Mark Morris quotes:

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  • I'm really drawn to West Coast composers and I think it has a little something to do with looking across the Pacific instead of looking across the Atlantic.

  • I build duets into bigger works. I like to see people working together. What we call a giant solo in my company is about four bars long while twenty other people are doing something dynamically. I like the charge that is set up by a lot of people doing something.

  • Disney is thrilling and informative and important and beautiful and suspect. Butts was a detail I observed later and definitely ties in. I suppose I was programmed, yeah.

  • Being queer you're supposed to adore figure skating. It's a sport, not an art. I love the costumes and hate the music and of course I worship Johnny Weir because so does he. Also he's real. It's a full gay thing and it always has been.

  • The goal of Sunday is to leave my home as little as possible.

  • Sunday is a day of rest.

  • I can read music, but I have no technique, and singing was never an option even though I sang a lot growing up.

  • Elitist' doesn't need to mean wealthy and conservative; it can also mean specialised and rarefied, and that's no bad thing.

  • Perhaps... I mean there are people who defend that it as an art. I don't. I like it but it's not an art form as far as I'm concerned, and yet it's a similar thing, once you can't land those jumps, you're disqualified - that precludes it from ever becoming a serious art form.

  • Audiences don't want to see the kind of self-indulgent, boring dance that is so prevalent today.

  • If nobody comes to your shows, then it's modern dance. If everybody comes to your shows and no one likes it, is that ballet? I don't know.

  • Usually that's going into biology in a certain way. There's certain strengths and weaknesses to both of the sexes. And I'm not against employing those nor am I against denying those, what I am looking for is a very large array of options.

  • Here's the thing, I've been cooking more and more and I'm pretty good; the problem is I can only go out to restaurants that cook better than I do, therefore, it's expensive.

  • I have a fabulous life. It is interesting and rigorous. I work hard. So leave me alone. Watch my dust. Shut up.

  • Some people only work to recorded music because it's so reliable and exactly the same every time, which is exactly why I don't.

  • I love making up titles.

  • I have a beautiful, big bathtub.

  • As I have said before, dancing is for anyone, but not for everyone.

  • I didn't go to a conservatoire, and I have certain low opinions of certain aspects of the conservatory experience.

  • I love the way in which I make up dances. It's a complicated way and the product is usually clear. Clear and simple. I don't need everybody to know that there are all of these fabulous things going on. If you CAN see it, that's wonderful.

  • I never eat standing up, I never eat in front of the refrigerator. I treat myself very formally with meals. I don't watch TV or read. It's a little bit of a ritual, and it's more enjoyable.

  • I teach class. I study music. I rehearse. I coach people. That's it. I'm doing exactly what I want.

  • I want people to look like people when they're dancing.

  • No dance has ever turned out the way I thought it would, because I trust enough that I can start something with some ideas and then it takes itself somewhere.

  • Sure, I could give advice; I could, say, travel the world, listen to music. But all I can really say is do something you want to do and do it well. And if you want to be a choreographer, then you have to make dances.

  • The one reason people don't take dance seriously is because a lot of choreographers don't take dance seriously.

  • There was always dance in opera until people forgot to keep it going.

  • Every child dances, and then you learn not to.

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