Patrick Rothfuss quotes:

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  • Fantasy is my favorite genre for reading and writing. We have more options than anyone else, and the best props and special effects. That means if you want to write a fantasy story with Norse gods, sentient robots, and telepathic dinosaurs, you can do just that. Want to throw in a vampire and a lesbian unicorn while you're at it? Go ahead.

  • I started a novel back in high school. It wasn't very good. It was the opposite of good. The writing itself wasn't too bad, and the characters were interesting. But the story was a mess, and it was full of fantasy cliches. Dwarf with an axe. Barbarian warrior. I don't ever think I'd bother finishing that. It's just not worth my time.

  • After I'd been in college for a couple years I'd read Shakespeare and Frost and Chaucer and the poets of the Harlem Renaissance. I'd come to appreciate how gorgeous the English language could be. But most fantasy novels didn't seem to make the effort.

  • When someone writes something dazzlingly brilliant, people want to imitate it. The result is a lot of less-than-brilliant knock-offs. Elves, Dwarves, Goblin army, cursed ring, evil sorcerer. Tolkien did it. It rocked. Let's move on. Let's do something new.

  • You can have an interesting story about a person living an interesting life. And if it's done well, that is just as engaging as the end of the world. A million people dying - we can't process. One person, we can process.

  • I'm obsessive. That's the word for me. I obsess - perhaps to the point where it's moderately dysfunctional. I tend to put a book through about 100 revisions. If anything, that's an understatement. If there's another author out there who does this sort of revision, I would really like to meet him. Maybe we could form some sort of support group.

  • Do you know what it's like to run spellcheck for six hours? It's like a party in purgatory. A party in purgatory where all they have to drink is sugar-free Kool-aid, and the only game to play is Monopoly, and none of your friends show up.

  • I've got an idea for a modern day faerie tale that I think would made a great short novel. But I just don't have the time to work on it right now. I'm way too busy with the 'Kingkiller Chronicles' and being a new dad.

  • I almost got a psychology degree, I almost got a philosophy degree. I kept changing it so they couldn't make me graduate. I studied anthropology and eastern religion, epistomology, and astronomy... I took every interesting course I could find for nine years.

  • Don't get me wrong, magic is cool. But a nervous mother singing to her child at night while something moves quietly through the dark outside her house? That's a story. Handled properly, it's more dramatic than any apocalypse or goblin army could ever be.

  • Humans are kind of story-propagating creatures. If you think of how we spend our days, think of all the time you spend on entertainment. How much of your entertainment centers around stories? Most pieces of music tell stories. Even hanging out with your friends, you talk, you tell stories to each other. They're all stories. We live in stories.

  • My father referred to it as "the finest song ever written for fifteen fingers." He made me play it when I was getting too full of myself and felt I needed humbling. Suffice to say I practice it with fair regularity, sometimes more than once a day."

  • There is a difference between something being essential, and it being necessary. If you take your favorite book and strip it down to what is merely essential to tell the story, it would be butchery. The end result would horrify you. Essential is the bones of the story, but the soul lives somewhere else.

  • I never set out to become 'famous.' I mean, when you're 14 you think 'I'm gonna become a writer and people will want my autograph and that'll be cool,' but you grow up and you learn that's just not how the world works. I resigned myself to the fact that I would probably never be published and if I did it probably wouldn't be a big deal.

  • I've done a lot of interviews of the last few years, and I've actually started a list of questions that it would be fun to ask an author, but no respectable interviewer would ever ask. Since I'm not respectable, I'm going to start doing interviews with some authors I know, just for fun.

  • Also, worldbuilding touches all aspects of your story. It touches plot and character as well. If you don't know the culture your character comes from, how can you know what he's really like? You must know your characters on a much deeper level than you would if you just shrugged your way into a cookie cutter fantasy world.

  • I've never really understood the desire people have to quantify a baby. "He's X big and Y long," As if the baby is a fish you're not sure you're going to keep. Or some prize potato you're hoping will win a prize at the county fair.

  • ... for most practical purposes, Tarbean had two parts: Waterside and Hillside. Waterside is where people are poor. That makes them beggars, thieves and whores. Hillside is where people are rich. That makes them solicitors, politicians and courtesans.

  • But even this piece of flattery couldn't distract me from the fact that I was in the center of the Fae realm, blind, stark naked, and without the slightest idea of what was going on.

  • Fencing is more a sport than a martial art. It would be like basing your knowledge of roman phalanx warfare on NFL football.

  • I think one of the biggest mistakes you can make as a writer is to follow your initial [writing] plan too stringently. A story needs room to grow and evolve.

  • It was only then I realized I didn't know the name of Elodin's class. I leafed through the ledger until I spotted Elodin's name, then ran my finger back to where the title of the class was listed in fresh dark ink: "Introduction to Not Being a Stupid Jackass." I sighed and penned my name in the single blank space beneath.

  • I like your manly bravado," she said. "Do it some more.

  • There are three things all wise men fear: the sea in storm, a night with no moon, and the anger of a gentle man.

  • There is a great difference between a gift given freely, and one that's meant to tie you to a man.

  • Some of my Arcanum bunkmates taught me a card game called dogs-breath. I returned the favor by giving an impromptu lesson in psychology, probability, and manual dexterity. I won almost two whole talents before they stopped inviting me back to their games.

  • I'm not implying that fantasy is for kids. I'm saying that more and more people are finally realizing that there's more to fantasy stories than elves and wizards and goblin armies.

  • What were you thinking?" Bast said with an odd mixture of confusion and concern. Coat was a long while in answering. "I tend to think too much Bast. My greatest successes tended to come when I stopped thinking and simply did what felt right, even if there was no explantion for what I did.

  • It will be worth it if I am remembered, if not flatteringly, then at least with some small amount of accuracy.

  • There is a great deal of difference between a penis and a heart.

  • When we are children we seldom think of the future. This innocence leaves us free to enjoy ourselves as few adults can. The day we fret about the future is the day we leave our childhood behind.

  • It's easier to write about heartbreak after you've had your heart broken. You have more material to draw from, you can extrapolate from your own experiences and make reasonable assumptions about how your characters would feel and act.

  • Sought we the Scrivani word-work of Surthur Long-long in ledger all hope forgotten Yet fast-found for friendship fair the book-bringer Hot comes the huntress Fela, flushed with finding Breathless her breast her high blood rising To ripen the red-cheek rouge-bloom of beauty.

  • Half of seeming clever is keeping your mouth shut at the right times.

  • It's the questions we can't answer that teach us the most. They teach us how to think. If you give a man an answer, all he gains is a little fact. But give him a question and he'll look for his own answers.

  • I have, of course, been called many other things. Most of them uncouth, although very few were unearned

  • Re'lar Kvothe," he said seriously. "I am trying to wake your sleeping mind to the subtle language the world is whispering. I am trying to seduce you into understanding. I am trying to teach you." He leaned forward until his face was almost touching mine. "Quit grabbing at my tits.

  • After an awkward pause, Bast extended his hand. Chronicler hesitated for a bare moment before reaching out quickly, as if he were sticking his hand into a fire. Nothing happened, both of them seemed moderately surprised. "Amazing, isn't it?" Kvothe addressed them bitingly. "Five fingers and flesh with blood beneath. One could almost believe that on the other end of that hand lay a person of some sort.

  • Close your mouth, E'lir Kvothe, or I will feel obliged to put some vile tonic in it.

  • If your name is getting too heavy, you should have Kvothe give you a new one.

  • The Chancellor looked down at the empty table for a minute. Then he shrugged, looked up, and gave a surprisingly jaunty smile. "All in favor of admitting first-term Kvothe's reckless use of sympathy as proof of mastery of basic principles of sympathy vote by show of hands.

  • Still, these days when I daydream about the movie, I don't think about the big picture. It's more fun for me to think of little things that would add to the movie. I like to think the powers that be would let me amuse myself with some small things in order to shut me up while they re-write the screenplay to turn Kvothe into a lesbian, shape-changing unicorn.

  • I walked across the polished marble floor and sat on a red velvet lounging couch. I idly wondered how exactly one was supposed to lounge. I couldn't remember ever doing it myself. After a moment's consideration, I decided lounging was probably similar to relaxing, but with more money in your pocket.

  • I guess I'm destined to be loveless

  • 85% of modern music doesn't have a damn thing to do with music. It has to do with looking good. Name me one woman on the top ten right now who isn't absolutely smoking hot. You think that's a coincidence?

  • Remember this, son, if you forget everything else. A poet is a musician who can't sing. Words have to find a man's mind before they can touch his heart, and some men's minds are woeful small targets. Music touches their hearts directly no matter how small or stubborn the mind of the man who listens.

  • I think authors are just realizing there's no real reason to feel limited to a narrow set of genre rules in their writing. There's no reason a mystery novel can't have fantastic elements in it. Similarly, there's no reason why your epic fantasy series can't have elements of a mystery.

  • So Stapes conducted a dinner for just the two of us, then informed me of a dozen small but important mistakes I had made. Setting down a dirty utensil was considered crude, for example. That meant it was perfectly acceptable to lick one's knife clean. In fact, if you didn't want to dirty your napkin it was the only seemly thing to do.

  • When the hearthfire turns to blue, what to do? what to do? run outside, run and hide when his eyes are black as crow? where to go? where to go? near and far. Here they are. see a man without a face? move like ghosts from place to place. whats their plan? whats their plan? Chandrian. Chandrian

  • By your logic I should also be in charge of Solinade dances, needlework, and horse thieving.

  • My shrug was so nonchalant it would make a cat jealous

  • Humor is important for is pacing. If your whole book is just drama drama drama, it's going to wear down the reader.

  • ...hear rumors and go digging for the painful truth beneath the lovely lies. You believe you have a right to these things, but you don't. When someone tells you a piece of their life, they're giving you a gift, not granting you your due.

  • Words are pale shadows of forgotten names. As names have power, words have power. Words can light fires in the minds of men. Words can wring tears from the hardest hearts.

  • I can sell anything to anyone. That is actually my superpower. I am really good at negotiating and persuading.

  • I want to learn how to pick locks, swordfight, throw pottery - it's all research. It's like the curious person's version of James Bond's license to kill. I've got a license to learn.

  • It's not prowess if you watch 5 hours of TV a day. It's just how you choose to spend your time.

  • Reading aloud sounds like a good idea, but honestly, it doesn't work very well. Good dialogue in a book doesn't actually bear much resemblance to real-life dialogue. For example, if you've ever seen a word-for-word transcript of people talking, it doesn't read off the page very well. The trick is to make it *seem* like it's being spoken, not to make it speakable.

  • It's my belief that you should never show your work to anyone in the publishing world until it shines like a diamond. Rough drafts don't shine, as a rule. Mine certainly didn't. That's why I was rejected for years and years.

  • You're sure your new roommate won't be like the last one who wore tinfoil socks and had a tendency to occasionally urinate in the refrigerator. You're sure you'll pass Math 106 this time around. You're determined to actually join some clubs this year and not just sit around in your dorm eating spray cheese from a can and watching youtube videos about cats.

  • Denna is a wild thing," I explained. "Like a hind or a summer storm. If a storm blows down your house, or breaks a tree, you don't say the storm was mean. It was cruel. It acted according to its nature and something unfortunately was hurt. The same is true of Denna.

  • No hard feelings about that time in the Crucible when you mixed my salts and I was nearly blind for a day. No. No, really, drink up!

  • Metal rusts, music lasts forever.

  • There are times when the mind is dealt such a blow it hides itself in insanity. While this may not seem beneficial, it is. There are times when reality is nothing but pain, and to escape that pain the mind must leave reality behind.

  • She smiled like knife on a velvet, she stretched like cat on the sun.

  • There is something deeply satisfying in shaping something with your hands. Proper artificing is like a song made solid. It is an act of creation.

  • But for half a minute she wished it was a different sort of day, even though she knew that nothing good could come from wanting at the world.

  • Losing Foxen was bad. It would leave her blind and lonely in the dark. Being trapped beneath the pipes and choking out her life was awful too. But neither of those things were wrong.

  • Too much honesty makes you sound insincere.

  • If she was beautiful at rest she was doubly so awake. Asleep she was a painting of a fire. Awake she was the fire itself.

  • Maple. MaypoleCatch and carry.Ash and Ember.Elderberry.Woolen. Woman.Moon at night.Willow. Window.Candlelight.Fallow farrow.Ash and oak.Bide and borrow.Chimney smoke.Barrel. Barley.Stone and stave.Wind and water.Misbehave.

  • Maple. MaypoleCatch and carry.Ash and Ember.Elderberry.Woolen. Woman.Moon at night.Willow. Window.Candlelight.Fallow farrow.Ash and oak.Bide and borrow.Chimney smoke.Barrel. Barley.Stone and stave.Wind and water.Misbehave.Maple. MaypoleCatch and carry.Ash and Ember.Elderberry.Woolen. Woman.Moon at night.Willow. Window.Candlelight.Fallow farrow.Ash and oak.Bide and borrow.Chimney smoke.Barrel. Barley.Stone and stave.Wind and water.Misbehave.

  • She taught me I should never do anything in private I did not want talked about in public, and cautioned me not to talk in my sleep.

  • She was a wicked thing sometimes. All full of want. As if the shape of the world depended on her mood. As if she were important.

  • Answers were always important, but they were seldom easy.

  • All I want is someone who likes me.""All I want is a clear sign," I said."All I want is a magical horse that fits in my pocket," Wil said. "And a ring of red amber that gives me power over demons. And an endless supply of cake.

  • If whatever you're going to do is wrong, you might as well do whatever you want.

  • He suggested several unpleasant, unsanitary things I could do to myself at my earliest convenience.

  • I can't count the men who have tried to seduce me away from my virtue by teaching me how to defend it.

  • The day we fret about the future is the day we leave our chilhood behind.

  • Books are a poor substitute for female companionship, but they are easier to find.

  • It's like everyone tells a story about themselves inside their own head. Always. All the time. That story makes you what you are. We build ourselves out of that story.

  • They were everything they ought to be and nothing else.

  • What? No defense? Any student of mine must be able to defend his ideas against an attack. No matter how you spend your life, your wit will defend you more often than a sword. Keep it sharp!

  • The point isn't to win the game. The point is to play a beautiful game. (paraphrased)

  • There are so many men, all endlessly attempting to sweep me off my feet. And there is one of you, trying just the opposite. Making sure my feet are firm beneath me, lest I fall.

  • What the hell is that supposed to mean?" Chronicler snapped. "You're just spouting nonsense now.""I'm spouting too much sense for you to understand," Bast said testily.

  • Lies are simpler, and most of the time they make better sense.

  • ...nothing in the world is harder than convincing someone of an unfamiliar truth.

  • The best lies about me are the ones I told.

  • A tree doesn't make a thunderstorm, but any fool knows where lightning's going to strike.

  • It was the patient, cut-flower sound of a man who is waiting to die.

  • So much was so easy. Glamour was second nature. It was just making folk see what they wanted to see. Fooling folk was as simple as singing. Tricking folk and telling lies, it was like breathing.But this? Convincing someone of the truth that they were too twisted to see? How could you even begin?

  • There can be many opinions on a thing, but there is only one truth."Vashet smiled lazily. "And if the pursuit of the truth was my goal, that would concern me." She gave a long yawn, stretching like a happy cat. "Instead I will focus on the joy in my heart, [...}

  • But no. There is a difference between the truth and what we wish were true.

  • Anyone can love a thing because. That's as easy as putting a penny in your pocket. But to love something despite. To know the flaws and love them too. That is rare and pure and perfect.

  • so many thoughts, my kvothe. you know too much to be happy.

  • Music is a proud, temperamental mistress. Give her the time and attention she deserves, and she is yours. Slight her and there will come a day when you call and she will not answer. So I began sleeping less to give her the time she needed.

  • Music sounds different to the one who plays it. It is the musician's curse.

  • You, I said, are sweet music in a distant room.

  • Words cannot always do the work we need them to. Music is there for when words fail us.

  • As I fingered my way through the songs, I felt my worries slough away. My music has always been the best remedy for my dark moods. As I sang, even my bruises seemed to pain me less.

  • A poet is a musician that can't sing. Words have to find a man's mind before they can touch his heart, and some men's minds are woeful small targets. Music touches their hearts directly no matter how small or stubborn the mind of the man who listens.

  • He had a bright, reckless tenor that was always wandering off, looking for notes in the wrong places.

  • What what," Trapis said as he hurried over to tend to her, his bare feet slapping on the floor. "What what. Hush hush.

  • You lack the requisite spine and testicular fortitude to study under me.

  • Then I played the song that hides in the center of me. That wordless music that moves through the secret places in my heart. I played it carefully, strumming it slow and low into the dark stillness of the night. I would like to say it is a happy song, that it is sweet and bright, but it is not.

  • We need time to relax and enjoy ourselves too, no matter how dark the story. The occasional humorous moment helps with that. That's one of the things that Joss Whedon excels at in his storytelling.

  • How odd to watch a mortal kindle / Then to dwindle day by day / Knowing their bright souls are tinder / And the wind will have its way

  • As authors, most - most authors, our art is portraying the human condition. Trying to show you what it's like to be somebody else, trying to make you feel for somebody else. That means you have to have a high degree of empathy.

  • Using words to talk of words is like using a pencil to draw a picture of itself, on itself. Impossible. Confusing. Frustrating ... but there are other ways to understanding.

  • On the other hand, winning awards is cool. Aside from the warm fuzzy, it creates publicity, and that helps spread the word about the book. Plus, this award was a plaque of some sort. I could have used that for all sorts of things. Obviously it would be useful for decorating the barren walls of my house and intimidating my enemies, but that's just for starters.

  • Anger can keep you warm at night, and wounded pride can spur a man to wondrous things.

  • My mom once lost track of me at the zoo and when she found me I was lecturing a man about the difference between dromedary and Bactrian camels. I was about 3 1/2.

  • The myth of writer as, like, Asperger-style misanthrope, or, like, the Jack Nicholson, 'As Good As It Gets' - it just doesn't work, because writers, in order to write good characters, need to understand people. You need to understand your audience. You need to have so much empathy you could almost encourage empathy in others.

  • One reason we love fiction is because stories have a comforting shape. They provide a resolution that's lacking in our regular lives.

  • When you're 14, anything with a sword and a dragon is pretty cool. But when you're 21 and you've read 2,000 fantasy novels, you start to realize that some of those books, well, they weren't really good. OK, let's be honest. A lot of them were crap.

  • You've got a great chance in college to do all sorts of terrible irresponsible things, and you should totally do them. I mean, make huge mistakes. This is the time in your life if you screw up, it's okay because you can bounce back from it.

  • ...if I have ever met someone without a single shadow on their heart, it was surely a child too young for speaking.

  • A long stretch of road will teach you more about yourself than a hundred years of quiet introspection

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