Philip Johnson quotes:

Architecture is basically the design of interiors, the art of organizing interior space.

All architecture is shelter, all great architecture is the design of space that contains, cuddles, exalts, or stimulates the persons in that space.

There's no such thing as old age. I'm no different now than I was 50 years ago. I'm just having more fun.

Houston is undoubtedly my showcase city. I saved all my best buildings for Houston.

To me, the drive for monumentality is as inbred as the desire for food and sex, regardless of how we denigrate it. Monuments differ in different periods. Each age has its own.

In my own work, I'd say I'm a classicist, but I look everywhere for my solutions. I don't study the toilet-living habits of my clients, although that's a popular approach. First, I think of every building in history that has been similar in purpose. Then I think of the functional program - that's a major part of the study.

I like the thought that what we are to do on this earth is embellish it for its greater beauty, so that oncoming generations can look back to the shapes we leave here and get the same thrill that I get in looking back at theirs - at the Parthenon, at Chartres Cathedral.

You're going to change the world? Well, go ahead and try. You'll give it up at a certain point and change yourself instead.

Architecture is the art of how to waste space.

I hate vacations. If you can build buildings, why sit on the beach?

It is wonderful to be in the country in a glass house, because no matter what happens out there, you're nice and safe, you know, cuddled in your little bed, and there it is, raging storms, snowing - wonderful.

The first complete sentence out of my mouth was probably that line about consistency being the hobgoblin of small minds.

I like to be buttoned onto tradition. The thing is to improve it, twist it and mold it; to make something new of it; not to deny it. The riches of history can be plucked at any point.

Faith? Haven't any. I'm not a nihilist or a relativist. I don't believe in anything but change. I'm a Heraclitean - you can't step in the same river twice.

Don't build a glass house if you're worried about saving money on heating.

Dullness is the enemy.

Processionalism is primary - how you get from one place to another, the relationships and effects of spaces as you move about in them. That's worked out awfully well in the State Theater. I'm a 'straight-in' man myself; I'm too nervous, I like to know where I am. I also like to know where I'm going.

Maybe, just maybe, we shall at last come to care for the most important, most challenging, surely the most satisfying of all architectural creations: building cities for people to live in.

I guess I can't be a great architect. Great architects have a recognizable style. But if every building I did were the same, it would be pretty boring.

I get between nine and ten hours of sleep. Go to bed at 8:30 and get up at 6:00 or 6:30 if I oversleep.

American megalomania is largely responsible for the growth of the Skyscraper School.

Purpose is not necessary to make a building beautiful.

I'm a chameleon, so changeable. I see myself as a gadfly and a questioner.

Naturalism and materialism mean essentially the same thing.

How does an artist know when the line that he just painted is good or not good? That's the catch. De Kooning was the greatest of my contemporaries in art, and he knew when he'd done a good line. When he didn't, he threw it away. I wish I'd thrown away some of mine.

So now the floodgates are open to the delight of pure form, whatever its origin. Anything goes.

I used to think that each phase of life was the end. But now that my view on life is more or less fixed, I believe that change is a great thing. In fact, it's the only real absolute in the world.

There's only one reason for my whole life, and that's art. Nothing else counts; nothing else gives me pleasure; nothing else gives me satisfaction.

Scientific naturalism is a story that reduces reality to physical particles and impersonal laws, [and] portrays life as a meaningless competition among organisms that exist only to survive and reproduce.

In our greatest universities, naturalism - the doctrine that nature is all there is - is the virtually unquestioned assumption that underlies not only natural science but intellectual work of all kinds.

I'm about four skyscrapers behind.

Doing a house is so much harder than doing a skyscraper.

If architects weren't arrogant, they wouldn't be architects. I don't know a modest good architect.

I always think of buildings in their settings, but so do other architects.

I got everything from someone. Nobody can be original.

Concrete you can mold, you can press it into - after all, you haven't any straight lines in your body. Why should we have straight lines in our architecture? You'd be surprised when you go into a room that has no straight line - how marvelous it is that you can feel the walls talking back to you, as it were.

I haven't any wisdom - just a child like everybody else. I'm not as great as Frank Lloyd Wright.

There's no worse feeling than seeing my buildings and realizing the mistakes.

[Evolution] doesn't mean God-guided, gradual creation. It means unguided, purposeless change. The Darwinian theory doesn't say that God created slowly. It says that naturalistic evolution is the creator, and so God had nothing to do with it.

All architects want to live beyond their deaths.

Anybody can build a building, putting some doors into it, but how many times have you been in a building that moves you to tears the way Beethoven's 'Eighth' does?

Architects are pretty much high-class whores. We can turn down projects the way they can turn down some clients, but we've both got to say yes to someone if we want to stay in business.

Architecture is art, nothing else.

Early unsuccessess shouldn't bother anybody because it happens to absolutely everybody.

From the very fact the universe is on the whole orderly, in a manner comprehensible to our intellect, is evidence that we and it were fashioned by a common intelligence.

Glibness will get your anywhere.

I call myself a traditionalist, although I have fought against tradition all my life.

I guess I want to make money just like other people, perhaps more than most people.

I think the collectors have made an enormous contribution, not only to the market but to painters themselves... These people that buy, that set standards, make everyone else itch to emulate.

I wish someone would ask me to design a cathedral.

I wouldn't build a building if it wasn't of interest to me as a potential work of art. Why should I?

In our universal experience unintelligent material processes do not create life

Pick very few objects and place them exactly.

Some of the opera houses in Italy had to be burnt down because people could neither see nor hear. They gave up seeing years ago, but they did enjoy the music.

The automobile is the greatest catastrophe in the entire history of City architecture.

The best thing to do with water is to use a lot of it.

The future of architecture is culture.

The people with money to build today are corporations - they are our popes and Medicis. The sense of pride is why they build.

The practice of architecture is the most delightful of all pursuits. Also, next to agriculture, it is the most necessary to man. One must eat, one must have shelter. Next to religious worship itself, it is the spiritual handmaiden of our deepest convictions.

We all see the world differently. And thank God for that. Otherwise, what a boring world this would be.

We do pretty much whatever we want to.

When a building is as good as that one, f#*@ the art.