V. E. Schwab quotes:

Fencing is a game of living chess, a match where reflexes only work in combination with intent, and mind and body must work together at every moment.

I love being new places and hate getting there, and have been known to say on multiple occasions that I would give anything from a piece of my soul to a limb to a portion of my life savings to teleport. Especially when bad weather keeps me off planes.

I was fourteen, watching 'The Princess Bride' for the 254321th time, captivated by Wesley and Inigo dueling on the cliff-top. I had never held a sword in my life, but I phoned my mum and said, 'I want to learn to fence!'

I'd grown up an athletic child, a competitive soccer player since age 4, with stints ranging from months to years in gymnastics, softball, volleyball.

As for advice for aspiring authors, the best I can give is to be brave. It sounds like a simple enough thing, but it's not. Rejection is such an integral part of this journey, and it never goes away.

You know so little of war. Battles may be fought from the outside in, but wars are won from the inside out.

It's not what people do that matters, it's why they do it.

So many people think that if you're writing fantasy, it means you can just make everything up as you go. Want to add a dragon? Add a dragon! Want some magic? Throw it in. But the thing is, regardless of whether you're dealing with realism or fantasy, every world has rules. Make sure to establish a natural order.

He wanted to care, he wanted to care so badly, but there was this gap between what he felt and what he wanted to feel, a space where something important had been carved out.

I tend to lean toward female leads who have their guard up, their spikes out.

Purity without balance is its own corruption.

But these words people threw around - humans, monsters, heroes, villains - to Victor it was all just a matter of semantics. Someone could call themselves a hero and still walk around killing dozens. Someone else could be labeled a villain for trying to stop them. Plenty of humans were monstrous, and plenty of monsters knew how to play at being human.

There are no good men in this game.

I almost always start with setting! I have to know the world before I know how to populate it. I have a tendency to play with doors - between life and death, human and monster, mundane and magic - and with 'ADSOM,' I knew I wanted to play with the physical doors between worlds.

I still get rejections - frequently - and my goal isn't to never fail, to never be turned down, but simply to succeed more often than I don't. And in order to do that, I have to constantly put myself out there, to judgment, critique, and rejection.

I am a firm believer that a good plot makes for a fun enough read, but it's not what binds us. If we don't care about the characters, we won't care - not in a lasting way - about what's happening to them.

I tend to have a long con when it comes to romance, in part because I like the build-up as much as the payoff, and in part because I think there are a wealth of relationships out there (friend, sibling, rival, etc.), and straight-up romance interests me less than tension.

I'd rather die on an adventure than live standing still.

It wouldn't bring her back. I know. Trust me, I do. And I would have done far worse, he says, if I'd thought there was a way to bring Regina back. I would have traded places. I would have sold souls. I would have torn this world apart. I would have done anything, broken any rule, just to bring her back.

Some people steal to stay alive, and some steal to feel alive. Simple as that.