Tommy Shaw quotes:

I was born in Alabama and my first live music experiences were in church. Every Sunday we watched regional gospel groups on television singing their hearts out.

I remember my first moment onstage was at a 4-H contest at the Pratville Junior High School cafeteria auditorium around 1965. I had my first electric, a Silvertone with the amp built into the case, and I won first prize.

When I was about 3, my grandfather used to give me and my sister a nickel to sit out on the front porch with him and sing songs.

It was more fun trying to figure out I Want To Hold Your Hand than to take lessons. By this time I knew basic chords.

I love the idea of stepping out of the band situation into a solo world with no boundaries, no expectations, where nothing is out of bounds

It is all about being open and paying attention to the music in your head. I think most people have original music playing in their heads from time to time.

I was born in Alabama and my first live music experiences were in church. Every Sunday we watched regional gospel groups on television singing their hearts out

Around '75 when the recession hit, club owners started going to disco because it was cheaper for them to just buy a sound system than it was to hire a band.

Once you start thinking about it in a mercenary frame of mind, then you're finished. You're a joke, because there are too many mercenaries out there already.

I'd better be on the road, or I'll be going nuts. I'm not the kind of guy who sits around with a pipe and slippers watching soap operas.

Make sure you know what you are signing when you sign a recording contract.

Songwriting is the other weight on the opposite side of the scale from touring. They balance me out creatively.

On acoustic guitar I tend to stay in the key of D for some reason. On electric guitar I keep basic: C, G, D, and A. The key of D minor is also real good for me.

Success is fickle, but creativity is a gift.

I wish I had a nickel for every song that I've left in the bathroom, written down on a matchbox, or just totally forgotten about

When you sign with a label, they do insist upon certain rights, and if you have a competent attorney, your rights will be protected.

I don't like looking back.

Timing is everything.

I love the idea of stepping out of the band situation into a solo world with no boundaries, no expectations, where nothing is out of bounds.

Les Pauls work out real well for me because I'll beat the hell out of them and they'll still work. The only trouble with them is finding good ones.

I feel like I have the greatest life an artist could dream of.

I'm not the kind of guy who deserves to play a vintage guitar because I'm too rough on instruments.

When a song gets its legs and begins to come to me, this is the euphoric hook that keeps me wanting to continue.

I've always stuck with Gibsons. I've had Guilds and Fenders, too, but I always wind up going back to Gibsons.

As a solo artist, I just felt cemented in front of the mike stand. There was very little time to play with the audience and be a band member

You can have fun, but you also have to put on your thinking cap every day

I have always been a sucker for the big, upbeat chorus.

You can have fun, but you also have to put on your thinking cap every day.

I feel like I have the greatest life an artist could dream of

I like being on the road, living in hotels. While I've got a real nice house, I go crazy when I'm there.

We were playing popular music, but we were doing our own arrangements because we were too lazy to sit down and figure out the originals.

As a solo artist, I just felt cemented in front of the mike stand. There was very little time to play with the audience and be a band member.

I wish I had a nickel for every song that I've left in the bathroom, written down on a matchbox, or just totally forgotten about.

If I have an idea, I write it down, although I usually carry a little dictation machine with me because I'm too lazy to write.

There were some older guitarists on my side of town, and I got to know many of them.

By the time I did that third solo album, I'd finally learned how to do it, but I'd also learned that I liked being in a band

I don't write on tour. There is so much to do day in and day out when you are on the road

I never did heroin, because I thought that meant I was doing heavy drugs, which shows you the insanity of doing drugs. I probably should have done heroin, because I understand heroin actually makes you feel good. Cocaine just makes you stupid.

I soon gave up instruction for self-teaching

I wrote songs all my life, where anyone wanted to hear them or not

If I have an idea, I write it down, although I usually carry a little dictation machine with me because I'm too lazy to write

If music became extinct now, I dont know what Id be good for.

It was more fun trying to figure out I Want To Hold Your Hand than to take lessons. By this time I knew basic chords

There were some older guitarists on my side of town, and I got to know many of them

We were playing popular music, but we were doing our own arrangements because we were too lazy to sit down and figure out the originals

We're kind of defined by our mistakes

When I became 16 I started thinking seriously about singing.

When I was a kid, I liked the newer music that was coming out. I have never really felt confined by any style of music. I would play in bands that were soul bands or that played standards - any kind of music that I enjoyed playing.