a lot of support. People say, 'She's got her daughter; she's got her husband.' Yeah, but she hasn't got anyone else.

  • I think that my work is my attempt, I suppose, is to try and become a piece of connective tissue. I'm trying to communicate with people here and in America - in rich countries - about what I see on the ground in badly affected areas.

  • I want a different world. One where I don't wake up thinking I'm so lucky to be able to feed my daughter, and able to give people a clean drink of water. I don't want images of starving babies at the breast in my mind. I want that to change. And if I want that, I had better do something about it.

  • Don't ever go on a diet. Just don't. Walk away. Diets are the spawn of Satan.

  • The best way [to survive] the red carpet is by wearing Ugg boots. But unfortunately, I have not yet managed to persuade the people who style me at these times to let me do that.

  • Its unfortunate and I really wish I wouldn't have to say this, but I really like human beings who have suffered. They're kinder.

  • If you're actually allowing your creative part to control your writing rather than a more commercial instinct or motive, then you'll find that all sorts of interesting things will bubble up to the surface.

  • My mother has never approved of high heels. As a result, I have never been able to walk in high heels - and they were all I ever wanted. So of course, my daughter has two pairs.

  • Children are the most wonderful audiences. What's struck me most is that that they watch it so silently, until the end when they shriek and shout and clap.

  • I do think that despite my best efforts to resist it, I am now a grown-up. It's due to lots of very difficult decisions that you make over a long period of time - about motherhood, wifehood, and work, and all the things that one has to make decisions about.

  • British aren't really known for their physical loveliness but firemen, generally speaking, are gorgeous.

  • I have had lots of friends who've been affected by Aids and a very good friend of mine, Oscar Moore, died of Aids and I was with him in his last year quite a bit. And of course he was a man living in a very rich culture with a wealthy family who was able to afford health care.

  • We belabour, I think, under a very heavy crust of consumerism really.

  • There is that thing about not working with animals and children - I don't think that's true. Although you should never work with donkeys.

  • London has always been a haven for victims of cruelty, and been improved by them. Yet I can see it changing now. Outsiders are demonised, there are little bits of legislation, people are scared.

  • And it's absolutely true that male sexual behaviour and female responses to male demands change a lot when they start communicating - and the levels of the communication that I've seen on the ground in very, very poor areas are so high and I think why don't we have that here?

  • Sometimes you'll have some things, and sometimes you'll have other things. And you do not need it all at once; it's not good for you.

  • I think books are like people, in the sense that they'll turn up in your life when you most need them.

  • I think books are like people, in the sense that they'll turn up in your life when you most need them. I firmly believe there are books whose greatness actually enables you to live, to do something. And sometimes, human beings need story and narrative more than they need nourishment and food.

  • What was important was trying to create something that families could watch together and enjoy together

  • You can't imagine what satisfaction can be gotten from throwing a pie into someone's face.

  • Maybe I don't take myself so seriously any more. And I don't care how I'm judged. I'm past all that.

  • Just write. It doesn't matter what you write. Just sit at your desk and write.

  • We have to reinvest, I think, in the idea of articulacy as a form of personal human freedom and power.

  • Once you're a mom, you've been split into two people. It's like Peter Pan and his shadow.

  • Constantly worrying about your reflection and criticizing your body, shape and size is an act of violence against yourself.

  • Film is so much to do with perfection and how differently you can feel about someone at the beginning of the film and the end of the film.

  • I don't have technique because I never learnt any.

  • I think our hearts are very chemical and we change the way we see people according to how we feel about them. That's what love is, in a way.

  • The insanity of consumption bothers me. Talk about the opiate of the masses. It ain't religion anymore. It's stuff.

  • I think my first bout of that was when I was doing me and My Girl, funnily enough. I really didn't change my clothes or answer the phone, but went into the theatre every night and was cheerful and sang the Lambeth Walk. She said: "The only thing I could do was write. I used to crawl from the bedroom to the computer and just sit and write, and then I was alright, because I was not present. "Sense and Sensibility really saved me from going under, I think, in a very nasty way.

  • We must remember that all these things, the nuances, the anomalies, the subtleties, which we assume only accessorize our days are in fact here for a much larger and nobler cause. They are here to save our lives.

  • I am who I am, and there is nothing I can do about that.

  • I present the nominees, well, not me the Voice of God, for Best Screenplay.

  • Difficult for actors to extemporise in nineteenth-century English. Except for Robert Hardy and Elizabeth Spriggs, who speak that way anyway.

  • It's not funny at all that we do all that advertising for children. Why is advertising for children allowed? What possible reason can there be for having those effing adverts on TV for all this crap that's made by poor people in poor countries that we sell our children who have too much?

  • The trick is to age honestly and gracefully and make it look great, so that everyone looks forward to it.

  • Lindsay Doran goes round the table and introduces everyone - making it clear that I am present in the capacity of writer rather than actress, therefore no one has to be too nice to me.

  • I think that the Bible as a system of moral guidance in the 21st century is insufficient, to put it mildly. I feel quite strongly that we need a new moral lodestone if we can't rely on what is inside our own selves. Which I think, actually, is pretty reliable.

  • If you can't fail then how can you possible develop as a communicator or as a creator of anything? We are locked into a deeply unhealthy notion that somehow you've got to succeed all the time. An appalling notion. Any painter or writer will tell you that that is no way to proceed. One of the things that will kill off a decent actor, especially a young actor early on and they will never recover from it, is too much success. It's disastrous. You stop being criticized, therefore you stop challenging yourself. You then can't afford to fail because there's too far to fall.

  • Why do we wear them? They're so painful.

  • It's about time a 55-year-old British woman is the heroine of an action movie. I may have to write it.

  • I'm an atheist. I suppose you can call me a sort of libertarian anarchist. I regard religion with fear and suspicion. It's not enough to say that I don't believe in God. I actually regard the system as distressing: I am offended by some of the things said in the Bible and the Qur'an and I refute them.

  • I firmly believe there are books whose greatness actually enable you to live.

  • Well, I met Sandy Bullock at an awards thing a couple years ago, and she said to me, 'If I were gay, you'd be the one.' and I said, 'I'm there!'

  • My husband is here and I'd like to thank him, for many things, but first of all for pointing out that I had a big hole in my frock and then that my nipples were pointing in different directions. It's good to have an expert there to help you with that sort of thing.

  • I ask Laurie it it's possible to get trained fish. Lindsay says this is how we know I've never produced a movie.

  • Tell him I mind having to look pretty, that's what I mind, because it is so much more of an effort.

  • I`ve realized that in all the great stories, even if there`s a happily-ever-after ending, there`s something sad.

  • Is love a fancy or a feeling.... or a Ferrars?

  • Piracy is our only option.

  • I Don't Need the nicotene patch, Penny - I smoke cigarettes.

  • Got up this morning and could not find my glasses. Finally had to seek assistance. Kate [Winslet] found them inside a flower arrangement.

  • There's an awful lot of misunderstanding here about what being poor actually means. I don't think people understand that being poor means you have to work from dawn until dusk just to survive through the day. I think there's some notion that poor people lie about all day not doing anything. It is remarkable how many misconceptions there are here about life in the developing world and I think that that knowledge gap has done a lot to contribute to the imbalance quite frankly.

  • ~I'm strict about manners. I think that kids have a horrible time with other people if they have bad manners.... The one thing you've got to be prepared to do as a parent is not to be liked from time to time.~

  • I think we're creating a situation that's incredibly dangerous. There's a lot of chat at the moment about the war on terror and whilst there are many causes for acts of terrorism, what kind of society are you creating if you allow civil society in Africa to die and create millions upon millions of orphans? Where are they going to go? What kind of cults, what kind of militias, what's going to happen? The accession of violence in those countries, the possibility of that, to me is very terrifying.

  • There is a painful difference between the expectation of an unpleasant event and its final certainty.

  • I think it's [the AIDS fight] the most important and most pressing one - I think it's a global emergency and I think in a way we all have to address it and engage with it because I think it's the biggest threat to the human race that we have ever faced.

  • I have a lot of people to thank but they're none of them here so I'm not going to bother.

  • Without the ice, the earth will fall

  • Let's stop feeling so guilty about global warming

  • Anyone who tries to deny #ClimateChange looks a little bit bonkers.

  • We all need somewhere where we feel safe

  • I think that my work is my attempt, I suppose, is to try and become a piece of connective tissue. I'm trying to communicate with people here and in America - in rich countries - about what I see on the ground in badly affected areas

  • The fact is that young people are going to have sex whether you like it or not.

  • Laughter is a celebration of our failings. That's what clowns are for. And that's what I am.

  • You can't be a great mum and work the whole time necessarily; those two things aren't ideal. We have an awful lot to work on and to debate about in relation to our working lives, because it isn't working for a lot of people, particularly for a lot of women.

  • I think people say you shouldn't work with children or animals, but you must only work with children.

  • If there's a role you're playing and there's a great deal of material to explore because the person was real then it's a completely different preparation time and message to playing someone fictional.

  • It doesn't matter how good the movie is. What matters is what it takes during the opening weekend. It's slightly distressing sometimes but that's how it works.

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