Casey Neistat quotes:

If New Yorkers reduced portion size to 16 ounces from 20 ounces for one sugary drink every two weeks, it would collectively save approximately 2.3 million pounds over one year.

If Facebook is Lucky Charms, Instagram is just the marshmallows.

I was in New York City for September 11th, and I was there for the 2003 blackout. I think in hindsight, you get a real perspective as to how unique those moments of crisis are in a place like New York City.

The reason why people wear pajamas to the airport in the first place is so that they'll be comfortable during their flight. But you know, typically, air travel is 50 to 75 percent of the time you spend traveling. The rest of the time you spend in public places like airports and around other people. That's when looking good trumps comfort.

I don't keep an ongoing dribble of updates of my day, but I tell little compartmentalized stories every day on Snapchat. I use it much more like making a movie than maintaining a diary. When people watch my 60-second clips, there's a beginning, middle, and end.

I won't hire someone or date a girl who has not worked in a restaurant, and that's the honest truth. I don't think you know how it is until you've worked in a restaurant.

I moved to New York City when I was 20 years old, started making movies non-stop. I didn't have any friends, so I would just sit at home all night editing on my iMac.

I get, like, 50 emails a day from kids being like, 'I want to go on this trip around the world. How do I get a sponsor?'

I use iPod all the time, almost every day. It's great.

I think you should dress nicely for airports. You're surrounded by people coming from all walks of life. You should look your best.

I took my iPod to the Apple store here in Manhattan and asked them to replace the battery. And they explained to me that Apple does not offer a service to replace the battery in the iPod, and my best bet was to buy a new iPod.

Almost everything looks the same at art fairs - very hygienic, very white, lots of right angles.

I don't drink much soda; I don't buy Big Gulps, and my body mass index is right where it should be.

My brother Van got the computer first and showed me what it was like to edit video. I definitely credit Van with turning me onto filmmaking.

I grew up in the Northeast; I've seen hurricanes before and trees down and cars destroyed.

I am so disappointed in Apple. I don't even use an iPhone anymore. Their marketing sucks. It's embarrassing. It's just garbage.

I don't send and receive messages on Snapchat; I never have. Stories is the only feature I use. I think of them becoming a more dynamic social network, and I think it's great.

If I'm in the stands at a U2 concert watching Bono, how can I capture this moment without interrupting it and making it fake?

I actively pursue experiences that are unlike any others that I've experienced and cultures that I don't know and unfamiliar places and unfamiliar history and things like that.

One of my first questions when I interview prospective employees is, 'Do you know how big a sheet of plywood is?' Most people don't, and say they are different sizes, but it's 4' x 8'. Anyway, working with your hands is a very American thing that we kinda lost here, but it's an important skill to have.

I was always the guy who jumped off the roof of the garage, who could climb up the facade of a building.

I run 50-70 miles a week and lift five or six days. It's my time.

I consider myself to be a very good skateboarder, but the difficulty when you're being pulled behind any car, when there's only a 20-ft. line, is that you can't see the potholes.

Persistence and endurance will make you omnipotent.

For all the marathons I've run, including the Ironmans that I've run, immediately after the race, I clean myself up, do whatever I need to do to make sure I'm okay, and I get right back out there, and I cheer people on. Because it's the people who come in late in the race I find most inspiring.

I don't like to run, train, in groups. But racing, it's the groups that are most inspiring to me. I love racing with 52,000 people. I don't like training with any more than one person. Ever.

I made a living for 10 years making very typical TV commercials. But I always wanted to reach beyond that and do stuff that people might relate to in the way they relate to my nonbranded content.

I think I'm like that nerdy dad from middle school who always has a video camera, but in the same respect, I only take it out during interesting occasions.

Pablo Picasso would paint a painting and hang it on the wall, and you would go and see the painting exactly how he wanted it to be made. But if you have an idea for a TV show, for example, you're beholden to studios to produce it and distributors to distribute it.

As a viewer, I care about people, I care about characters, I care about perspective.

I work in both very strict conditions and very loose, more open-minded conditions in advertising, and Nike is by far the most open-minded of all.

I'm not an exhibitionist; I don't have a compulsion to share the ins and outs of my daily life with a public audience.

I was raised on Nirvana and flannel shirts and Rage Against the Machine, and I sort of describe my youth as rebellious and always fighting the system.

The reason why I'm sending my super-intellectual 12-year old kid to tech school is because I don't believe he would succeed in this world unless he first learned to work with his hands.

The most dangerous thing you can do in life is play it safe.

If you're doing what everyone else is doing, you're doing it wrong.

As a guiding principle, life shrinks and life expands in direct proportion to your willingness to assume risk.

If the reason why you're doing anything creative is to make a living, then you're doing it wrong

The biggest risk is to take no risk at all

Free time is the enemy of progress

It's the execution that matters, never the idea.

Just trying to live our lives and figuring out how to turn that into art. It's tough to say that the art was premeditated. Instead you just focused on living. 'How do I want to live? What do I want to do?' Then you figured out how to make that into art.

The right time is always right now.

Every time I took these bigger risks, the opportunity for a bigger payout was always there.

The approach to that movie wasn't, 'Lets make this movie about Amsterdam and maple syrup.' The concept was, 'Lets go to Amsterdam. Amsterdam is fun.' So we flew to Amsterdam with our cameras and we saw what happened and then we got back and we sat down and we said, 'What's the movie here.' That's when we realized that the movie was 'The Maple Syrup Saga'.

Our job as creators is to further define any medium.

The technical process which is interesting in it's own right but I think the creative process is what's more intriguing to me.

To make a movie, and we can call it a movie or we can call it a piece of art, to make a movie that has that much mass appeal what it is? What is it that makes kids in China want to see that movie [ 'Avatar'] and makes my dad want to see that movie.

A shared life is a great life.

One day it was that I wanted to go make a movie with my kid and then another day it was that I wanted to climb Mt. Kilimanjaro and another day it was that I wanted to sit in the studio and figure something out. All those things manifested themselves into what the TV show was.

I always see the filming as basically going to the grocery store and buying a bunch of ingredients and that's about as far from having a dinner as you can possibly be. Then editing is the cooking, the preparation of the meal and if you don't edit it you've just got a pile of raw meat.

I don't use iMovie and don't use shitty little cameras to try to prove something or say something because that's a part of the process. We do it just because that's what we like to use.

I saw 'Avatar' in the theater eight times and I got booed for it. I'm totally serious. First of all, I love that movie. I totally love that movie, but nothing intrigues me more than the fact that it made like $2.7 billion and so how many people had to see it for it to make that much money.

That for me is what intrigues me the most about feature films. It's not like the little kind of esoteric projects that you and your friends get but how do you make something that has a universal appeal. Those are the movies that intrigue me the most.

We could fly anywhere in the world given that we had to fly coach but we could fly anywhere in the world or do whatever we wanted to do.

I'm definitely curious about what the new iPhone and it's video editing capabilities will lend to that.

I don't really care for or that much about Chat Roulette. I think the phenomenon of it and like the first wow factor which was so absolutely insane about Chat Roulette. Certainly that's what inspired me to make that movie but I think that's true for everyone that used Chat Roulette which is why it was such an explosion. Now it's just kind of disappeared. You don't hear much about it anymore.

My son is about ninety nine percent of my life.

Then HBO was the pie in the sky. HBO is the absolute ultimate.