Karen Traviss quotes:

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  • My books deliberately provide no answers or messages. I'm drilled in the habit of objectivity and also aware that the steady drip of fiction has more power than facts to shape opinion, so I handle it with caution.

  • If you go back and look at the early promos for Gears 1, you'll see just how different the characters were from the actual first game, both in appearance and background. And it's an evolutionary process.

  • I've got a particular way of writing novels, and that carries over into the way I write comics and games, too. I'm a news journalist by background, so I approach everything as reporting - I treat it as real, I ask the questions I'd ask in a real situation, and I let the characters speak for themselves.

  • Games are getting more interesting. I mean, when we talk about books, they can be anything from a summer blockbuster to 'War and Peace' - well, games are the same. I think the creative side is catching up with the technology.

  • Whether I build a character from the ground up or develop one, whether within my own copyright or in licensed work, I can step into that character's mind. It takes a kind of voluntary dissociation akin to method acting, military planning, marketing, or detective work: to think like the other guy and work out what he's going to do next.

  • G.I. Joe has a heart and an attitude that feels right and familiar to me, so they could have ray guns, and they'd still feel more like real troops than many other franchises.

  • I'm still an old-school reporter at heart. Writing fiction satisfies my journalistic need to hear and relay the testimony of everyday people at the center of events.

  • Ugliness is an illusion, gentlemen. Like beauty. Like color. All depends on the light. The only reality is action.

  • Characters have changed my mind about some very fundamental moral issues, and that's the real satisfaction in the way I write - the ultimate learning experience.

  • Any sign of what killed him, Scorch?Let's ask Sev. He's a dead-body-ologist.[Sev examines the body and its arm falls off]Yep, he's dead alright.Sure you don't want a second opinion, Doc?Nah, I'm ready go out on a limb.

  • Sergeant Skirata said that civvies didn't have a clue, and that it was alright for them to have lofty ideas about peace and freedom as long as they weren't the ones being shot at.

  • Maze: I'm alerting HQ. Stand by.*on the private comlink*Corr: How are you Omega? Can we help? We're really concerned that you're stranded on a shabla rock surrounded by an infinite number of natives who'll cut your gett'se off when they haul you screaming from the summit.

  • I know genes are a big deal, son, but they're not the be-all and end-all." Rob slowed to a halt at the lights, wishing the dickhead behind would back off. "If they were, you'd be in a seafood salad and I'd be in prison.

  • If you take a shot at someone, you keep firing until they can no longer return fire. Wound them, and you have an angry enemy who knows your position.

  • If you're not prepared to do something in public, don't do it at all.

  • My books deliberately provide no answers or messages. Im drilled in the habit of objectivity and also aware that the steady drip of fiction has more power than facts to shape opinion, so I handle it with caution.

  • I do still read comics since I started writing for DC, but nowhere near as much as I used to, and I'm finding now that it's becoming harder to read comics as a consumer, so I think I'll have to make the call there and stop reading them.

  • Writing is like a rollercoaster ride for me, an adventure. I love exploring the world through playing people who are absolutely nothing like me.

  • All the things worth writing about are outside me. I'm a lens, not a source. And even if it's not always a comfortable journey, it's always a stimulating one.

  • Recreating the experience of, say, bereavement in my own head is pretty rough. I was used to switching off from emotions every day of my working life as a journalist, but in fiction, you have to feel it 100%, or else it's a flat experience for the reader.

  • The biggest battles in human history can only ever be seen through the eyes of the bloke on the front line, and that's by definition a very focused view and one that will vary from individual to individual.

  • A novel can do something that films and TV usually can't - a glimpse inside the characters' heads. I write very tight third person point of view, so the reader is right behind the eyes of each character, seeing what they see and feeling what they feel.

  • So you want a knife, a nice sharp knife. You hone that blade to its limits. It even cuts through stone when you want it to. It saves your life. And then you're outraged when it cuts you accidentally. You see, knives don't switch off. And neither do people, not when you hone them to a fine edge.

  • Writing is like a rollercoaster ride for me, an adventure. I love exploring the world through 'playing' people who are absolutely nothing like me.

  • Long memory, short fuse, big revenge.

  • Gar taldin ni jaonyc; gar sa buir, ori'wadaasla. (Nobody cares who your father was, only the father you'll be.) - Mandalorian saying

  • I fail to understand why gethes (Humans), talk about individuals versus society. They are the same thing. The action of every individual counts, and those individual acts of personal responsibility accumulate to create society. Snowflakes are equally blind to their role in causing avalanches.

  • I love being pushed out of my comfort zone.

  • If we were given one word of information in our entire history, how we'd treasure it! how we'd pore over ever syllable, divining it's meaning, arguing its importance; how we'd examine it and wring every lesson we could from it. Yet today we have trillions of words, tidal waves of information and the smallest detail of every action our government and businesses take is easily available to us at the touch of a button. And yet...we ignore it, and learn nothing from it. One day we'll die of voluntary ignorance

  • Think of yourselves as a hand. Each of you is a finger, and without the others you're useless. Alone, a finger can't grasp, or control, or form a fist. You are nothing on your own, and everything together.

  • We're all going to die sometime, so you might as well die pushing the odds for something that matters.

  • If we don't stand up for others, who will be left to stand up for us?

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