Russell Smith quotes:

My son craves picture books about Transformers and Ninja Turtles and the Hulk; they show one fantastic creature smashing or zapping another into smithereens on page after page. They are dull and ugly and show no interesting stories or models of conflict resolution or character building.

Have you noticed the people most likely to be up in arms about governments apparently spying on us tend to be the most non-private people you know? The people launching petitions and wailing about Big Brother and data collection are most likely to be the most constant self-presenters.

I don't see my artist friends as any more neurotic or addiction-prone than the others. The roommates I have had who were into triathlons or environmentalism were just as crazy as the poets, just as prone to tears over gardening or air conditioners, just as ready to kite a cheque or binge on cookie dough.

My father was a graduate student at Oxford in the early 1960s, where the conventions and etiquette of clothing were crucial to the pervasive class consciousness of the place and time.

I have argued about the future of fiction with jaded novelists, far-seeing postmodernists, technologists, television critics. The argument that future generations will not know the pleasures of the novel has been a staple of book reviewing since at least 1960.

All coffee shops now have WiFi. Why bring a book when you could be wittily attacking some idiot columnist on Twitter, or responding to your date requests, or posting a picture of your foot? All of that is more gripping and immediate and social than books.

What I don't understand is why men have decided that they like wearing hats indoors. It makes no sense to me.

I'm in favour of hipster androgyny: Any trend that permits men to rebel against strict gender rules of appearance is going to make the world a more expressive and sensitive place for all of us.

Here is a fundamental conflict in educated society: We are not supposed to value beauty so highly, and yet who can defend against its sheer power to move, its rhetorical force?

It's great that I can look up a fact instantly on my cellphone, but I miss the days in my room with a dog-eared, text-heavy paperback, immersed in the statistics of crime and punishment and lunacy, completely alone with the narrative of human depravity.

Only a tiny portion of music history involves a singer and a lyric. Songs in music are generally thought to be a minor form.

What I would love to see is art that explicitly addresses not personal intimacies but anonymous intimacies: the vast collections of facts about you and me that now exist in giant server banks.

I dislike turtlenecks at the best of times, as they are always unflattering to the imperfect male physique, but when worn in combination with a v-neck sweater, they say 'Grandpa' louder than any other item of clothing.

Kindle Worlds is a clever way to monetize a formerly underground trend, and to enable its participants to be remunerated. But it will be of no interest to writers with any literary ambition, as its constraints are designed to stymie even the most rudimentary impulses - even the first flickering of a dangerous originality.

No matter how fine your suit and your shoes, you will remind everyone that you are not yet a grownup man by wearing them with your old college knapsack, in its nasty, nylon glory.

Yes, the hunky barista looks even more terrifically masculine with three days' growth on his chin. Guys under 50 mostly do. But when your beard is partly or largely grey, that stubble can just look a little unwashed. Sadly, when you're over 50, different rules apply.

Even in early adulthood, men can't be told what to wear; they can only be subtly moved by example, encouragement, and a generally sophisticated atmosphere.

Most critics of gender division are women, and they're worried about girls and the roles presented for them by gendered entertainments. They are quite right to be. Telling girls that the cars and the guns are beyond their domain of expertise, and that they should content themselves with clothes and friendships, is limiting.

We are still vulnerable to gender-targeted marketing no matter how carefully we edit our children's bookshelves.

A song is a short composition for voice and instruments. It is a piece of sung poetry set to music. It is usually only a few minutes long.

Calls for the simplification of abstract or allusive art have always come from governments suspicious of artists themselves. This is why totalitarian regimes have always legislated some form of realism.

Most men are petrified of standing out in any way or being thought superficial.

If you tell your husband or boyfriend for his whole life that he needn't worry about his clothes, that he couldn't possibly understand them, that they are a woman's affair, then you can hardly complain that he doesn't have any style sense. You all make this bed.

Wear your clothes with abandon, I say; don't keep them pristine as if for museums: They are meant to wear out. Then you get to buy new ones.

Anything that encourages a boy to open a book, in a world of more violent and therefore more compelling video games, is something I'm going to pay for.

What is a literary festival? Imagine a sort of cross between school and church. There are no actual festivities; what there are is a lot of public readings.

Verisimilitude is something I am constantly seeking in fiction. I am looking for surface detail that makes something seem real.

Unseasonal clothing actually only stands out when it's visibly uncomfortable.

The locale does not determine the dress code; the host does.

I am so sick of being exhorted, as a writer, to improve the world by representing it in a more hopeful way.

I would rather be nuts than unattractive.

Guys think that the military associations of camo are going to make them look tough, as if they might just break out a shotgun and take down a passing duck at any given moment. I'm not so sure.

I went to Queen's - a fine university with the proudly stupidest frosh week in the country. This was, when I was there, supposed to be somehow evidence of a higher social class.

One of the qualities essential to writing exciting stories, whether for page or screen, is an ability to abandon one's morality. We simply cannot be good writers and good people. One must be able to access one's darkest self, one's venality and pettiness and murderousness.

Sadly, I don't really believe in the idea of timeless fashion. It's an oxymoron. If 'classic fashion' really never changed, we'd all still be wearing togas.

Everyone likes to hear that their eccentricities and their addictions are simply evidence of their sensitive artistic nature.

The YA category is an entirely new one, and seems to have more to do with readability than with age group or theme. The adult YA readers I know do actually consistently say that they are looking for an easy read, a fun read, an unchallenging read.

Possibly the strangest book ever made, the 'Codex Seraphinianus' is an encyclopedia of an imaginary world, with illegible calligraphy - it is written in an alphabet no one can understand - and surreal drawings of odd beasts and machines.

There is something insouciant and boyish about the sockless ankle in summer.

Indeed, the whole point of the man bun, I have surmised, is to assert a high proficiency at yoga. There are no yoga-achievement badges, no coloured belts like judo, so the male yoga expert needs some other kind of visible symbol.

Songs are great. I love songs. I sing them in the shower sometimes. They can be poignant or cheery or angry, and they can have catchy and satisfying melodies. There's nothing wrong with songs.

A suit is just a suit: a practical garment, not a ceremonial robe; it can be worn out to dinner with friends or for a visit to an art gallery. Its beauty and craftsmanship are utterly wasted if you think of it as something magical and symbolic.

I was given a thick paperback copy of the 'Guinness Book of Records' when I was 11 years old, and I read it gluttonously, cover to cover, paying special lip-smacking attention to all the incredibly gruesome chapters about the violence of human history.

Universities can teach maturity. They can teach teenagers how to be adults, and that means to function outside a clique or a tribe.

Conformism is essential to the group coherence and 'spirit.' The whole impetus behind tribalism of this kind is conservative: Belonging to the tribe is defined by opposition to other tribes. Our tribe, and its traditional ways, is superior to other tribes because it is ours.

Ah, the intractable Canadian problem: Winter and finery are basically incompatible.

If people didn't read books on the subway, underground journeys would be dreary.

Canadian writers don't live in gated mansions; you can just talk to them when you see them lining up at the Second Cup.

Anyone who has set out to invent a purely imaginary story knows that the whole thing is fantasy, from beginning to end; there must be a sense of magic created about the most restrained of naturalism.

Personally, I see little distinction between an artistic mentality and criminality. You couldn't possibly create a compelling story without some wickedness or some fascination with the disgusting. Being good is a hindrance to a writer.

From its beginning, fan fiction has been written mostly by women. Originally, this was because of a dearth of interesting female characters in conventional sci-fi.

There is actually no such thing as an Artist type. 'Artist' is just an economic designation, a box you tick on a form. We are all people, and we are all creative.

If you define eccentricity as creativity, then yes, creativity is eccentricity.

The only thing that makes a book YA is that it is about teenagers, and it is written in a very conventional, non-artsy, non-pretentious way. YA is not the place for the oblique or the cryptic. If it is in any way experimental in form, it is not YA.

Men over 60 often think that if they wear athletic shoes - soft-soled referee shoes or hiking shoes or actual running shoes - then they will look more youthful. The contrary is true.

In the best stories, people are morally complex; they are flawed. We read them because the world is flawed, and we want to see it truthfully represented. And because it can be thrilling to be shocked and upset, and even to feel, for chilling moments, what it's like to be a bad person.

The novel is just fine: It's novelists who aren't doing so well.