Wislawa Szymborska quotes:

I slide my arm from under the sleeper's head and it is numb, full of swarming pins, on the tip of each, waiting to be counted, the fallen angels sit.

At the very beginning of my creative life I loved humanity. I wanted to do something good for mankind. Soon I understood that it isn't possible to save mankind.

Today when two people decide upon a thoughtless and precipitate abbreviation of the physical space between them, they think, at least at that moment, that they're mutually attracted and drawn together by an overwhelming force.

You can find the entire cosmos lurking in its least remarkable objects.

Everyone needs solitude, especially a person who is used to thinking about what she experiences. Solitude is very important in my work as a mode of inspiration, but isolation is not good in this respect. I am not writing poetry about isolation.

I have sympathy for young people, for their growing pains, but I balk when these growing pains are pushed into the foreground, when you make these young people the only vehicles of life's wisdom.

Somewhere out there the world must have an end.

Any knowledge that doesn't lead to new questions quickly dies out: it fails to maintain the temperature required for sustaining life.

I like being near the top of a mountain. One can't get lost here.

There's nothing new under the sun': that's what you wrote, Ecclesiastes. But you yourself were born new under the sun.

I'm fighting against the bad poet who is prone to using too many words.

Solitude is very important in my work as a mode of inspiration, but isolation is not good in this respect. I am not writing poetry about isolation.

I don't believe I have a mission. Sometimes I really have a spiritual need to say something more general about the world, and sometimes something personal.

Though I may deny poets their monopoly on inspiration, I still place them in a select group of Fortune's darlings.

I'm old-fashioned and think that reading books is the most glorious pastime that humankind has yet devised.

Each of us has a very rich nature and can look at things objectively, from a distance, and at the same time can have something more personal to say about them. I am trying to look at the world, and at myself, from many different points of view. I think many poets have this duality.

I've reached the age of self-knowledge, so I don't know anything. People who claim that they know something are responsible for most of the fuss in the world.

Existentialists are monumentally and monotonously serious; they don't like to joke.

I cannot speak for more than an hour exclusively about poetry. At that point, life itself takes over again.

All the best have something in common, a regard for reality, an agreement to its primacy over the imagination.

Poets yearn, of course, to be published, read, and understood, but they do little, if anything, to set themselves above the common herd and the daily grind.

I cannot imagine any writer who would not fight for his peace and quiet.

Unfortunately, poetry is not born in noise, in crowds, or on a bus. There have to be four walls and the certainty that the telephone will not ring. That's what writing is all about.

All imperfection is easier to tolerate if served up in small doses.

Life lasts but a few scratches of the claw in the sand.

I usually write for the individual reader -though I would like to have many such readers. There are some poets who write for people assembled in big rooms, so they can live through something collectively. I prefer my reader to take my poem and have a one-on-one relationship with it.

This terrifying world is not devoid of charms, of the mornings that make waking up worthwhile.

Get to know other worlds, if only for comparison. I am near, too near for him to dream of me.

I started earning a living as a poet rather early on.

When I mention somebody, that doesn't necessarily mean that I identify with him, personally or poetically. I'm extremely happy when I encounter poets who are different than I am. The ones who have their own distinct poetics provide me with the greatest experiences.

Let the people who never find true love keep saying that there's no such thing. Their faith will make it easier for them to live and die.

Keep up the good work, if only for a while, if only for the twinkling of a tiny galaxy.

I have sympathy for young people, for their growing pains, but I balk when these growing pains are pushed into the foreground, when you make these young people the only vehicles of lifes wisdom.

Even boredom should be described with gusto. How many things are happening on a day when nothing happens?

Loveless work, boring work, work valued only because others haven't got even that much, however loveless and boring--this is one of the harshest human miseries.

In the language of poetry, where every word is weighed, nothing is usual or normal. Not a single stone and not a single cloud above it. Not a single day and not a single night after it. And above all, not a single existence, not anyone's existence in this world.

In every tragedy, an element of comedy is preserved. Comedy is just tragedy reversed.

They say the first love's most important. That's very romantic, but not my experience.

Nothing can ever happen twice. In consequence, the sorry fact is that we arrive here improvised and leave without the chance to practice.

Someone sits at a table or lies on a sofa while staring motionless at a wall or ceiling. Once in a while this person writes down seven lines, only to cross out one of them 15 minutes later, and then another hour passes, during which nothing happens. Who could stand to watch this kind of thing?

Every beginning is only a sequel, after all, and the book of events is always open halfway through.

Sometimes I write quickly, sometimes I spend several weeks on a single poem. I would really love for readers not to be able to guess which of the poems took so much work!

After every war someone has to tidy up.

It's just not easy to explain to someone else what you don't understand yourself.

You know, I'm worried about Szymborska. I wish she would stop smoking.

A Note Life is the only way to get covered in leaves, catch your breath on the sand, rise on wings; to be a dog, or stroke its warm fur; to tell pain from everything it's not; to squeeze inside events, dawdle in views, to seek the least of all possible mistakes. An extraordinary chance to remember for a moment a conversation held with the lamp switched off; and if only once to stumble upon a stone, end up soaked in one downpour or another, mislay your keys in the grass; and to follow a spark on the wind with your eyes; and to keep on not knowing something important.

All is mine but nothing owned, nothing owned for memory, and mine only while I look.

All the best have something in common, a regard for reality, an agreement to its primacy over the imagination. Even the richest, most surprising and wild imagination is not as rich, wild and surprising as reality. The task of the poet is to pick singular threads from this dense, colorful fabric.

And whatever I do will become forever what I've done.

Animals don't even try to look any different from what nature intended. They humbly wear their shells, scales, spines, plumes, pelts, and down. ... The conscious impulse to change one's appearance is found only among humans.

But they know about us, they know, the four corners, and the chairs nearby us. Discerning shadows also know, and even the table keeps quiet.

Carry on, then, if only for the moment that it takes a tiny galaxy to blink!

Contemporary poets are skeptical and suspicious even, or perhaps especially, about themselves. They publicly confess to being poets only reluctantly, as if they were a little ashamed of it. But in our clamorous times it's much easier to acknowledge your faults, at least if they're attractively packaged, than to recognize your own merits, since these are hidden deeper and you never quite believe in them yourself.

Dying - you can't do that to a cat.

Even a graphomaniac is an extremely complicated person.

Even the worst book can give us something to think about.

Four billion people on this earth, but my imagination is still the same. It's bad with large numbers. It's still taken by particularity. It flits in the dark like a flashlight, illuminating only random faces while all the rest go blindly by, never coming to mind and never really missed. . . . I can't tell you how much I pass over in silence.

Generally speaking, life is so rich and full of variety; you have to remember all the time that there is a comical side to everything.

Get to know other worlds, if only for comparison.

God was finally going to believe in a man both good and strong, but good and strong are still two different men.

History counts its skeletons in round numbers. A thousand and one remains a thousand, as though the one had never existed: an imaginary embryo, an empty cradle, ... emptiness running down steps toward the garden, nobody's place in line.

I am a tarsier and a tarsier's son, the grandson and great-grandson of tarsiers, a tiny creature, made up of two pupils and whatever simply could not be left out...

I am who I am. A coincidence no less unthinkable than any other.

I don't know the role I'm playing. I only know it's mine, non-convertible.

I prefer the absurdity of writing poems to the absurdity of not writing poems.

I prefer the hell of chaos to the hell of order.

I'd have to be really quick to describe clouds - a split second's enough for them to start being something else.

I'm drowning in papers.

I'm one-time-only to the marrow of my bones.

I'm working on the world, revised, improved edition, featuring fun for fools blues for brooders, combs for bald pates, tricks for old dogs.

Inspiration is not the exclusive privilege of poets or artists. There is, there has been, there will always be a certain group of people whom inspiration visits. It's made up of all those who've consciously chosen their calling and do their job with love and imagination...Difficulties and setbacks never quell their curiosity. A swarm of new questions emerges from every problem that they solve. Whatever inspiration is, it's born from a continuous 'I don't know.

Is a decision made in advance really any kind of choice?

It's a well-known fact: in order to follow doctor's orders, you have to be healthy as a horse.

I've had the good fortune to read a lot of great American writers in translation, and my absolute beloved, for me one of the greatest writers ever, is Mark Twain. Yes, yes, yes. And Whitman, from whom the whole of 20th-century poetry sprung up. Whitman was the origin of things, someone with a completely different outlook. But I think that he's the father of the new wave in the world's poetry which to this very day is hitting the shore.

Memory at last has what I sought.

Most of the earth's inhabitants work to get by. They work because they have to. They didn't pick this or that kind of job out of passion; the circumstances of their lives did the choosing for them. Loveless work, boring work, work valued only because others haven't got even that much, however loveless and boring--this is one of the harshest human miseries. And there's no sign that coming centuries will produce any changes for the better as far as this goes.

My choices are rejections, since there is no other way, but what I reject is more numerous, denser, more demanding than before. A little poem, a sigh, at the cost of indescribable losses.

No day copies yesterday, no two nights will teach what bliss is in precisely the same way, with precisely the same kisses.

No one feels good at four in the morning. If ants feel good at four in the morning ?three cheers for the ants.

No one in my family has ever died of love. What happened, happened, but nothing myth-inspiring.

Nothing's a gift, it's all on loan

Out of every hundred people, those who always know better: fifty-two.

Poetic talent doesn't operate in a vacuum. There is a spirit of Polish poetry.

Poets, if they're genuine, must keep repeating "I don't know." Each poem marks an effort to answer this statement, but as soon as the final period hits the page, the poet begins to hesitate, starts to realize that this particular answer was pure makeshift that's absolutely inadequate to boot. So the poets keep on trying, and sooner or later the consecutive results of their self-dissatisfaction are clipped together with a giant paperclip by literary historians and called their oeuvre.

Poorly prepared for the dignity of life, I barely keep up with the pace of the action imposed. Reality demands.

Secret codes resound. Doubts and intentions come to light.

Something doesn't start at its usual time. Something doesn't happen as it should. Someone was always, always here, then suddenly disappeared and stubbornly stays disappeared.

Such certainty is beautiful, but uncertainty is more beautiful still

The joy of writing. The power of preserving. Revenge of a mortal hand.

Their faith will make it easier for them to live and die.

There is so much Everything that Nothing is hidden quite nicely

There's simply too much fuss about myself,

They say the first sentence in any speech is always the hardest. Well, that one's behind me, anyway.

Well, one is inspired by the whole of life, one's own and somebody else's. You know how sometimes you hear great music, and music is completely untranslatable into words, into any words. A certain tension that is born when one listens to music could aid you in expressing something absolutely different.

We're extremely fortunate not to know precisely the kind of world we live in. One would have to live a long, long time, unquestionably longer than the world itself.

What does the world get from two people/who exist in a world of their own?

Whatever inspiration is, it's born from a continuous "I don't know.

When I pronounce the word Future, the first syllable already belongs to the past. When I pronounce the word Silence, I destroy it.

When it comes, you'll be dreaming that you don't need to breathe; that breathless silence is the music of the dark and it's part of the rhythm to vanish like a spark.

Whether you want it or not, your genes have a political past, your skin a political tone. your eyes a political color. ... you walk with political steps on political ground.