Manolo Blahnik quotes:

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  • Some people just use beautiful things to just shop or to have a tribal feeling - 'Oh, blah, blah, blah, I'm wearing Hermes; blah, blah, blah, I'm wearing Saint Laurent; blah-blah blah' - because it's like a need, a tribe, recognition: 'Ahh, my Rolex.' But I run away from anything which is too recognizable - it's my nature.

  • People walk differently in high heels. Your body sways to a different kind of tempo.

  • You put high heels on and you change.

  • When I was a boy I remember the women, how they dressed, how they behaved, what was important to them at the time. Like Lee Marvin and Gloria Grahame in The Big Heat.

  • I think of each new season as an evolution, not a change in style.

  • About half my designs are controlled fantasy, 15 percent are total madness and the rest are bread-and-butter designs.

  • I think Lucy Ferry, now Birley, is absolutely beautiful. She's a modern girl, but she moves beautifully. Amanda [Harlech] moves beautifully when she's not working. All those English leftover society girls.

  • You'd see extraordinary-looking people around in the '70s. It was so exciting! You'd have mad people, like Gerlinde [Kostiff] riding around on her bicycle with a huge hat. Everybody was doing things. I don't have any bad memories of that period.

  • I hate these platforms that are all over the place today; they are all about grabbing attention. They are suburban! I never do a platform. Well, I did, in the 1970s, but that was a bad experience.

  • Really, the '70s and '80s were a blur.

  • The secret of toe cleavage, a very important part of the sexuality of the shoe; you must only show the first two cracks.

  • I just don't get death at all. Yes, it's there. But I don't get it.

  • I thought Victoria Beckham was going to be one of those pop girls, but she's absolutely the complete opposite. She's a working girl. She knows what she wants. And when she doesn't know, she really prepares herself. I love this working type of women. And she's a girl from - I don't even know where she's from.

  • Men tell me that I've saved their marriages. It costs them a fortune in shoes, but it's cheaper than a divorce. So I'm still useful, you see.

  • I couldn't care less about business.

  • I don't even know Amanda Seyfried or whatever - they're all the same!

  • These are very dainty and superrefined, but really vile.

  • The only people that come to my mind in the last years are Lee McQueen and John Galliano. Truly, truly . . . How do I say? Full of ideas. Full of the smell. They just had this incredible passion for what they did.

  • The greatest shoemaker in England for many, many decades; he used to be the royal shoe-maker for the Queen Mother. This is where I learnt my trade.

  • The imprint of Miss Hepburn is absolutely, totally present. Like it or not, she will be the most important look of the twentieth century.

  • Shoes are the quickest way for women to achieve instant metamorphosis.

  • I saw this vision with a beautiful plastic bag in Kensington High Street, ... and then you didn't see the face because he had this blond thing [indicating a sweeping fringe across his face] that was, you know, too much!

  • My whole life has been a huge mistake, but what a divine mistake - doing something that I adore.

  • I watched L'eclisse [1962] with Alain Delon and Monica Vitti. Changed my world. What a glamorous and modern film. This is what a genius is - the thing of a genius. The dresses, the tiny heels, the Cardin look, the boys dressed up as Italian gigolos - it was divine, very modern. [ Michelangelo] Antonioni, I loved and I realized: how modern.

  • The greatest luxury is being free.

  • I eat a lot of chocolate.

  • Most of the people nowadays send their things by internet. But I cannot work that way. I like to do it myself.

  • I'm like an old vampire, so it's important to talk to young people.

  • When I was out of favor and people didn't want that type of boot, flats, or high heels with the elegant, dainty things, it gave me much more energy.

  • I do think one should have clean feet.

  • I never watched those Spice Girls. I didn't enjoy that at all. So I didn't know Victoria Beckham well. But she came out with this pretty boy, got married, and the boy got more tattoos and more tattoos. And then I met her a few times, and we started work, and something happened. You know, she wanted it. She loves what she's doing.

  • About half my designs are controlled fantasy, 15 percent are total madness and the rest are bread-and-butter designs

  • Everything is global now. It's not London, it's not Spain, it's not Italy - everything is everywhere. So you have to be everywhere, I guess.

  • I'm very self-critical.

  • I'm mad for satin.

  • It's the only thing I really enjoy - so fresh, even now that I'm doing the new sampling. I'm dying to go to the factory, which is like nobody's idea of fun. But it's mine.

  • My mother has an incredible rigidity, which is very Catholic.

  • You realize how much fun we did have, with no money at all. We'd stay in peoples' homes in Tangiers. When you're young, you invite yourself.

  • Alas, passion is conducive to certain other things because when you have too much passion and you have too much work, you possibly end up having black holes. The danger is too much passion.

  • Papa died when he was 77.

  • A lot of things trigger my inspiration. It can be the most banal things.

  • If I was a woman, I would be dressed in the same thing for a month and just change my hat and gloves. Maybe my shoes too; yes, I see what you mean but, really, it's jewels that change an outfit.

  • My shoes are special shoes for discerning feet.

  • If I look back I feel frightened, not happy, because my life is a bit of a mystery to me.

  • I get more tired by travelling than anything.

  • My mother is incredible. I mean, still is today.

  • In London I feel free; nobody bothers anyone and everyone is free to express themselves.

  • ] I'm loyal to my thoughts, to my friends. This is what I really like the best. Loyalty. Sounds goody-goody. Maybe that's not the one you wanted.

  • But it is hard to resist the feeling that 70th was some kind of golden age.

  • David Lynch is démodé now, if you look at his films. I looked at them the other weekend.

  • I adore Jean-Louis Trintignant - even at 100 years old he's fabulous.

  • I always love China, especially the old China.

  • I am insecure. Everyone's insecure.

  • I do enjoy my own company. I cannot imagine anybody entertaining me more than I do. If it sounds selfish, I don't care. I made it a religion almost.

  • I don't belong to anyone.

  • I don't consider myself a fashion designer.

  • I don't even think about the word. But I do have certain things where I just go, "Aaaaahhh," irritatingly boring and insistent because I want it to look that way and I can do it - I don't even know if you'd call it passion or obsession. Obsession, possibly, but I really love what I do.

  • I don't know why my shoes are so popular - I am always surprised and mystified by it.

  • I don't like very young women very much. Never did.

  • I don't think about myself very much.

  • I forget about the diseases that I have. I don't want to know.

  • I like the new shoe designers. Not all of them - there are really bad ones too. But I go to the colleges with these kids for lectures, as an honorary professor or whatever, and this Chinese girl I like very much who I give the award to says to me, "You don't know how much you inspired me to do shoes." And I'm glad that I convey that kind of desire to people when they see my bloody shoes.

  • I love exaggerated, and I love eccentric, but you must be comfortable. Otherwise it is nonsense. There is nothing charming about a woman who cannot walk in her shoes.

  • I never wanted to be the most famous, the most beautiful, the most extravagant.

  • I only saw one collection of Victoria Beckham, and I thought it was very much like Pierre Cardin or Marcel Rochas dresses. She's thought about it, and she knows what she wants. And people buy it, so that means she works. She has this incredible will power to do something that she likes to do. And I love that. I respect that.

  • I really connect with Victoria Beckham's desire to do something that she wants to do. Of the girls we've been talking about, she's one of the few that has this incredible sort of "I want to do it, and I want to do it well."

  • I saw these girls like Sherilyn Fenn and Lara Flynn Boyle that should be working now instead of these anonymous girls. They're all the same.

  • I was a young man, and this is the kind of London it was, but so many people are just not here anymore. Not even Tina [Chow], who was to me absolutely the most important girl of the time. Tina was absolutely the chicest thing, the way she kept herself, the way she moved. You're born like that - you cannot acquire it. All those upper-class girls, people like Catherine Tennant, they used to be there in Chelsea, sitting on the couch. Now Chelsea is full of Russians.

  • I wish I was making shoes instead of reading or watching movies, which is what I do in my free time.

  • I'm a great observer of delicate situations and women. I really like that bygone type of movement, and for a long time I had been looking for it.

  • I'm always kind of contradictory to what people want and what's selling. But maybe I should care now because I have two or three more outlets. I have to be more adaptable color-wise to what people want. It's usually just black and pink, and that's it.

  • I'm an old bag - I like old thing.

  • I'm going to do what I do, even more exaggerated. This is my attitude always. I don't betray myself at all.

  • I'm loyal to my friends, but I have so few now.I force myself to see people when they're here. Or when I'm here. I don't live in England that much now in the sense that I spend time in factories. I'm such a factory man now. This is really what I enjoy doing.

  • I'm not very nostalgic, you see. I just don't think anybody has that kind of thing anymore. By culture, by breeding, by whatever, it's not there. The kids today-what the hell are they going to be? I like young people - yes, I do. But when I talk to people at the schools, and they say, "I saw you on the Twit," I don't even know what they are talking about.

  • I'm relating to a period that doesn't exist anymore.

  • I'm totally twisted. Instead of, "Oh god, I don't have platforms - they won't like me," I was much more, "I'm doing what I'm doing, and if you don't want to buy it, then don't buy, but that's just what I'm gonna do." It gave me strength. It worked for me.

  • It was a different social structure. I'd go to [David] Bailey's for dinner at 10:30. There were always girls there and a house full of . . . I don't know, anybody. Cecil Beaton, Diana Cooper . . . And there I am sitting down with these creatures of the 20th century, and it was normal to us.

  • It was so interesting that the girls were moving in such a different way.

  • It's the only thing I get inspired by! I get inspired by dreams. Who cares about the rest?

  • I've never been tempted to do these hideous furniture shoes.

  • Maintenance is terribly important.

  • Paris is paramount for fashion, always was - always will be.

  • Passion is passion. It's a sort of madness and possession of what you do or what you think. This is the difference of life: passion and commerce, which most of the people know as "P.C." But people have just got "C" now instead of "P."

  • Peter Hinwood found all these old pictures - Polaroids - and when I saw them, I just didn't believe that the person in them was connected with me. I was in a hotel room with one of those front-and-back mirrors, and I thought, Who the hell is that? I used to be thin as a rake. I used to have the nice-shaped pecs. It's sad. No, it's not sad, it's the reality, and I've accepted this now.

  • Remain dignified, dress well, be good to other people and you'll be fine.

  • That kind of woman who used to be there at the time is not here any longer. In 10 years, people disappear. But I fantasize still about those kinds of women, and that kind of life that doesn't really exist any longer.

  • The most tragic moment of my life was the first show I ever designed for. I had been asked to make shoes for Ossie Clark's show in the early '70s. I was so inexperienced that I didn't put the steel in the heels of the shoes, which is required to support the shoe and the wearer. So the girls came out walking very strangely in these rubber, bendy high-heeled shoes I had made. I thought 'Oh dear god! This is the end of me.' But after the show, even David Hockney and Cecil Beaton said to me 'It was so interesting that the girls were moving in such a different way.'

  • The only way I can cope with me and my environment is to have this kind of wall around me. I'm exhausting myself.

  • Trends don't interest me.

  • What is fashion? It's discipline. Discipline and a credo to do only the best, down to the smallest detail.

  • When somebody wants to work and believes in something, it doesn't matter if you're well known or rich or whatever it is.

  • Women are wearing tight and sexy clothes again. It is the body-conscious mentality, and women are revealing every bulge.

  • You get two weeks after you do a shoe where you can test whether it's good or not - if you're going to like it in 20 years. Then I know that it's going to be my shoe for a long time. That doesn't happen very often, but it happens.

  • There is nothing charming about a woman who cannot walk in her shoes.

  • I didn't need it [formal training], because I've got the best taste in the world.

  • I am not a movie star or a football player, I just do my thing.

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