Michael Eric Dyson quotes:

The methodologies of examining hip hop are borrowed from sociology, politics, religion, economics, urban studies, journalism, communications theory, American studies, transatlantic studies, black studies, history, musicology, comparative literature, English, linguistics, and other disciplines.

Body piercing and baggy clothes express identity among black youth, and not just beginning with hip-hop culture. Moreover, young black entrepreneurs like Sean 'P. Diddy' Combs and Russell Simmons have made millions from their clothing lines.

Hurricane Katrina overwhelmed levees and exploded the conventional wisdom about a shared American prosperity, exposing a group of people so poor they didn't have $50 for a bus ticket out of town. If we want to learn something from this disaster, the lesson ought to be: America's poor deserve better than this.

Obviously, Jay-Z is one of the greatest entertainers of the world today. Not only is he a remarkable rhetorical genius, he's also a man of deep sympathy and empathy for those who are lost and vulnerable, but especially under-educated youth of all cultures and stripes.

There's no question that O.J. Simpson had been a substitute white man in America. He had gained honorary white status. He was not viewed by many white Americans as black. He was not seen as the African American athlete who was rebellious: Jim Brown, Muhammad Ali, Hank Aaron... He was accepted in golf clubs that were very tony.

I think that Michael Jackson, just as an entertainer, as a figure who embodies the contradictions of black identity and the possibilities of R&B music in the '70s and '80s, will continue to be one of the most recognized and formidable human beings that we've ever produced in our tradition.

You cannot hear the name Martin Luther King, Jr., and not think of death. You might hear the words 'I have a dream,' but they will doubtlessly only serve to underscore an image of a simple motel balcony, a large man made small, a pool of blood. For as famous as he may have been in life, it is - and was - death that ultimately defined him.

There's a great book about John Kennedy and his relationship to civil rights called 'The Bystander.' The title alone suggests that he did as little as possible, any minimal critical effort, to really facilitate civil rights in the White House.

Martin Luther King, Jr., would have been the last person to have wanted his iconization and his heroism. He was an enormously guilt-laden man. He was drenched in a sense of shame about his being featured as the preeminent leader of African-American culture and the civil rights movement.

Class certainly loomed large in Katrina's aftermath. Blacks of means escaped the tragedy; blacks without them suffered and died. In reality, it is how race and class interact that made the situation for the poor so horrible on the Gulf Coast. The rigid caste system that punishes poor blacks and other minorities also targets poor whites.

Jeremiah Wright is one of the greatest prophetic preachers that black America has produced. What I find striking is that many white brothers and sisters miss the fact that there would be no black church if the white church wasn't political and racist in refusing to worship with us.

When you have closed the Bible, you have neither closed God's mind nor shut God's mouth. God continues to speak, live and exist. I think we should consult the living God for the living word for living people dealing with death, destruction and despair in the midst of our hurt humanity. I believe love will conquer all.

If Barack Obama now, or some black person in the future, should become president, neither Jesse Jackson nor Al Sharpton would be out of a job. A black president can't end black misery; a black president can't be a civil rights leader or primarily a crusader for racial justice.

I think public intellectuals have a responsibility - to be self-critical on the one hand, to do serious, nuanced work rigorously executed; but to also be able to get off those perches and out of those ivory towers and speak to the real people who make decisions; to speak truth to power and the powerless with lucidity and eloquence.

I think that not only do saints make poor role models, they are incapable in one sense of identifying radically with those of us who are mere mortals. Martin Luther King, Jr.'s mortality says to us that here's a figure who got up every day of his life facing tremendous odds and yet overcame them.

Michael Jackson fundamentally altered the terms of the debate about African American music. Remember, he was a chocolate, cherubic-faced genius with an African American halo. He had an Afro halo. He was a kid who was capable of embodying all of the high possibilities and the deep griefs that besieged the African American psyche.

Bill Cosby is a famous black guy who has a bully pulpit the size of the world; it's global. He puts his colossal foot on the vulnerable necks of poor people, and as a result of that, we don't have a balanced conversation.

Hip hop music is important precisely because it sheds light on contemporary politics, history, and race. At its best, hip hop gives voice to marginal black youth we are not used to hearing from on such topics.

Barack Obama has come closer than any figure in recent history to obeying a direct call of the people to the brutal and bloody fields of political mission.

When you see the misogyny of hip-hop, it's so horrible, it's so putrid, it's so, you know, odious, that we know, we smell, we see it. The misogyny that is reified, that is reinforced, that is subtly reproduced in corporate America or in church life or in synagogues and temples and the like, is sometimes more subtly dealt with.

Speaking out against rap music is useless, and it's futile. The reality is there's criticism for everything, but Jay-Z is one of the most remarkable artists of our time of any genre, and as a hip-hop artist he carries the weight of that art form with such splendor and grace and genius.

I'm a 'tweener,' man! I couldn't march with Dr. King and them. And I'm too old to be a hip-hopper. But I've been granted honorary status in each generation... I see my tongue as a bridge over which ideas can travel back and forth.

Hip hop scholarship must strive to reflect the form it interrogates, offering the same features as the best hip hop: seductive rhythms, throbbing beats, intelligent lyrics, soulful samples, and a sense of joy that is never exhausted in one sitting.

With the evolution of social media that includes blogging, Facebook, and Twitter, who and how information is delivered has changed tremendously. The landscape for news is a different place, and people have to accept that.

Comedy is to force us to observe ourselves in ways that are humorous and yet, at the end of the day, that cause us enough discomfort with the status quo to make a change.

There's a dark underside to philanthropy. People who give a bunch of money are deferred to, even when they are wrong. The emperor cannot be shown to have no clothes.

I have no interest in romanticizing poor black people, having been one of them myself in our beloved hometown of Detroit.

White-on-white crime is a devastation in America like so-called black-on-black crime. It's not black or white-on-white crime. It's proximity murder.

I grew up in Detroit. I was a teen father. I lived on welfare for three years. I have a brother serving life in prison, though I believe he's innocent.

There are huge divorces and divides and chasms in black America between the have-gots and the have-nots, between the monied and the poor, between the educated and the non-educated. And there are huge and growing chasms daily. And I want to say that it's not simply about generation. It's about genre.

Hip-hop has globalized a conception of blackness that has had a political impact, whether or not it had a political intent.

In our high-tech, high-skilled economy where low-skilled work is being scaled back, phased out, exported, or severely under-compensated, all the right behavior in the world won't create better jobs with more pay.

I used to tell people when I preached at a church, 'If you want a great sermon, be a great audience.'

My ambition didn't grow out of nowhere. It was planted in me by a community that nurtured me.

When white supremacy becomes institutional, it begins to harm the very people who are not simply outside of it because of their race, it begins to harm the folk who look like the folk who want to be in charge. Martin Luther King, Jr., understood this, Malcolm X understood this, James Baldwin really understood this.

I don't worship the Bible, I worship the God who gave the Bible.

Comedy is to force us to observe ourselves in ways that are humorous and yet, at the end of the day, that cause us enough discomfort with the status quo to make a change."

I think public intellectuals have a responsibility - to be self-critical on the one hand, to do serious, nuanced work rigorously executed; but to also be able to get off those perches and out of those ivory towers and speak to the real people who make decisions; to speak truth to power and the powerless with lucidity and eloquence."

..And the same rapper who revels in a woman's finely proportioned behind may also speak against racism and on behalf of the poor, even as he encourages them not to look at hip-hop as their salvation.

I didn't get to college until my 20s, because I was a young father on welfare and had to take all kind of jobs to support my young son. There's what frames my view on the topics I discuss on my shows, and the average person relates to that. No matter how many degrees I have now, I lived that life, and that comes through to the people watching.

When Dr. King was murdered, I had no idea who he was. But as soon as I heard his words on television that night when I was 9 years old, I was dumbstruck, awestruck by their power.

When you saw the movie "The Curious Case of Benjamin Button," that was Michael [Jackson]'s story write large. Born as an elderly person, Benjamin Button was, in the F. Scott Fitzgerald novel and in the film starring Brad Pitt, he dies as a newborn child. Michael Jackson's childhood was one of enormous, prodigious production.He was a child prodigy, he was a wunderkind.

I don't believe in that kind of American John Wayne individualism where people pull themselves up by their bootstraps. Someone changed your diapers. And if that's the case, you ain't self-made.

When you look at a guy like a Jay-Z or look at a guy like a Nas, you don't necessarily qualify them as conscious rap purely, although they are extremely conscious of the social inequities that prevail.

I knew Snoop Dog didn't start misogyny. I knew that Tupac Shakur didn't start sexism, and God knows that Dr. Dre didn't start patriarchy. Yet they extended it in vicious form within their own communities. They made vulnerable people more vulnerable.

He was not hip-hop's most gifted emcee. Still, Shakur may be the most influential and compelling rapper of them all, he was more than the sum of his artistic parts.

Gangsta rap often reaches higher than its ugliest, lowest common denominator, misogyny, violence, materialism and sexual transgression are not its exclusive domain. At its best, this music draws attention to complex dimensions of ghetto life ignored by most Americans. Indeed, gangsta rap's in-your-face style may do more to force America to confront crucial social problems than a million sermons or political speeches.

If white and black and red and brown can come together to focus our energies on overcoming the racial malaise that persists, then this will have been a great moment.

Hip-hop is about the brilliance of pavement poetry.

We should not be post-racial: seeking to get beyond the uplifting meanings and edifying registers of blackness. Rather, we should be post-racist: moving beyond cultural fascism and vicious narratives of racial privilege and superiority that tear at the fabric of "e pluribus unum.

In black America mother love is second only to the love of God but just slightly.

I have to constantly negotiate the tension between past neighborhood and present neighborhood.

Ain't no gay filter for the cash

The writer's gift can make us see ourselves and our morals differently than our reality suggests.

I think there's no question that Michael Jackson was the foremost entertainer of his generation; perhaps of all time, arguably, taking the skills of a Sammy Davis, Jr., bringing together the street dance of African American urban culture, joining them to the politics of dance, of Fred Astaire and Gene Kelly on that sphere alone.

By denying its musical and artistic merit, hip hop's critics get to have it both ways: they can deny the legitimate artistic standing of rap while seizing on its pervasive influence as an art form to prove what a terrible effect it has on youth.

Michael Jackson carried urban America and eventually American society on his vocal cords for a good 25 to 30 years before even hip-hop became the vox populi of America, and then as an adult he shattered racial barriers.

In the minds of many Americans, if you are a radical Democrat or a Socialist, you are automatically a Communist. And if you are a Communist, then therefore you are an anti-American person and a person who is not a patriot. But nothing is further from the truth.

White supremacy is the conscious or unconscious belief or the investment in the inherent superiority of some, while others are believed to be innately inferior. And it doesn't demand the individual participation of the singular bigot. It is a machine operating in perpetuity, because it doesn't demand that somebody be in place driving.

New Orleans invented the brown paper bag party - usually at a gathering in a home - where anyone darker than the bag attached to the door was denied entrance. The brown bag criterion survives as a metaphor for how the black cultural elite quite literally establishes caste along color lines within black life.

I don't think you can bury words. I think the more you try to dismiss them, the more power you give to them, the more circulation they have.

If you take a guy like a Barack Obama, who's raised millions of dollars from the most donors in the history of this nation, it suggests that there's a deep and profound hunger for a new politics to come forth. And a guy like him has been able to mobilize that and to reach certain parts of the hip-hop generation.

Record labels collude with some of the radio stations, and the radio stations have their play lists, dependent upon what they call the, quote, 'hits.' What's commercially viable gets recycled, endlessly repeated, and as a result of that, the progressive music can't break in.

Race was thick in the O.J. Simpson case from the very beginning, but it wasn't evident. And I think the O.J. Simpson case revealed that there is subtle race, and there is sophisticated race, and there's evident and observable race.

Oprah Winfrey represents the most ingenious and creative expression of black spiritual genius in the public mainstream that we've had in quite a long time, if ever.

I think the O.J. Simpson case conjured all the paranoia, the racial anxiety, but also the racial fatigue that America has endured over the last half century.

George Bush ran a campaign where he bragged about being an anti-intellectual, dismissing his Harvard and Yale pedigree, pretending he was an American every day, ordinary everyman, and as a result of that, played up his fumbling speech because it signified that he was a good guy. That is deeply and profoundly anti-intellectual.

There is no conscious choice of heterosexual identity any more than there is a homosexual one. The last person in the world who wants to be homosexual, for the most part, are homosexuals.

I want young people to look at me and go, 'Damn, I want to be like that brother. He sharp, he be on point. He represent black people.' I want to make the life of the mind sexy.

[ Mrs. James, my fifth-grade teacher] introduced us to these authors early on and taught us that their literature is important. Langston Hughes - we read his poetry. We studied who W.E.B DuBois was. And so she whetted our appetites.

[The World Series] introduced me for the first time to a team with a lot of black players. Detroit had about three of them: I think it was Willie Horton, Gates Brown, and Earl Wilson - might have been one or two more in '68.

All Americans deserve an equal crack at what it means to be a - having - having resources in your own home and in your state and in your country.

All of us should be much more humble and contrite when we point the finger at somebody else, because four more fingers are pointing back at us.

America certainly has made extraordinary progress. The collective unconscious of the nation has certainly shifted as a result of the civil rights movement and the developments in the '70s and '80s. We have witnessed a great expansion of the black middle class.

Black people watch more television than anybody else, which makes it legitimate to talk about television. Its anesthetizing effect has been quite real. But that concern isn't new.

But for poor black people and working-class black people, it is a much more difficult way to go. The over-incarceration of black people is just intolerable. When you look at the disparity in terms of education and access to fair schooling, it is horrible. If this would happen to white people in this country, it would not be tolerated.

Charity is no substitute for justice. If we never challenge a social order that allows some to accumulate wealth--even if they decide to help the less fortunate--while others are short-changed, then even acts of kindness end up supporting unjust arrangements. We must never ignore the injustices that make charity necessary, or the inequalities that make it possible.

Donald Trump amplifies the worst instincts. And his nationalism is really a white racist supremacist nationalism.

Elvis [Presley] had a stepstool, if you will, to success because he came from the dominant culture. They identified with him. Michael Jackson had to come further and go deeper into the pit of possibility of American democracy and of cultural expression.

I believe in a God of a second chance and a God of love and mercy, because I need so much more of it myself.

I grew up in the church and began to recite set pieces at the age of four and five, like many of the other kids.

I grew up on the West Side - the "near West Side," [in Detroit], as they say - in what would be considered now the inner city.

I guess I'm a Luddite.

I had an exciting, interesting childhood, to be sure, with all of the challenges that ghetto life provides - but had loving parents.

I hope [white brothers and sisters] read this book [Tears we cannot stop] and engage with it, but other white people have a better chance of speaking more directly to the white folk they know, because they're less likely to be subject to ridicule. They're insiders, so to speak.

I received my calling and accepted it at around 18.

I suppose that I inherited the same vocabulary and world view as most black Christians do, most Christians in general, to be sure. It was heterosexist in the sense that it took the heterosexual orientation as the norm from which to start as the given. And everything that fell outside of that was not acceptable.

I think that he [Michael Jackson] did derive an ultimate sense of joy and satisfaction in what others enjoyed from him that was denied to himself. There's no question that the transcendent art that he created was a means, an instrument, a vehicle for others to experience what he didn't.

I think that what Donald Trump is doing, the way in which racism, xenophobia, anti-Muslim belief and the like are being expressed through the campaign of Donald Trump, calls for, I think, a very vigorous and aggressive response to what he's saying.

I think the reality is Michael Jackson's humanity is so deep, the implications and inferences of his art so monumentally and magnificently global, that nothing American television could do to besmirch his character could ever, if you will, deny the legitimate genius that he represents and America has responded, as indeed has the globe.

I think we have to face right in the center of the hurricane, if you will, Martin Luther King, Jr.'s foibles and faults. I think that we do no good to ourselves and do no honor to him by pretending that he did not fail, that he did not wrestle greatly and, at times, surrender to his own sins and his own faults and failures.

I was born in '58, so the riot in Detroit in 1967 was a memorable introduction to the issue of race and how race made a difference in American society. And then the next year, of course, Martin Luther King Jr.'s assassination. And the Detroit Tigers winning the World Series. All of that made a huge impression on my growing mind.

I was trying to write a straightforward book of sociological analysis, or at least cultural criticism, and I failed.

I went to a segregated school; I was born a Negro, not a black man.

I went to school four years later than most people because I was a teen father, hustled on the streets, worked, lived on welfare and the like, and didn't get to college until almost 21. That's when I officially got licensed and ordained, right after that.

I went to the library and began to read some stuff on my own. My discovery of James Baldwin was life-changing. I read Go Tell It on the Mountain first, and that was hugely impactful.

I'm nervous about the prospects of an America that refuses to abide by its best conscience and its best lights and its best angels.

I'm not trying to say stop Donald Trump from being elected as his party's nominee. I'm saying that we have a responsibility to raise our voices, to say what he does as an American citizen is pretty destructive to the practice of goodhearted and conscientious politics.

It's not enough to be against something.

I've written a lot of other books and this book [Tears we cannot stop] was different. I couldn't just say what I wanted to say in the same style that I said it in those other books. I felt compelled to preach.

Justice is what love sounds like when it speaks in public.

Light-skinned black people are seen to be closer to white people. The allegiance to lighter-skinned people has operated in a very destructive way that we have internalized ourselves inside black communities. You look at many of the prominent black people in this society who have been able to do well. Many have been lighter-skinned.

Michael [Jackson] reconstructed his face and deconstructed the African features into a spooky European geography of fleshly possibilities, and yet what we couldn't deny, that even as his face got whiter and whiter his music got Blacker and Blacker. His soul got more deeply rooted in the existential agony and the profound social grief that Black people are heir to.

Michael Jackson fundamentally altered the terms of the debate about African American music.

Michael Joseph Jackson's genius was the ability to be the raw article himself - the real article himself. He is part of the African American people who were marginalized.

Mrs. James, my fifth-grade teacher, introduced us to some of the great literature of African American culture. I won my first blue ribbon reciting the vernacular poems of Paul Lawrence Dunbar, in particular "Little Brown Baby."

My church is the world! I want to bring the gospel to as broad and as interesting an audience as possible.

My empathy for poor people comes from having been one of them for so long, from knowing that their humanity is more complex and that the truths of their suffering have to be told honestly.

No other group has internalized its self-hatred as much as blacks have. It would be difficult to find other groups who behave similarly in that their most esteemed members berate its poorest members.

Obama sees the world in two ways: from the black perspective and from the white perspective. He was raised as a black man, whose culture he has self-consciously adopted. But he was reared largely by his white grandparents. He lived a kind of racially bipartisan experience, and he will be able to speak a language that resonates with both communities.

Ralph Ellison is a classic work of erudition, grace, and elegance. Rampersad offers us an Ellison whose gifts and warts orbit the same universe of creative genius. Like Ellison's work, Rampersad's text wrestles eloquently with difficult truths about race, politics, and American life.

Social media itself is not protest. To tweet is not to protest physically. To do a Facebook post, and though it's critical and crucial, is not to show up and embody the anger you feel, to embody the righteous outrage you feel, to embody the concern you feel. This is about putting feet to pavement and to register in the consciousness of America that this is something that's problematic.

That is an extremely important role: how white brothers and sisters laterally spread knowledge, insight, and challenge in a way that white brothers and sisters will not hear it from a person like me, necessarily.

That kind of peer learning, that peer teaching, that peer evaluation, and then administration of insight.

The beauty of the literary art, the grappling with the black church, the wrestling with one's identity in the bosom of a complicated black community that was both bulwark to the larger white society as well as a threshing ground, so to speak, to hash out the differences that black people have among ourselves.

The demand for racial (and sexual) justice gets reduced to politics of identity - and excoriating the so-called perpetrators of the identity politics.

The language of faith is crucial because it affords human beings the privilege of intimacy with the ultimate.

The parallels between Elvis and Michael Jackson as incredible artists is evident. But I think that where Michael Jackson even transcends Elvis Presley.

The problem is we are left only with empathy - which is critical, if it can be developed - without substantive manifestations of that empathy. It's one thing to attain it intellectually, but it's another thing to do something about it.

There are many Americans who regardless of the intelligence or the profound political persuasion of a figure will never vote for a black man. Not all of them are racists; some are skeptical, and some are suspicious.