Willa Cather quotes:

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  • The miracles of the church seem to me to rest not so much upon faces or voices or healing power coming suddenly near to us from afar off, but upon our perceptions being made finer, so that for a moment our eyes can see and our ears can hear what is there about us always.

  • Sometimes a neighbor whom we have disliked a lifetime for his arrogance and conceit lets fall a single commonplace remark that shows us another side, another man, really; a man uncertain, and puzzled, and in the dark like ourselves.

  • Only solitary men know the full joys of frienship. Others have their family; but to a solitary and an exile, his friends are everything.

  • The fact that I was a girl never damaged my ambitions to be a pope or an emperor.

  • The sun was like a great visiting presence that stimulated and took its due from all animal energy. When it flung wide its cloak and stepped down over the edge of the fields at evening, it left behind it a spent and exhausted world.

  • What was any art but a mould in which to imprison for a moment the shining elusive element which is life itself - life hurrying past us and running away, too strong to stop, too sweet to lose.

  • The stupid believe that to be truthful is easy; only the artist, the great artist, knows how difficult it is.

  • All the intelligence and talent in the world can't make a singer. The voice is a wild thing. It can't be bred in captivity. It is a sport, like the silver fox. It happens.

  • Paris is a hard place to leave, even when it rains incessantly and one coughs continually from the dampness.

  • The condition every art requires is, not so much freedom from restriction, as freedom from adulteration and from the intrusion of foreign matter.

  • This is reality, whether you like it or not--all those frivolities of summer, the light and shadow, the living mask of green that trembled over everything, they were lies, and this is what was underneath. This is the truth."

  • When we look back, the only things we cherish are those which in some way met our original want; the desire which formed in us in early youth, undirected, and of its own accord.

  • The heart of another is a dark forest, always, no matter how close it has been to one's own.

  • A work-room should be like an old shoe; no matter how shabby, it's better than a new one.

  • One may have staunch friends in one's own family, but one seldom has admirers.

  • That is happiness; to be dissolved into something complete and great.

  • "More than him has done that," said Antonia sadly, and the girls murmured assent.

  • It is scarcely exaggeration to say that if one is not a little mad about Balzac at twenty, one will never live; and if at forty one can still take Rastignac and Lucien de Rubempre at Balzac's own estimate, one has lived in vain.

  • Some memories are realities, and are better than anything that can ever happen to one again.

  • The irregular and intimate quality of things made entirely by the human hand.

  • I only knew the schoolbooks said he died in the wilderness, of a broken heart.More than him has done that, said Antonia sadly, and the girls murmured assent.

  • In great misfortunes, people want to be alone. They have a right to be. And the misfortunes that occur within one are the greatest. Surely the saddest thing in the world is falling out of love--if once one has ever fallen in."

  • The thing that teases the mind over and over for years, and at last gets itself put down rightly on paper whether little or great, it belongs to Literature.

  • Ugly accidents happen . . . always have and always will. But the failures are swept back into the pile and forgotten. They don`t leave any lasting scar in the world, and they don`t affect the future. The things that last are the good things. The people who forge ahead and do something, they really count.

  • For ever and anon the soul becomes weary of the conventions that are not of it, and with a single stroke shatters the civilized lies with which it is unable to cope, and the strong arm reaches out and takes by force what it cannot win by cunning.

  • Youth, art, love, dreams, true-heartedness - why must they go out of the summer world into darkness?

  • There was only - spring itself, the throb of it, the light restlessness, the vital essence of it everywhere; in the sky, in the swift clouds, in the pale sunshine, and in the warm high wind - rising suddenly, sinking suddenly, impulsive ... If I had been tossed down blindfold on that red prairie, I should have known that it was spring.

  • Every fine story must leave in the mind of the sensitive reader an intangible residuum of pleasure, a cadence, a quality of voice that is exclusively the writer's own, individual, unique.

  • The dead might as well try to speak to the living as the old to the young.

  • I prefer to be foolish when I feel like it, and be accountable to nobody.

  • There are some things you learn best in calm, and some in storm.

  • The voice is a wild thing. It can't be bred in captivity.

  • Art is a concrete and personal and rather childish thing after all - no matter what people do to graft it into science and make it sociological and psychological; it is no good at all unless it is let alone to be itself - a game of make-believe, or re-production, very exciting and delightful to people who have an ear for it or an eye for it.

  • In New Mexico, he always awoke a young man, not until he arose and began to shave did he realize that he was growing older. His first consciousness was a sense of the light dry wind blowing in through the windows, with the fragrance of hot sun and sage-brush and sweet clover; a wind that made one's body feel light and one's heart cry 'To-day, to-day,' like a child's.

  • Beautiful women, whose beauty meant more than it said... was their brilliancy always fed by something coarse and concealed? Was that their secret?

  • I shall not die of a cold. I shall die of having lived.

  • Writing ought either to be the manufacture of stories for which there is a market demand - a business as safe and commendable as making soap or breakfast foods - or it should be an art, which is always a search for something for which there is no market demand, something new and untried, where the values are intrinsic and have nothing to do with standardized values.

  • Men are all right for friends, but as soon as you marry them they turn into cranky old fathers, even the wild ones. They begin to tell you what's sensible and what's foolish, and want you to stick at home all the time. I prefer to be foolish when I feel like it, and be accountable to nobody.

  • Men are all right for friends, but as soon as you marry them they turn into cranky old fathers, even the wild ones.

  • There seemed to be nothing to see; no fences, no creeks or trees, no hills or fields. If there was a road, I could not make it out in the faint starlight. There was nothing but land: not a country at all, but the material out of which countries are made.

  • To note an artist's limitations is but to define his talent. A reporter can write equally well about everything that is presented to his view, but a creative writer can do his best only with what lies within the range and character of his deepest sympathies.

  • A creative writer can do his best only with what lies within the range and character of his deepest sympathies.

  • Thirty or forty years ago, in one those grey towns along the Burlington railroad which are so much greyer to-day than they were then, there was a house well know from Omaha to Denver for its hospitality and for a certain charm of atmosphere.

  • Of all the bewildering things about a new country, the absence of human landmarks is one of the most depressing and disheartening.

  • The idea of you is a part of my mind; you influence my likes and dislikes, all my tastes, hundreds of times when I don't realize it. You really are a part of me. In the course of twenty crowded years one parts with many illusions. I did not wish to lose the early ones. Some memories are realities, and are better than anything that can ever happen again.

  • Nearly all the Escapists in the long past have managed their own budget and their social relations so unsuccessfully that I wouldn't want them for my landlords, or my bankers, or my neighbors. They were valuable, like powerful stimulants, only when they were left out of the social and industrial routine.

  • It is a tragic hour, that hour when we are finally driven to reckon with ourselves, when every avenue of mental distraction has been cut off and our own life and all its ineffaceable failures closes about us like the walls of that old torture chamber of the Inquisition.

  • Men travel faster now, but I do not know if they go to better things.

  • Most of the basic material a writer works with is acquired before the age of fifteen.

  • In other searchings it might be the object of the quest that brought satisfaction, or it might be something incidental that one got on the way; but in religion, desire was fulfilment, it was the seeking itself that rewarded.

  • I suppose there were moonless nights and dark ones with but a silver shaving and pale stars in the sky, but I remember them all as flooded with the rich indolence of a full moon.

  • Prayers said by good people are always good prayers

  • Where there is great love, there are always wishes.

  • All Southern women wished of their menfolk was simply to be 'like Paris handsome and like Hector brave'.

  • Hunger is a powerful incentive to introspection.

  • Every American travelling in England gets his own individual sport out of the toy passenger and freight trains and the tiny locomotives, with their faint, indignant, tiny whistle. Especially in western England one wonders how the business of a nation can possibly be carried on by means so insufficient.

  • Success is never so interesting as struggle

  • This is reality, whether you like it or not--all those frivolities of summer, the light and shadow, the living mask of green that trembled over everything, they were lies, and this is what was underneath. This is the truth.

  • The sky was a midnight-blue, like warm, deep, blue water, and the moon seemed to lie on it like a water-lily, floating forward with an invisible current.

  • Of course Nebraska is a storehouse of literary material. Everywhere is a storehouse of literary material. If a true artist were born in a pigpen and raised in a sty, he would still find plenty of inspiration for his work. The only need is the eye to see.

  • One January day, thirty years ago, the little town of Hanover, anchored on a windy Nebraska tableland, was trying not to be blown away.

  • A pioneer should have imagination, should be able to enjoy the idea of things more than the things themselves.

  • Human relationships are the tragic necessity of human life; that they can never be wholly satisfactory, that every ego is half the time greedily seeking them, and half the time pulling away from them.

  • One afternoon late in October of the year 1697, Euclide Auclair, the philosopher apothecary of Quebec, stood on the top of Cap Diamant gazing down the broad, empty river far beneath him.

  • Only a Woman, divine, could know all that a woman can suffer.

  • Old people, who have felt blows and toil and known the world's hard hand, need, even more than children do, a woman's tenderness.

  • He knew he would always remember her, standing there with that expectant, forward-looking smile, enough to turn the future into summer.

  • Miracles... seem to me to rest not so much upon... healing power coming suddenly near us from afar but upon our perceptions being made finer, so that, for a moment, our eyes can see and our ears can hear what is there around us always.

  • Most beautiful of all was the tarnished gold of the elms, with a little brown in it, a little bronze, a little blue, even-- a blue like amethyst, which made them melt into the azure haze with a kind of happiness, a harmony of mood that filled the air with content.

  • He used to say that he never felt the hardness of the human struggle or the sadness of history as he felt it among those ruins. He used to say, too, that it made one feel an obligation to do one's best.

  • And I advise ye to think well, he told her It's better to be a stray dog in this world than a man without money. I've tried it both ways, and I know. A poor man stinks, and God hates him.

  • Where there is great love, there are always miracles.

  • I was entirely happy. Perhaps we feel like that when we die and become a part of something entire, whether it is sun and air. or goodness and knowledge. At any rate, that is happiness; to be dissolved into something complete and great. When it comes to one, it comes as naturally as sleep.

  • That is happiness; to be dissolved into something complete and great. When it comes to one, it comes as naturally as sleep.

  • It's all very well to tell us to forgive our enemies; our enemies can never hurt us very much. But oh, what about forgiving our friends~?

  • Merely having seen the season change in a country gave one the sense of having been there for a long time.

  • No one can build his security upon the nobleness of another person.

  • When kindness has left people, even for a few moments, we become afraid of them as if their reason had left them. When it has left a place where we have always found it, it is like shipwreck; we drop from security into something malevolent and bottomless.

  • Sometimes falling in love may look like pure madness to those not experiencing it but that's only because they're not involved. Just because other people don't understand your feelings doesn't mean they're not real or they're not important. You have to trust yourself. Feel what you feel and don't worry about anyone else. Love is about you and your significant other, remember that.

  • I like trees because they seem more resigned to the way they have to live than other things do.

  • Winter lies too long in country towns; hangs on until it is stale and shabby, old and sullen.

  • The test of one's decency is how much of a fight one can put up after one has stopped caring, and after one has found out that one can never please the people they wanted to please.

  • One cannot divine nor forecast the conditions that will make happiness; one only stumbles upon them by chance, in a lucky hour, at the world's end somewhere, and hold fast to the days...

  • One summer evening in the year 1848, three Cardinals and a missionary were dining together in the gardens of a villa in the Sabine hills, overlooking Rome.

  • [Mark Twain] is still the rough, awkward, good-natured boy who swore at the deck hands when he was three years old. Thoroughly likeable as a good fellow, but impossible as a man of letters.

  • Too much information is rather deadening.

  • The two friends stood for a few moments on the windy street corner, not speaking a word, as two travelers, who have lost their way, sometimes stand and admit their perplexity in silence. (O Pioneers!)

  • In great misfortunes, people want to be alone. They have a right to be. And the misfortunes that occur within one are the greatest. Surely the saddest thing in the world is falling out of love--if once one has ever fallen in.

  • I have not much faith in women in fiction.... Women are so horribly subjective and they have such scorn for the healthy commonplace. When a woman writes a story of adventure, a stout sea tale, a manly battle yarn, anything without wine, women, and love, then I will begin to hope for something great from them, not before.

  • Sometimes I wonder why God ever trusts talent in the hands of women, they usually make such an infernal mess of it. I think He must do it as a sort of ghastly joke.

  • Give the people a new word and they think they have a new fact.

  • There are only two or three human stories, and they go on repeating themselves as fiercely as if they had never happened before.

  • Desire is creation, is the magical element in that process. If there were an instrument by which to measure desire, one could foretell achievement.

  • [Dawn] is always such a forgiving time. When that first cold, bright streak comes over the water, it's as if all our sins were pardoned; as if the sky leaned over the earth and kissed it and gave it absolution.

  • [Some] people really expect the passion of love to fill and gratify every need of life, whereas nature only intended that it should meet one of many demands. They insist on making it stand for all the emotional pleasures of life and art; expecting an individual and self-limited passion to yield infinite variety, pleasure, and distraction, and to contribute to their lives what the arts and the pleasurable exercise of the intellect gives to less limited and less intense idealists.

  • A burnt dog dreads the fire.

  • A child's attitude toward everything is an artist's attitude.

  • A man long accustomed to admire his wife in general, seldom pauses to admire her in a particular gown or attitude, unless his attention is directed to her by the appreciative gaze of another man.

  • A soup like this is not the work of one man. It is the result of a constantly refined tradition. There are nearly a thousand years of history in this soup.

  • A watch is the most essential part of a lecture.

  • Ah! the terror and the delight of that moment when first we fear ourselves! Until then we have not lived.

  • Alcohol is perfectly consistent in its effects upon man. Drunkenness is merely an exaggeration. A foolish man drunk becomes maudlin; a bloody man, vicious; a coarse man, vulgar.

  • Alexandra sighed. "I have a feeling that if you go away, you will not come back. Something will happen to one of us, or to both. People have to snatch at happiness when they can, in this world. It is always easier to lose than to find. What I have is yours if you care enough about me to take it.

  • An artist's saddest secrets are those that have to do with his artistry.

  • Art and religion -they are the same thing, in the end, of course- have given man the only happiness he has ever had.

  • Art, it seems to me, should simplify finding what conventions of form and what detail one can do without and yet preserve the spirit of the whole - so that all that one has suppressed and cut away is there to the reader's consciousness as much as if it were in type on the page.

  • Art, it seems to me, should simplify.

  • Artistic growth is, more than it is anything else, a refining of the sense of truthfulness.

  • But she still had that something which fires the imagination, could still stop one's breath for a moment by a look or gesture that somehow revealed the meaning in common things. She had only to stand in the orchard, to put her hand on a little crab tree and look up at the apples, to make you feel the goodness of planting and tending and harvesting at last. All the strong things of her heart came out in her body, that had been so tireless in serving generous emotions. It was no wonder that her sons stood tall and straight. She was a rich mine of life, like the founders of early races.

  • Claude Wheeler opened his eyes before the sun was up and vigorously shook his younger brother, who lay in the other half of the same bed.

  • Dr. Howard Archie had just come up from a game of pool with the Jewish clothier and two traveling men who happened to be staying overnight in Moonstone.

  • Elsewhere the sky is the roof of the world; but here the earth was the floor of the sky.

  • Even the wicked get worse than they deserve.

  • Every artist knows that there is no such thing as "freedom" in art. The first thing an artist does when he begins a new work is to lay down the barriers and limitations; he decides upon a certain composition, a certain key, a certain relation of creatures or objects to each other. He is never free, and the more splendid his imagination, the more intense his feeling, the farther he goes from general truth and general emotion.

  • Every artist makes herself born. You must bring the artist into the world yourself.

  • Every artist makes himself born. It is very much harder than the other time, and longer.

  • Every individual taste, every natural appetite, was bridled by caution. The people asleep in those houses, I thought, tried to live like the mice in their own kitchens; to make no noise, to leave no trace, to slip over the surface of things in the dark.

  • Freedom so often means that one isn't needed anywhere.

  • From the time the Englishman's bones harden into bones at all, he makes his skeleton a flagstaff, and he early plants his feet like one who is to walk the world and the decks of all the seas.

  • From two ears that had grown side by side, the grains of one shot up joyfully into the light, projecting themselves into the future, and the grains from the other lay still in the earth and rotted; and nobody knew why.

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