Diana Quotes in Hitman: Agent 47 (2015)

[first lines]

Diana: [narrating] The history of man is defined by war. And war by the men who fight it. What if we could create a better man? Someone did.

Diana: The Agent program was initiated in August of 1967 by a man named Peter Aaron Litvenko. It's purpose was to create the perfect killing machine. Human beings without emotion, or fear, or remorse. The resulting subjects were called, Agents. The Program was a success. But the price of creating men without humanity, was Litvenko's conscience.

Diana: Applying his brilliant mind to his flight, he vanished. Fearing that it would be exposed, the Govt shut down the Program, and surviving Agents drifted into shadows. Realizing it's potential, many tried to re-start the Program. All failed. So they focused their efforts on finding the one man who could.

Diana: The task fell to Dr. Albert Delriego. A ruthless, and efficient man. But Litvenko had disappeared and even he couldn't find him. Then, 6 years into his search, Delriego made an unexpected discovery. A single photograph, which would become the key to finding Litvenko.

Diana: No-one had ever imagined, that in the end, it would come down to one, little girl.

Diana: I don't appreciate you talking about me or my father that way.

Baxter: My house, my opinion. Behold, the door!

Diana: You do like women, don't you?

Baxter: Some of them.

Brenda: I think Goldfisch is right.

Diana: Goldfisch is an asshole!

[last lines]

Hasnat Khan: From the poet Romi. "Somewhere beyond right and wrong there is a garden. I will meet you there."

Diana: "Somewhere beyond right and wrong there is a garden. I will meet you there." I will meet you there.

Hasnat Khan: I don't know how to contact you.

Diana: Well, I'm like most people, I got a mobile. Actually, I'm not like most people, I have four.

Hasnat Khan: One number would do.

Hasnat Khan: Is there any more wine or have we run out?

Diana: This is a palace. We don't run out.

Diana: I'm very fond of foxes.

Dodi Fayed: Why so?

Diana: They're like me. We've all escaped from the Windsors.

Diana: I want to tell you something confidential.

Christiaan Barnard: I'm very good at keeping secrets - except my own.

Oonagh Shanley-Toffolo: You hang on to the idea of love. 'Cause you're so good at giving love. So you keep on giving. The hard part is receiving love.

Diana: But if I can't receive it, I'm back where I started.

Oonagh Shanley-Toffolo: And where is that?

Diana: On the doorstep. A little girl waiting for her mother to return.

Hasnat Khan: This is the on-call accommodation?

Diana: What, you just crash here?

Hasnat Khan: Hmm.

Diana: What do you eat?

Hasnat Khan: There's a canteen on the ground floor, but it's not open late.

Diana: Well, you could always pop round the corner for supper with me.

Hasnat Khan: [stunned look, then laughs]

Diana: I'm serious. At the palace we stay open very late.

Diana: So I just hurt my arms and my legs. There were three of us in this marriage. So it's a bit crowded.

Oonagh Shanley-Toffolo: The hard part is receiving love.

Diana: But if I can't receive it, I'm back where it started.

Oonagh Shanley-Toffolo: And where is that?

Diana: On the doorstep. A little girl waiting for her mother to return.

Oonagh Shanley-Toffolo: Perhaps that little girl should finally stand up and walk into the garden. It's been 30 years. In your dream, who's pushing you?

Diana: It's not the point, Oonagh. The point is will anyone catch me?

Diana: How long a heart operation go on?

Hasnat Khan: Sometimes 8 to 9 hours.

Diana: God, how do you keep going?

Hasnat Khan: You reach a place inside youself where time has no meaning. You don't perform the operation.The operation performs you.

Hasnat Khan: Love is a garden. If you can't smell the fragrance, don't come into the garden of love.

Diana: Who said that?

Diana: Rumi. Persian poet. 13th century.

Diana: Where you are, death will find you. Even if you're in a house built up strong and whole.

Hasnat Khan: That's from the Qur-an.

Hasnat Khan: I can't stop loving you.

Diana: They always say that when they're saying goodbye.

Diana: Dramatic? My whole life has been dramatic. It's been full of the sound of people shutting doors on me. You say you love me, you'll always love me. Well, there's about five billion people on this planet who can say that! But is there one who can stay with me?

Diana: Susan? You look FAAAAAAAAAAAAAAAABULOUS!

Diana: I just want to be upfront and say I visually enjoy you.

Sandy Patterson: Do you know what a sociopath is?

Diana: Do they like ribs?

Diana: Dawn Budgie... That's a terrible fucking name.

Sandy Patterson: You're diabolical.

Diana: Thank you.

Sandy Patterson: That's not a compliment.

Diana: I know.

Sandy Patterson: I said no jewelry.

Diana: Oh, were you serious?

Sandy Patterson: Yeah.

Diana: You've got to work on your tone.

Paolo: [Paolo and Diana are in bed] What are you doing?

Diana: I'm raping you! I'm raping you!

Paolo: [alarm clock rings] It's eight o'clock! You'll have to rape me later!

Diana: Hey, your diet, Antonietta!

Antonietta: Like the lady said, everything I like is either illegal, immoral, or fattening!

Diana: What if you get knocked up?

Antonietta: Oh, come on, there's no danger! It's simple, I use the most natural of methods. I just take it here!

[Points her behind]

Diana: That's a generous offer. Are you good in bed, Sam?

Sam: I don't remember.

Diana: You know, you are not as charming as you think you are.

Billy: Well, no one could be, quite frankly.

Diana: Joshua, start singing. Come on, sing that song I like so much.

Joshua: I don't feel like singing, Mom!

Diana: Just sing.

Joshua: [singing] Row, row, row your boat, gently down the stream...

Diana, Joshua: [both singing] Merrily, merrily, merrily, merrily. Life is but a dream...

Diana: Don't hit him, Michael! PLEASE don't hit him!

Holly: Why not? It's what he deserves - a big spanking for a little shit!

Diana: Joshua is not a little shit; he's just very sensitive.

Diana: Grampa Seth has been gone for more than six months now. You were at the funeral, and I know it was very difficult for you. It was also very difficult for your father, and for Holly, and for me his daughter.

Diana: Michael! Who are the goblins?

Michael: The goblins?

[giggles]

Diana: Good night, dear. Good night, dear.

Michael: I never liked that kid, I never did.

Holly: I'm the one who has to like him, Dad! Me alone!

Diana: Stop it, PLEASE!

Seth: [Grandpa Seth's whole head only appears in front of Holly's reflection in the mirror, before the lights begin to flicker] Joshua! Joshua!

Holly: AAAAAAAAAAAAAAAAH!

[dashes out her bedroom]

Holly: Ahhhhhh! Mom! Dad! Mom!

[banging vigorously on her parents' bedroom door]

Diana: [comforting Holly who is at this point panicking] What is it?

Michael: What's the matter?

Holly: I saw him!

Diana: Who? Who did you see?

Holly: Grandpa Seth!

Joshua: See, it wasn't me this time!

Holly: What's for breakfast?

Diana: [shrugs] Nothing.

Holly: What? I'm hungry enough to eat a horse. I've been fasting for two days.

Diana: If he's still there, you better let him go if you ever want to see those stones alive... a-again... ever.

Diana: Elvis wouldn't do this, AND I KNEW HIM!

Charlie: You didn't know him! You may have fucked him, but you didn't KNOW HIM!

Des McGrath: Ever since I was six years old or so, I sensed I was somehow - different.

Diana: Then, every time you made love to me, you must have wanted to vomit!

Des McGrath: No, no, no. You're beautiful. You don't have to be some sweaty, horny, hetro, he-ape to admire and appreciate female beauty. Only very, very recently did I come to the final realization.

Diana: Exactly when did the final realization come?

Des McGrath: Two days ago. I get up late and usually turn on the TV sort of a reflex. Wednesday afternoon there was a rerun of "Wild Kingdom" - Mutual Omaha's nature program with Marlon Perkins. And that - attractive, younger guy - it triggered something. Suddenly, everything fell into place. I'm gay - and always have been.

Diana: You only found out you were gay on Wednesday?

Des McGrath: Only then, definitively. Wednesday was - gay day, for me.

Biederbeck: You're in the desert, my dear. You're not taking tea in Mayfair.

Diana: I am aware of that. I've drunk plenty of tea in Mayfair without finding dead bodies at my feet.

Darius Biederbeck: Every move I make, everything, concerns our future together.

Diana: Well, if it's anything like now it's going to be bloody awful.

Diana: Don't worry, darling, it's not the end of the world.

[Beiderbeck begins to age to death]

Diana: It's not politics, to talk about eye operations.

Mrs. Keogh: It is if the eyes belong to a politician.

Mrs. Keogh: Ellis, from the look of you, you have greasy skin, is that right? What do you do about that?

Eilis: Just... Well, I wash it, Mrs. Keogh, with soap.

Miss McAdam: There is nothing wrong with soap. Soap was good enough for our Lord. I expect.

Mrs. Keogh: Well, which brand did he use, Miss McAdam? Does the Bible tell you that?

Diana: Our Lord is a man anyway. He didn't care about greasy skin.

Mrs. Keogh: Ladies, no more talk about our Lord's complexion at dinner, please.

Mrs. Keogh: Have they told you what day for the nylons sale, Ellis? Never had a Bartocci's girl in here. Might get some inside information.

Eilis: I haven't been told anything.

Diana: I bet you wouldn't let on if you had.

Patty: She's that sort. More aligned to her bosses than to her friends.

Diana: Like a red spy.

Sheila: Oh, dear God.

Mrs. Keogh: I'll thank you to keep His name out of a conversation about nylons. He might be everywhere, but He's not in Bartocci's on sale day.

Diana: Have you told Tony yet, Ellis?

Eilis: Of course.

Sheila: Is he taking you out to celebrate?

Eilis: We're going to Coney Island at the weekend.

Patty: Oh, boy.

Eilis: What does that mean?

Patty: Well, do you have a bathing costume?

Eilis: No, I was going to...

Diana: Do you have sunglasses?

Eilis: No.

Sheila: You need sunglasses. I read that if you don't have them on the beach this year, people will talk about you.

Mrs. Keogh: And what will they say, exactly, Sheila?

Dolores: That's the thing, Mrs Kehoe. You'd never know, because they'd never say it to your face.

Diana: If you ever want something badly, let it go. If it comes back to you, then it's yours forever. If it doesn't, then it was never yours to begin with.

[last lines]

Diana: Have I ever told you I love you?

David: No.

Diana: I do.

David: Still?

Diana: Always.

John: Dance?

Diana: I should go.

John: I remember once when I was young, and I was coming back from some place, a movie or something. I was on the subway and there was a girl sitting across from me and she was wearing this dress that was bottoned queer up right to here, she was the most beautiful thing I've ever seen. And I was shy then, so when she would look at me I would look away, then afterwards when I would look back she would look away. Then I got to where I was gonna get off, and got off, the doors closed, and as the train was pulling away she looked right at me and gave me the most incredible smile. It was awful, I wanted to tear the doors open. And I went back every night, same time, for two weeks, but she never showed up. That was 30 years ago and I don't think that theres a day that goes by that I don't think about her, I don't want that to happen again. Just one dance?

David: [while playing pool] I guess there's limits to what money can buy.

John: Not many.

Diana: Well some things aren't for sale.

John: Such as?

Diana: Well you can't buy people.

John: That's naive, Diana. I buy people every day.

Diana: In business, maybe, but you can't buy people not when real emotions are involved.

John: So you're saying you can't buy love? That's a bit of a cliché don't you think?

Diana: It's absolutely true.

John: Is it? What do you think?

David: I agree with Diana.

John: You do? Well let's test the cliché. Suppose... I were to offer you one million dollars for one night with your wife.

David: I'd assume you're kidding.

John: Let's pretend I'm not. What would you say?

Diana: He'd tell you to go to hell.

John: I didn't hear him.

David: I'd tell you to go to hell.

John: That's a reflex answer because you view the question as hypothetical. But let's say that there was real money backing it up. I'm not kidding. A million dollars. The night would come and go but the money could last a lifetime. Think of it. A million dollars. A lifetime of security... for one night. Don't answer right away. Just consider it; seriously?

David: We're positive, okay?

John: Well then you've proved your point. There are limits to what money can buy. It's late, and I hate to admit it, but I have meetings in the morning. May I have one dance? With your permission.

David: You know something? I think you better hurry on to that meeting. You don't want to miss out on your next billion.

John: Understood. I wouldn't part with her either. Good night.

Diana: The dress is for sale. I'm not.

[first lines]

David: [sitting on a pier] Losing Diana is like losing a part of me. I thought nothing could change the way we felt about each other. I thought we were invincible.

Diana: [riding in a bus] Someone once said, if you want something very badly, set it free. If it comes back to you, it's yours forever. If it doesn't, it was never yours to begin with. I knew one thing, I was David's to begin with, and he was mine.

Diana: Somethings are not for sale.

John: Such as?

Diana: Well you can't buy people.

Diana: Your pants are on fire.

David: You have no idea.

Diana: I would never do this for myself. It was all for you.

David: Don't lie to me! You were attracted to him!

Diana: [Narrating] We met in the high school, David was a senior and I was a freshman. On Wednesdays after glee club he would drive me and my best friend home from school. I used to watch him in the rear view mirror, I fell in love with his eyes and when I turned nineteen he proposed to me on the pier on Paradise Cove. Our parents were against it, they said we were too young, we really didn't know each other. David said "A life without risk is no life at all" so we eloped.

Diana: [Narrating] we had our differences, he used to take his clothes off and leave them on the floor it made me crazy. We never had much money so David would show me architecture that moved him but sometimes I'd have to ask "why are we looking at a stupid car wash? "And he'd just say "no, not stupid, don't just use your eyes: he made me look at things differently

John: [while playing pool] Where do you see yourself in let's say, ten years?

David: I wouldn't mind being a billionaire like yourself

John: I mean even beyond money, what would satisfy you completely? For you to sleep well at night?

David: You're saying you're not satisfied?

John: Who is?

Diana: [while watching them play] I am

John: Does she mean it?

David: I hope so

John: Well then you may not have won in Vegas but you're a lucky man because I have money and businesses and security you just have something I don't have.

Zach: Tell me about the Bronx.

Diana: What's to tell about the Bronx? It's uptown and to the right.

Zach: What made you start dancing?

Diana: Who knows? I'm Puerto Rican. We jump around a lot.

Sheila: My mother was kind of middle-aged and frumpy.

Diana: Whose isn't?

Sheila: At fourteen she was middle-aged and frumpy.

Adrian: Why did you train with Hector.

Diana: You mean at all.

Adrian: Yeah.

Diana: Because I want to.

Adrian: Aren't you afraid of gettin' hurt?

Diana: What, and you're not?

Adrian: No, it's just- It's a dangerous sport.

Diana: I didn't make the cheerleading team.

Diana: I love you. I really do.

[punches Adrian in the face]

Diana: How does it feel to have someone so much like you so close to you.

Diana: Mr. Ex-100% man to your left.

Adrian: You shouldn't hit people like that.

Diana: I couldn't resist.

Diana: You fucked him.

Veronica: I did not!

Diana: You're lying.

Diana: [to Adrian] So, where's your woman when she doesn't have her tongue in your ear? Or you only bring her out for special occasions?

Diana: [Marcellus has just been sentenced to execution; Diana leaves the podium to stand at his side] Sire, Marcellus is my chosen husband. I wish to go with him.

Caligula: Stand back! You're not on trial! There's no evidence against you!

Diana: Then if it please you, sire, I'll provide evidence. I have no wish to live another hour in an empire ruled by *you*! You dare to call yourself a Caesar. Once the Caesars of Rome were noble, but in you, noble blood has turned to poison. You corrupt Rome with your spite and malice.

Caligula: Stop! Stop it!

Diana: That *you* should be Caesar, vicious, treacherous, drunk with power, an evil, insane monster posing as emperor.

Caligula: STOP IT!

Diana: As for me, I have found another king. I want to go with my husband into his kingdom.

Caligula: Then, by the gods, you shall! Go, both of you, into your kingdom!

Diana: It's good to see you, Marcellus.

Marcellus Gallio: It's ah - good to see you - again.

Diana: Then you do remember me?

Marcellus Gallio: Ah - yes, of course. Let me see now, it was the - was the...

Diana: And your promise, have you forgotten that too?

Marcellus Gallio: What promise?

Diana: To marry me.

Marcellus Gallio: Was I drunk?

Diana: That's not very flattering, Marcellus.

Marcellus Gallio: Oh, I - I mean, if you'd tell me when I was supposed to have said this - the circumstances...

Diana: Oh, I remember them perfectly. I'd cut my finger, and I cried. And then you took the dagger and cut your own finger to show that it didn't really hurt, and then you kissed me, and I stopped crying - and then you promised to marry me when we grew up.

Marcellus Gallio: Dianna! Where have your freckles gone?

Diana: I lost them.

Marcellus Gallio: Oh, I loved every one of them.

Diana: Then I'm sorry I lost them.

Diana: Then all the tales I've heard of you are true.

Marcellus Gallio: Every man makes enemies.

Diana: All your enemies seem to be women.

Emperor Tiberius: For your sake I interfered, when my wife wanted to give you to Caligula. For your sake I brought your tribune back from Palestine. For your sake, I now free you from him.

Diana: Sire, I have no wish to be free.

Emperor Tiberius: Have you gone mad too?

Diana: He had everything then. He could have had me too. I wanted him, but I wasn't sure that I loved him. Now I am sure.

Emperor Tiberius: I see it my duty to forbid you to see him again. As a child you were wise, but now you reason like a woman - foolishly.

Diana: Are you still ill?

Marcellus Gallio: No, I'm well. Really well, for the first time in my life.

Diana: No, Marcellus, they'll kill you!

Marcellus Gallio: You must have faith...

Diana: Faith in what? This new God of yours? How can he help you? He couldn't help his own son. They crucified him and they'll kill you too!

Diana: Perhaps you don't believe that a girl of eleven could fall in love, and stay in love all these years...

Marcellus Gallio: Don't cry, my love. Lucia thought I was in love, and I laughed at her, but women are wise in these matters.

Diana: Five minutes with you, and I just feel like my life is a figment of my imagination.

Damian: I know.

Diana: No, you don't know. No, you don't know. You've just always been this fucking thing that swallows me.

Diana: No and another thing tell your people to stop carrying around books by Maya Angelou and Angela Davis if they gonna clutch thier purse evertime they see a group of black boys it's a contradiction.

Mae-West O'Mara: And then a few months later I saw his eyes again, and his smile.

Diana: What about the leaves? I don't make them die, do I?

Mae-West O'Mara: You only inherited the good stuff, the best of him. The leaves die because it's part of life. To make room for new leaves. Which is what you are.

Diana: [after being shot at] That won't hurt me.

Sophie: [puts gun to her head] This will. There's no you without me.

Rebecca: Mom, what are you doing?

Sophie: Saving your lives.

[pulls the trigger]

Diana: Keep the lights out.

[lifts Rebecca into the air]

Diana: I'm not being sent away again. If you don't stop, I'll show you where I put your father.

Cindy: Girls have to do everything. Boys are totally clueless when it comes to sex. It starts with them trying to unhook our bras, fumbling around, and it never changes. Wait until they try to put their dick into you.

Diana: Please don't say they need help with that.

Cindy: Always.

Diana: You know, a guy named Nick is one of the reasons we're in this mess.

Diana: Those who can, do. Those who can't better get out of the way. Don't you agree?

West: But everyone looks up to Franky.

Diana: Yes, but looking up to people can be a pain in the neck.

Bogard: I suppose now that you're giving up your home, you're going away?

Diana: No. No. I've moved my things to the gardner's cottage on the place.

Bogard: Oh, I see.

Diana: Please don't worry about me, Mr. Bogard. I'll be quite alright.

Diana: It's 4:00, sailor.

Claude: I know. Shouldn't have done this. I broke my promise and drank too much. I'm alright now though.

Diana: You go out again tomorrow?

Claude: Mmm hmmm.

Diana: What is it this time?

Claude: I don't know yet. Special

Diana: Special means bad, doesn't it?

Claude: Maybe. Can't tell yet.

Claude: I'm not holding together, Ann. I'm all mixed up.

Diana: No secrets, have we, Claude?

Claude: I'm afraid, Ann.

Diana: Afraid of what?

Claude: Going out in the boat. I think about coming back to you. Just the way I did coming from school. You were always there waiting. But this is different. I don't know. You've gone away somewhere. You're not here and there's nothing to come back to.

Diana: Claude, I am here again. Always will be. Always.