Caryl Churchill quotes:

I was fed up with the situation I found myself in in the 1960s. I didn't like being a barrister's wife and going out to dinner with other professional people and dealing with middle class life. It seemed claustrophobic.

Paper is like Joyce Carol Oates: white.

Maud: Young women are never happy.Betty: Mother, what a thing to say.Maud: Then when they're older they look back and see that comparatively speaking they were ecstatic."

Painting doesn't mean just describing; it's a state of spirit.

Parties are a cruel kind of fun.

You can't win every week.

NELL. Because that's what an employer is going to have doubts about with a lady as I needn't tell you, whether she's got the guts to push through to a closing situation. They think we're too nice. They think we listen to the buyer's doubts. They think we consider his needs and his feelings.

Polly Findlay showed real insight and imagination in her production of my translation of Seneca's Thyestes at the Arcola. I enjoyed her use of the space and the detail of her work with the actors, and I'm looking forward to seeing what she does with Light Shining.

I do enjoy the form of things. I enjoy finding the form that seems best to fit what I'm thinking about. I don't set out to find a bizarre way of writing.

People aren't evil and people aren't good. They live how they can one day at a time. They come out of dust they go back to dust, dusty feet, no wings, and whose fault is that?

You make beauty and it disappears, I love that.

You're pretending this isn't your life. You think it's going to happen some other time. When you're dead you'll realise you were alive now.

[Margaret] Thatcher had just become prime minister; there was talk about whether it was an advance to have a woman prime minister if it was someone with policies like hers: She may be a woman but she isn't a sister, she may be a sister but she isn't a comrade.

What's poetry? It's not real but maybe it's more than real. It's dreaming while you're awake.

England that little gray island in the clouds where governments don't fall overnight and children don't sell themselves in the street and my money is safe.

There's nothing personal in it [THE SKRIKER]. I'm not ever inclined with any of the plays to say, This is about that, because plays are about the whole event that they are. . . . I was certainly wanting to write a play about damage - damage to nature and damage to people, both of which there's plenty of about. To that extent, I was writing a play about England now.

How could I go on my travels without that sweet soul waiting at home for my letters?

What I like about a dog it stops people getting after you, they're not going to come round in the night. But they make the place stink because I might want to stay out a few days and when I get back I might want to stay in a few days and a dog can become a tyrant to you.

I'd go without food if I could have a flower.