Bryan Singer quotes:

Superman' has always been about Lois Lane, Superman and Clark Kent and this love triangle between these three people who really are only two people.

You just have to trust your instincts and hope that if someone doesn't like your idea, you can prove them wrong in the final process. In the end, you can please some of the people some of the time, but that's about all you can do.

What we call 'evil' doesn't necessarily deserve any kind of respect or understanding, by any means; it just deserves an acknowledgement of its complexity so we can better understand it - so we can help prevent it.

What we call evil doesn't necessarily deserve any kind of respect or understanding, by any means; it just deserves an acknowledgement of its complexity so we can better understand it - so we can help prevent it.

I identify with Superman. I am adopted, I am an only child, and I love the idea that he comes from another world, that he's the ultimate immigrant. He has all these extraordinary powers, and he has a righteousness about him.

We don't live in the world of reality, we live in the world of how we perceive reality.

I know it's hard to blame the time, but there's a bit of an expectation for a summer movie. I think that 'Superman Returns' was a bit nostalgic and romantic, and I don't think that was what people were expecting, especially in the summer.

I love filmmaking, and I love the process. And I would rather do nothing else. It's a privilege to be able to paint such big pictures, so to speak.

Kubrick showed us something special. Every film was a challenge, and a direct assault on cinema's conventions.

Once I start something, I always finish it. They had been trying to get X-Men made for 30 years and they thought maybe if I got involved, it might actually happen.

There's no point in making films unless you intend to show us something special, otherwise just go out and watch a play. Kubrick showed us something special. Every film was a challenge, and a direct assault on cinema's conventions

I love Hugh Jackman. Love Hugh Jackman. He's the coolest. He's one of the coolest actors I've ever worked with, and I'll do anything with him.

I don't particularly like to go see 3D movies, but when I'm doing it I kind of do enjoy it. I enjoy seeing the image in 3D, there's a childhood fun about being able to see those dimensions.

There's no point in making films unless you intend to show us something special, otherwise just go out and watch a play.

You can only go so far in analyzing each and every one person's opinion because they are often quite different. You just have to trust your instincts and hope that if someone doesn't like your idea, you can prove them wrong in the final process. In the end, you can please some of the people some of the time, but that's about all you can do.

I started making 8mm films when I was 13, so I've been directing for 21 years.

Since I started making films, I've been a nut for dialogue. When I first saw Star Wars when I was 12 years old, I came home and recited all of the lines from it. Before I talked about Death Stars exploding and Tie Fighters I was talking about how funny Princess Leia was and how sarcastic Han Solo was. So to me that's always the most important thing, and I love hearing great actors say great lines.

Perception has always interested me. The idea thatbehind every face, there are a thousand faces. Beneath the placidveneer of middle America, there lies terror.

I know what to do with the camera because I see the giant in the camera when I'm operating it live on the set.

Size, perspective- large objects, when you make them too 3D, you dimensionalize them too much, they appear tiny, so you have to be careful about things like that.

I'm actually part of a number of minorities. I grew up being a horribly awkward kid. A terrible student. And now I find myself as a filmmaker, and you feel kind of alone in the world because you're separate from everyone else.

The 3D, it changes the way you shoot in a way, especially when you're shooting live action 3D elements.

When you're dealing with shooting a lot of live action in 3D, you're committed to how much 3D you're giving the audience.

This is a darker Lex too, because he's been in prison and he wants revenge. He's not playing around.

If you give the actors a problem 'I'm not getting something out of the scene' and it's the writing, we just don't have the scene, if you give them the problem and just give them some key thoughts they can bring some great solutions to the equation too. So if it's just not perfect, or I'm not getting all I can, I'll open it up to them and say let's talk about it.

I think television is moving more into movies, particularly with serialization and almost cinematic proportions and expectations. A show like Game of Thrones is a perfect example of that. It isn`t all about instant gratification it's about inviting someone into the long experience of television the way you'd be invited into a theater for two hours. So I think in that way, and the quality of writing in television is probably much better than most film writing.