Theodore Bikel quotes:

By showing hunger, deprivation, starvation and brutality, as well as endurance and nobility, documentaries inform, prod our memories, even stir us to action. Such films do battle for our very soul.

But there is a difference here: When Jewish children are murdered, Arabs celebrate the deed. The death of an Arab child is no cause for celebration in Israel.

Must we be put to shame by much smaller and poorer countries, by Ireland, France, Austria or Sweden, who have understood that a nation's support of its arts is a matter of both national pride and cultural survival?

All too often arrogance accompanies strength, and we must never assume that justice is on the side of the strong. The use of power must always be accompanied by moral choice.

In my mind the city of Ariel is a thorn in Israel's side and a serious obstacle to peace.

After the advent of the written word, the masses who could not - or were not permitted to - read, were given sermons by the few who could.

Visiting Mr. Green' is a good play. I enjoy being in it, and I have a wonderful colleague, Aidan deSalaiz, to work with. Audiences like it a lot. What's not to like?

What moves me is neither ethnocentric pride nor sectarian arrogance. I make no claim that Jewish culture is superior to other cultures. But it is mine.

Epistemology is the study of knowledge. By what conduit do we know what we know?

I am determined to give the Yiddish language a fighting chance to survive.

No movement can afford to be caught in a time warp and exist in a state of suspended animation.

I know for certain of only one commandment, one obligation, that God imposes upon us, and that is to be compassionate toward other human beings.

There is no role I cannot play except a midget.

No heirloom of humankind captures the past as do art and language.

I don't speak out because I am an actor nor will I keep silent because I am an actor. I respect my profession, but it endows me with no special privileges; but it also does not limit me or muzzle me. I am a person and a citizen with the attendant responsibilities of voice and vote.

An actor is supposed to emulate life. Instead, alas, many are imitating other actors. You don't fashion your knowledge of theatre or your approach to a role on the basis of what other actors have done. This kind of thinking is a great danger, especially in dealing with TV producers who frequently say things like, 'This is a Sean Connery type.'

I make no claim that Jewish culture is superior to other cultures or that the Jewish song is better than the song of my neighbor.

As an artist I have an even more abiding interest in the compact between the Arts and Government.

I prefer to make common cause with those whose weapons are guitars, banjos, fiddles and words.

It's a sad thing to contemplate, but I'm the last surviving cast member of 'The African Queen.'

You don't really need modernity in order to exist totally and fully. You need a mixture of modernity and tradition.

Retiring' - within that word is 'tiring,' and I'm not tired. I don't believe in retirement, really.

I am a universalist, passionately devoted to the cause of equality within the human family.

I do not know who there is among us that can claim to know God's purpose and God's intent.

We Jews have a special attachment to the Book. The study of page after page in tomes yellowing with age was obligatory.

But, when I toil in the field of Jewish culture which I frequently do, I am indeed a Jewish artist.

I am first, and foremost, an actor. That's what I am. To me, a song is a mini-drama. My musical ability informs the actor as well because it gives me a sense of timing that non-musicians don't have. So, one hand washes the other.

Having come to live in this age is as though one were to have entered another country. Learn its language or risk being left out.

I am filled with awe that filmmakers have the capacity to stir us and give us back a sense of wonder.

Right up to the middle of this century all perceptions of the world around us were delivered via the bookshelf or the paper route.

Although I am deeply grateful to a great many people, I forgo the temptation of naming them for fear that I might slight any by omission.

I glory in the fact that a human being has multiple talents and exercises them all with a degree of integrity and artistic proficiency. That's what I do.

I created the role of Captain Von Trapp.

I remain convinced that I can be a true universalist only when I am a better Jew.

In my world, history comes down to language and art. No one cares much about what battles were fought, who won them and who lost them - unless there is a painting, a play, a song or a poem that speaks of the event.

In my world, history comes down to language and art.

I am a Zionist, an ardent supporter of Israel, its defender when I deem Israel to be right and its critic when I deem it to be wrong.

When something is moving you get that intake of breath and that stillness from the audience.

I tried for a while to be an agricultural worker and was hopelessly bored. I would stand around in heaps of manure and sing about the beauty of the work I wasn't doing.

I refuse to do shows that are narrowly constructed, that appeal to only one sentiment. I do a lot of Jewish material in front of non-Jews and a lot of non-Jewish material in front of Jews on the simple theory that the non-Jews are entitled to a glimpse of a Jewish world and the Jews are entitled to a glimpse of the world.

No doubt unity is something to be desired, to be striven for, but it cannot be willed into being by mere declarations.

No doubt, unity is something to be desired, to be striven for, but it cannot be willed by mere declarations.

Despite a large body of work in films, TV, theatre and concerts, I am viewed by many as a Jewish artist. I do not resent the label, except for the fact that I disapprove of labels in general.

You learn more from the flops than from the hits.

I do prefer the stage. It's really the granddaddy of them all.

For I firmly believe that Jewish life, indeed any communal life, can only be organized according to democratic principles.

Accents. I'm very good with accents. I'm exceedingly good.

Audiences are audiences.

Every actor wants to direct.

I always sang, I always acted, I always played.

I am not a specialist but a general practitioner in the world of the arts.

I am not, and have never been, in favor of boycotting Israel.

I have always striven to raise the voice of hope for a world where hate gives way to respect and oppression to liberation.

I prefer to choose which traditions to keep and which to let go.

I tried for a while to be an agricultural worker and was hopelessly bored. To me it was meaningless. I would stand around in heaps of manure and sings about the beauty of the work I wasn't doing.

If I have one vanity wish, it would be to direct. It's the only thing I haven't done yet that I would like to.

I'm exceedingly proud of being an actor, but I never recommend it to anyone.

John Huston was the kind of director that totally left you alone. Not every actor always does it right, every time, but most of the time he was re-directing someone. He was making tight adjustments, and not even in terms of interpretation because he knew that by the time that the character had been filmed... well, he got it right when he cast you.

On the stage you're there, it's live. There's a beginning, a middle, an end. When something is funny you hear it right away.

One might have thought the world would stop ascribing moral equivalence between acts of terrorism and acts of punishing terrorism. It has not happened that way.

The play is always fresh to me. It's not the audience's fault that I've said the words before.

Throughout my life I have cared as deeply about the songs of all peoples as I have about the rights of all peoples.

'Visiting Mr. Green' is a good play. I enjoy being in it, and I have a wonderful colleague, Aidan deSalaiz, to work with. Audiences like it a lot. What's not to like?

We live in a world of guns, bombs and terror. To conquer hate seems a nigh-impossible task.

While we all could agree that the Zionist ideal is alive and well, there is serious doubt whether the Zionist movement can be said to be an ongoing proposition, fragmented as its components are in ideology and in practice.

You always draw on your experiences with live audiences to know how to do comedy on films. You're working for a laugh that may or may not come six months later, but you're working in a vacuum at the time you are doing it.

You cannot please all of the people all of the time, and that is truer in the arts than anywhere else.

You can't expect the entire world to come to New York to see you. You have to travel to them.