Margaret Haddix quotes:

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  • Generally I finish a first draft in 2-6 months, then I set it aside for a while so that when I come back to it I can read it with fresh eyes and figure out how to improve it.

  • The deadlines are much, much longer with books. When I was a reporter, a lot of times I'd come in at 8:30 a.m., get an assignment right away, interview somebody, turn the story in by 9:30, and have the finished story in the paper that landed on my desk by noon.

  • I was lucky enough not to face any required summer reading lists until I went to college. So I still think of summer as the best time to read for fun.

  • I think I learned a lot from reading in general - even from reading badly written books.

  • I write a book over a period of months or years, and when I'm done with it, usually another year goes by before I see it in print. It's hard to be patient and wait.

  • And yet, I felt a surge of exhilaration just thinking about that night. Not just because I'd met the prince and fallen in love and started on my course toward happiness ever after, but because I'd made something happen. I'd done something everybody had told me I couldn't. I'd changed my life all by myself. Having a fairy godmother would have ruined everything.

  • When writing isn't going well-then the bad thing about being a writer is that I also have the freedom and flexibility to do something badly, and no one else can fix it for me.

  • I started trying to write when I was in second or third grade.

  • bitter is a bad way to live!

  • Fail big if you have to, but go down trying.

  • Governments will rise, and governments will fall, and man will do evil to man, and all we can do is turn our hearts to good.

  • I wished I'd known weeks ago that we didn't have to be chaperoned. I remembered my old daydreams: the prince and I, alone together, cuddling and whispering... I probably would have wised up and brocken the engagement sooner.

  • ...even the most independent people sometimes needed help. And if I'd learned nothing else from my life thus far, it was that you don't always end up where you think you're going.

  • I can tell you that you will have your hearts broken more by the people you love than by the people you hate. But you must still dare to love. The rewards are worth far more than the risks.

  • Unlike my mother, my father does not cry quietly. His wails roll out like a wave of pain, and I scramble to roll up my window. My mother cannot hear that. I cannot bear to hear it myself. I am not used to my father's crying. I've had no time to harden my heart against him.

  • He looked at the piles of food again, and it was like he was seeing it with new eyes. "This is wrong", he thought, "Letting food rot while people die of hunger. It's evil.".... He breathed in the too-sweet smell of rotting food, "I can stop this evil.

  • There's something about each of my books that I'm really proud of, and there's something about each of my books that I cringe over.

  • I like playing around with the words; I love it when I feel like I've picked the exact right word to describe whatever it is I'm trying to describe.

  • Sometimes I can spend as long revising a manuscript as I spent writing it in the first place.

  • After I've sent my revised draft to my agent and editor, they suggest more improvement sand again, this revision phase can take anywhere from a few hours to a few months.

  • Eventually the bad stuff I'm writing turns into better stuff. Other times, I've just walked away from what I was working on, and figured I'd have a better perspective when I came back to it.

  • ...it'd be like looking for a needle in a burning haystack.' 'Oh, I've done that,' Mark said airily. 'It's a game we used to play, after we got rid of all our livestock and didn't need our hay no more. You throw a match into the haystack, give the fire a three-second head start, and begin looking. You can find the needle every time if you work quick

  • A ssure you, the more I travel through time, the more I witness, the more I realize that there are things that are both strange and wonderful, far beyond human comprehension.

  • A thousand times today I've started to open my mouth, started to squeak out, "Can you tell me...? But then I'd look into the front seat, at my mother's silent shaking, my father's grim profile, the mournful bags under his eyes, and all the questions I might ask seemed abusive. Assault and battery, a question mark used like a club. My parents are old and fragile. I'd have to heartless to want to hurt them.

  • After Ive sent my revised draft to my agent and editor, they suggest more improvement sand again, this revision phase can take anywhere from a few hours to a few months.

  • Amazing, Yetta thought. Back home I couldn't have chosen my own husband. And here I'm thinking about choosing presidents, governors, mayors, laws..

  • And Nedley started saying,'Shut Up!Quit that! And i knew it really meant something to him. So I asked for his help,"Mark said. "Don't tell the story like that," Nedley laughed. "What he said was 'Quit pretendin you're a bad guy I need your help, and I need it now!

  • He reaches over a goat that's come between us and grabs my hand. "Don't let go!" he orders. Harper's hand is dry and soothing, while mine is sweaty with fear. We've never held hands before. I think about what it means in the village when boys and girls only a few years older then Harper and me wander around with their hands clasped together. They're always peering dreamily into each other's eyes, sneaking sky kisses...and soon after, there's a wedding.

  • Hope doesn't mean anything. ... Action's the only thing that counts.

  • I am not just what I remember. I am also what I dream.

  • I don't know what you two are up to," Hobart said. "But you be careful now, you hear? Don't do anything I wouldn't do." "Well now, that doesn't restrict us very much, does it?" Mark teased back.

  • I like playing around with the words; I love it when I feel like I've picked the exact right word to describe whatever it is I'm trying to describe

  • I like the fact that kids are willing to be imaginative and go along with me when I'm telling strange tales.

  • I like to know what I'm celebrating before I put on a party hat.

  • I loved to read when I was a kid, and as soon as I realized that an actual person got to make up the books I loved so much, I decided that that was the job for me.

  • I rise up on my tiptoes. He's already bending his head down, moving his lips toward mine. And then, well, I haven't exactly studied this, but I'm pretty sure that ours is not the most expert kiss in Sualan history. It's a little hard to figure out how we should tilt our heads so our noses don't bump. But this kiss is a promise, a vow. Come to think of it, it doesn't really matter that ours is not the most expert kiss in Sualan history. It's still the best.

  • I snorted "oh, beauty. What's that good for?" Mary stared, her eyes round. "It won you the prince, did it not?" I snorted again, I prefer to think that he was captivated by my charming personality." I giggled to let Mary know I was trying to make fun of myself.

  • I want to Live! Not Die, Not Hide, LIVE!

  • I wish, peevishly, that he didn't know anything about how soldiers sleep, how they protect their fellow soldiers. It would be nicer if I could share the cloaks warmth with him, if we could lie with our faces together, whispering into the night.

  • I write a book over a period of months or years, and when I'm done with it, usually another year goes by before I see it in print. It's hard to be patient and wait

  • It's just so much fun to make up characters, situations, and everything else about a story. I have so much freedom and flexibility to do whatever I want.

  • Jen, we did it. Everyone's free now.

  • Maybe everyone is just waiting for someone else to save them.

  • Oh, Myr," he chokes out. "I hate having to ask this of you..." He glances towards the car again, and I crouch down in the shadows, hoping it's too dark for him to see whether the window is open or closed. The woman pats his arm, cradling her hand against his elbow. "You know I'd do anything for you and Hil," she says. I like her voice. It's throaty and rich. "You'd do anything?" my father repeats numbly. "Even now? After -?" "Even now," the woman says firmly.

  • That porch is a happy-looking place, and my father - burdened, stoop-shouldered, cadaverously thin - doesn't seem to belong on it.

  • The Government justifies keeping everyone else in poverty because people seem to work the hardest when they're right on the edge of survival.

  • The sudden silence is horrifying, and it seems to catch my mother off guard. A tiny whimper escapes her, the sound amplified in the stillness. Surely, my father hears her now; surely he and I can't go on pretending she isn't crying.

  • There is nothing more valuable than the printed word.

  • There's hope around the corner.

  • We'll have a 'rest of our lives' now,

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