Juno Temple quotes:
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I was brought up in a very open, rural countryside in the middle of nowhere. There were no cell phones. If your lights went out, you were lit by candlelight for a good four days before they can get to you. And so, my imagination was crazy.
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I had this wild imagination. I was never me. All my childhood photos, I'm in fancy dress, playing a Russian refuge or Marvelous Mad Madam Mim.
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There's such an array of brilliant roles for young women. You read all these amazing young women going through different stages in their life - different stages, different fascinations, different textualities, different friendships.
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Daniel Radcliffe is one of the hardest working people I have ever encountered and someone that so loves what he's doing and so eager to learn and is so brilliant at what he does.
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I'm so excited to see 'Horns' because it's so many different genres in one film. It's a sci-fi, it's a love story, it's a horror movie, it's a fairy tale.
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That's the great thing about the 'Sin City' movies. Each little slot is incredibly meaningful, and each character has their own moment.
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For a woman, body image is always a palpable thing. Weirdly, for me, the only time I don't care is when I'm in character.
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I just did a part in 'Sin City 2.' I got to do a scene with Ray Liotta. Amazing man, extraordinary gentleman who was just so kind to me... I'm so excited about that I think it's gonna be very cool.
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It's all about the director for me; we have to click. It's a trust thing. I'll say I'm ready to let down my walls. I'll cry for you as long as you need. But you're going to have to hug me afterwards.
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I think it's important to find projects that evoke people into conversation. It's like reading a good book. You want to talk about it.
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When I go home to England, my friends all make fun of me for sounding American.
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But, I think it's great to be able to work with established directors, and then also first-timers. I feel like you learn from both of them, but then you can go and share your knowledge with each of them. That's really fantastic!
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I just did a part in 'Sin City 2.' I got to do a scene with Ray Liotta. Amazing man, extraordinary gentleman who was just so kind to me... I'm so excited about that; I think it's gonna be very cool.
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I find standard American the hardest. It really fits in a different place in your mouth. Southern, I find the easiest. If you talk to a dialect coach and you get sort of technical, where an English person keeps their voice in their throat, a Southern person does the same, and it's got the same sort of music to talking.
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But, I love making independent films. I love it! You create a family, and you sweat, you bleed, you cry, you shout, you laugh and you hug. It's such an extraordinary experience, making independent films.
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The size of a studio film lets you see technology in a way that you wouldn't on an independent film, like the gadgets and the angles and all that.
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You know, I do projects that I really care about. I hope I'll stand by that until the day I die!
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There will always be ways to pay my rent, whether I wind up having to be a waitress on the side or whatever it is, but I think it's so important for me to do things that I'm passionate about.
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On an independent film, you really learn about pace. You have so little time to do things, that you really have to know your scenes.
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I think film should be interactive. But at the same time, it's also great to go see a big popcorn movie and be taken to a complete fantasy world.
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If people want to criticize a performance, that I understand. I think that's important.
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I've been involved with some huge studio projects that have been bloody awesome. It all starts with a great script, doesn't it?
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I think seeing films should be interactive. I'd rather have people see a film that I'm in and either absolutely love it or absolutely hate it, than be like, "Oh, yeah, it was good." That's the worst!
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I just want to work forever. I absolutely love what I'm doing. I learn all the time from all these amazing artists.
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I'm a private person; I stick to my neighbourhood and eat in my little restaurants.
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I like to leave the movie theater and still be thinking about the film and questioning why the character did that.
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I never want to sell my soul for something I don't believe in. Because guess what? Somebody somewhere in the world would have believed in that part and should be playing it - who am I to not allow that person that opportunity?
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Being a woman is a very powerful thing, I think, and you don't want to abuse that.
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What's exciting about watching a movie, when it's finished, is you sometimes you don't recognize yourself, and that's when I'm really proud.
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I think its so exciting to try anything you possibly can.
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Men and women just look at sex in very, very different ways.
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For me, there is safety in playing a woman that is very sexualized and having a woman direct you with that.
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You don't always have to look in the distance for what's going on over there, when you actually see what's right in front of you.
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It's important to not be naive about this world and know that it's not necessarily a good place to be.
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You can't really help people until you've helped yourself first.
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There are two movies where I keep my clothes on. My parents will be very proud. They're challenging characters, which I'm excited about.
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I've been really lucky to work with a lot of really great actors, so watching the films back, it's really important to admire the people that you were working with and see their full performance.
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I'm not someone who doesn't want to see the films, but I like to see them as an end product when the whole nuance of the character is put together.
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A big thing for me is trusting the director, so I don't need to watch playback. I feel like the director is gonna tell me whether it's right or not.
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It's quite quick for me to know if I want to play a character or not.
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I hadn't really even been thinking about TV. To me, it seemed like such a commitment, almost like a marriage.