Sarah Kay quotes:

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  • At this point in my life - age 24 - I have chosen a fairly strange path that not many are walking. I am a professional spoken word poet who tours the world performing and teaching. I run an organization called Project VOICE dedicated to using this art form as an education and empowerment tool in schools and communities of all kinds.

  • When I hear other people's stories, I like to believe that they contribute to my 'Encyclopedia of Human Experience.' The stories I hear help me expand my definition of what love is, what pain feels like, what sacrifice means, what laughter can do.

  • Most days it feels as if the world is whirling around me and I am standing still. In slow motion, I watch the colors blur; people and faces all become a massive wash.

  • I have always liked coming home and sharing what has happened that day with my loved ones. I like comparing notes. I know other people do, too. I think there is a human instinct to tell stories, no matter who you are or where you live.

  • My first spoken word poem, packed with all the wisdom of a 14-year-old, was about the injustice of being seen as unfeminine. The poem was very indignant, and mainly exaggerated, but the only spoken word poetry that I had seen up until that point was mainly indignant, so I thought that that's what was expected of me.

  • Some people read palms to tell your future, but I read hands to tell your past. Each scar makes a story worth telling. Each callused palm, each cracked knuckle is a missed punch or years in a factory.

  • I have always been more comfortable with daredevil acts than with the everyday nuances of life. Let me jump out of a plane, speak in front of a roomful of strangers, even trek across Siberia.

  • Spoken word poetry is the art of performance poetry. I tell people it involves creating poetry that doesn't just want to sit on paper, that something about it demands it be heard out loud or witnessed in person.

  • Not all poetry wants to be storytelling. And not all storytelling wants to be poetry. But great storytellers and great poets share something in common: They had something to say, and did.

  • I think there is a human instinct to tell stories, no matter who you are or where you live.

  • Perusing colorful storylines on the backs of book jackets, I realized that none of them could possibly be as dramatic as my life to date. Then sadly, I also realized I could never find the ending of my story from the safety of an armchair.

  • Women don't have to be defined by others. We have the power to define ourselves: by telling our own stories, in our own words, with our own voices.

  • Because there's nothing more beautiful than the way the ocean refuses to stop kissing the shoreline, no matter how many times it's sent away.

  • Is there a word for the moment you win tug-of-war? When the weight gives, and all that extra rope comes hurtling towards you, how even though you've won, you still end up with muddy knees and burns on your hands? Is there a word for that? I wish there was.

  • No matter your wreckage. There will be someone to find you beautiful, despite the cruddy metal. Your ruin is not to be hidden behind paint and canvas. Let them see the cracks. Someone will come to sing into these empty spaces.

  • Fingers interlocked like a beautiful accordion of flesh or a zipper of prayer

  • Spoken word teaches that if you have the ability to express yourself and the courage to present those stories and opinions, you could be rewarded with a room full of your peers or your community who will listen.

  • Artistry is important. Skill, hard work, rewriting, editing, and careful, careful craft: All of these are necessary. These are what separate the beginners from experienced artists.

  • Sometimes the only way I know how to work through something is by writing a poem. And sometimes I get to the end of the poem and look back and go, 'Oh, that's what this is all about,' and sometimes I get to the end of the poem and haven't solved anything, but at least I have a new poem out of it.

  • You can only fit so many words in a postcard, only so many in a phone call, only so many into space before you forget that words are sometimes used for things other than filling emptiness.

  • Think it's so unfair when people think that you're not a "real artist" unless you're getting paid for it....I personally know so many poets that work a 9 to 5 in a cubicle and come home and write poetry. Their poetry is just as powerful and moving as anything that I've ever written, if not more.

  • It is December, and nobody asked if I was ready.

  • Such a little thing really, a kiss... most people don't give it a moment's consideration. They kiss on meeting, they kiss on parting, that simple touching of flesh is taken entirely for granted as a basic human right.

  • You are not made of metaphors, Not apologies, not excuses.

  • Nothing is as universal as some good scatalogical humor. Even if it means having to be a little silly or cheeky, I think it is worth it.

  • If I should have a daughter, instead of 'Mom,' she's gonna call me 'Point B,' because that way she knows that no matter what happens, at least she can always find her way to me. And I'm going to paint solar systems on the backs of her hands so she has to learn the entire universe before she can say, 'Oh, I know that like the back of my hand.'

  • I write about love and family a lot, because I'm always trying to figure those things out. At different points in my life, just when I think I've finished writing about it, the dynamics shift, and then I have a whole new set of questions and worries and misunderstandings to wrestle with.

  • I have seen the best of you, and the worst of you, and I choose both.

  • I will love you with too many commas, but never any asterisks.

  • This is how I disappear in pieces.This is how I leave while not moving from my seat.This is how I dance away.This is how I'm gone before you wake.

  • To me, having the courage to tell your own story goes hand in hand with having the curiosity and humility to listen to others' stories.

  • Ever hear that expression, "it was the best of times, it was the worst of times"? That's what high school was like for me. Both of those - all the time.

  • Ever since I was little, I've loved making hand-made cards and presents and arts & crafts for people.

  • Ever since I was little, I've loved making hand-made cards and presents and arts & crafts for people. The book gives me a similar experience. I love being able to hold this object in my hands and say, "This is mine. I made this. It is a gift for you." I love that feeling. Especially since this particular object contains ten years worth of my poems.

  • Every moment I choose to write about is one I have deemed important enough to dwell inside of and share with others. I am holding this moment up to the light and saying, "Wow, will you look at that?"

  • For some reason there's this myth that creativity - [especially] in terms of creative writing - is a gift you either have, or you don't. So when people first start writing, if they write something that's not very good, or if they try and it's difficult, they go, "Oh, I guess I don't have it." That doesn't seem very fair, you have to try and you have to work at it. If we get scared of one bad poem and quit, that's not doing anybody any good.

  • Forgive yourself for the decisions you have made, the ones you still call mistakes when you tuck them in at night

  • Hands learn more than minds do, hands learn how to hold other hands...

  • Hiroshima", I find a few of the lines to be very poignant yet hopeful. These lines are: "But in Hiroshima, some people were wiped clean away, leaving only a wristwatch or a diary page. So no matter that I have inhibitions to fill all my pockets, I keep trying, hoping that one day I'll write a poem I can be proud to let sit in a museum exhibit as the only proof I existed

  • I do like celebrating women, I do like celebrating different lifestyles and choices and people and it makes me happy when others find my work empowering.

  • I don't remember the first poem that I wrote because I've been creating poems since I was around 2 or 3. I don't have any memory of that but my mom has written evidence of it. I've always liked playing with words so when I was younger it had a lot more to do with rhyme and sounds.

  • I don't think I ever had a morning where I woke up and said I'm going to be a professional poet. I know I've always loved poetry, I've always loved writing poetry and I've always loved sharing poetry. I've also always known that I wanted that to somehow be a very large part of my life and I'm very fortunate that it's such a large part of my life.

  • I don't think it's about art being a career but it's about making sure that if art is something that you love, something that brings you joy, it's about you having a duty to find time in your life for that thing that brings you joy...even if it can only be a small amount.

  • I fell in love with poetry through storytelling, so my poetry tends to be fairly narrative. I like characters, I like having a beginning, middle, and ending, though not necessarily in that order.

  • I have always thought of poetry as an act of celebration. Just by nature of writing a poem you are taking the time to dwell on whatever it is that you're writing about...you can be celebrating anger, you can be celebrating sorrow... you are spending the time to focus and observe and try to understand the various parts of being human.

  • I love books that create worlds for me that I don't want to leave. I recently lost my entire life to Haruki Murakami - 1Q84. I tell people that book ruined my life in the best possible way. I couldn't think of anything else for weeks after I read it.

  • I often tell people to stop being afraid of writing bad poetry, or bad anything. I think that a lot of times, when people claim that they have writer's block, or that they get stuck, it's just because they're scared of writing bad things.

  • I think that poetry is an act of celebration, that anytime you're writing a poem, it means that you're celebrating something, even if it's a sad poem, if it's an angry poem, a political poem or anything at all. The fact that you're taking the time and energy to pick up this thing and hold it to the light, and say, "Let's take some time to consider this," means that you've deemed it worthy enough to spend time on - which, in my opinion, is celebrating.

  • I think you can perform any poem. But what I believe is that the best examples of spoken word poetry I've ever seen, are spoken word poems that, when you see them, you're aware of the fact they need to be performed. That there's something about that poem that you would not be able to understand if you were just reading it on a piece of paper.

  • I use poetry to help me work through what I don't understand, but I show up to each new poem with a backpack full of everywhere else that I've been.

  • I want [my daughter] to look at the world through the underside of a glass-bottom boat, to look through a microscope at the galaxies that exist on the pinpoint of a human mind.

  • I want to welcome folks to poetry, especially those who may have previously felt unwelcome; I want to celebrate everyone who is trying to make sense of this world through poetry the way I try to.

  • I write poems to figure things out

  • I write poetry to figure things out. Any time I'm trying to wrap my head around something, poetry is like a puzzle-solving strategy for me.

  • I write poetry to figure things out. It's what I use as a navigating tool in my life, so when there's something that I just can't understand, I have to "poem" my way through it. For that reason I write a lot about family, because my family confuses me and I'm always trying to figure them out. I write a lot about love, because love is continually confusing in all of its many glorious aspects.

  • If I should have a daughter""Instead of "Mom", she's gonna call me "Point B.

  • If I should have a daughter, instead of Mom, she's gonna call me Point B, because that way she knows that no matter what happens, at least she can always find her way to me.

  • If you know what you're looking for, the illustrations might give you a tip about what is coming in that section. But it takes a lot of study and familiarity with the work for anyone to really "decode" it, and there are also images that are just thematically important, and not necessarily pointing to specific poems, so mainly it was just a fun puzzle for ourselves.

  • It does not matter how strong your gravity is, we were always meant to fly.

  • It is equally important to listen as it is to speak.

  • It's not just the adage "?write what you know,' it's about gathering up all of the knowledge and experience you've collected up to now to help you dive into the things you don't know.

  • It's really hard for me to remember all of the places that I've been but I can remember all of the delicious meals that I've ever eaten. I love traveling by way or stomach...and finding quiet time.

  • Life will hit you hard in the face, wait for you to get back up just so it can kick you in the stomach. But getting the wind knocked out of you is the only way to remind your lungs how much they like the taste of air.

  • My falling in love with spoken word poetry definitely came out of that time period where all the adults around me were failing to supply me with any answers. Everyone was too busy dealing with things that were more important. I was pretty lost and invisible. And all of a sudden, this world opened up where I could get on stage and perform in front of my peers. People would listen to me and see me, and people would say, "That thing you created was important." And that was so validating and necessary at that specific moment.

  • My first performance poem was about how sometimes I was teased for being manly, or a tomboy or whatever. It was saying how just because I looked a certain way and displayed myself a certain way didn't mean that I wasn't also a feminine human...a woman if you will.

  • My self-confidence can be measured out in teaspoons mixed into my poetry, and it still always tastes funny in my mouth.

  • Nothing is as universal as some good scatalogical humor. I try to shift the frame in which people think about poetry from being distant or "sacred" to being more human, because then I think it becomes easier to feel like poetry belongs to us, is for us, is from us.

  • One of my highest priorities as an educator is to be as inclusive as possible.

  • One thing that I believe is that every time I write something, I am taking the time to celebrate. Even if I am writing a sad story or an angry poem, I am still giving those stories my time and attention.

  • Our day-to-day lives are pretty chaotic. So in terms of the writing part, you have to get pretty disciplined about finding quiet moments and making sure you're making time for the art side, on top of all the time-consuming business side.

  • Part of what I try to do in schools is take poetry off of a pedestal and make it a little more accessible and approachable.

  • Poetry is like a puzzle-solving strategy for me. I like to poem my way through tricky questions and ideas. That's about the only consistent thread through my poem-creation process.

  • Poetry is like pooping. If there is a poem inside of you, it has to come out. Sometimes it can be really difficult and take longer than you'd like (it may even be painful), but other times it can be really easy and happen much faster than you expected. But either way - it is important, and it feels so much better when it's done.

  • Poetry makes people nervous. Especially in schools.

  • Remember that good things come in threes and so do bad things and always apologize when you've done something wrong but don't you ever apologize for the way your eyes refuse to stop shining.

  • Sometimes I am puzzling over something for months and months and the poem gets created in small bursts and rewritten a hundred times, and chopped up and put back together, etc. Occasionally, though rarely, a poem just plops out of my head fully-formed. But always it is a blueprint of what my brain is trying to navigate at that moment.

  • The first spoken word poem I ever wrote was when I was 14 and I wrote it because I was accidentally signed up for a teen poetry slam. Because I loved poetry I said that I'd try it out.

  • There are parts of me I only recognize from photographs.

  • There is hurt that cannot be fixed by band aids or poetrybecause no matter how wide you stretch your fingers, your hands will always be too small to catch all the pain you want to heal. Believe me, I've tried.

  • They'll be days like this" my momma said. When you open your hands to catch, and wind up with only blisters and bruises. When you try to step out of the phone booth and try to fly , and the very people you want to save, are the ones standing on your cape. When your boots will fill with rain, and you'll be up to your knees with disappointment And those are the very days you have all the more reason to say "Thank you".

  • Things that I have a hard time being able to fully grasp, sometimes writing the poem helps me work through it. Or I get to the end of the poem and I still haven't figured anything out, but at least I have a new poem out of it.

  • Thinking about writing as an act of celebration is sometimes a helpful framework for me. It allows me to prioritize what I want to call attention to and what I want others to know about me. It makes me ask: What is worth celebrating?

  • This world is made out of sugar. It can crumble so easily but don't be afraid to stick your tongue out and taste it.

  • When words become a poem, it makes sense to me, but I don't know how to explain to someone why the words are the way they are. It's just the logic of the poem to me.

  • You can be an artist, work hard for your work and also share while trying to create community with other artists.

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