Julia Cameron quotes:

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  • Spirituality can release blocks, lead you to ideas, and make your life artful. Sometimes when we pray for guidance, we're guided in unexpected directions. We may want a lofty answer and we get the intuition to clean our bedroom. It can seem so humble and picky and that you don't necessarily think of it spiritual guidance.

  • Creativity is always a leap of faith. You're faced with a blank page, blank easel, or an empty stage.

  • Growth is an erratic forward movement: two steps forward, one step back. Remember that and be very gentle with yourself.

  • Each of us has an inner dream that we can unfold if we will just have the courage to admit what it is. And the faith to trust our own admission. The admitting is often very difficult.

  • The creative process is a process of surrender, not control.

  • I believe that the 'dark night of the soul' is a common spiritual experience. I believe, too, that the answer is continued seeking and perseverance. It helps to know that others have endured a loss of faith.

  • Writing is a spiritual practice in that people that have no spiritual path can undertake it and, as they write, they begin to wake up to a larger connection. After a while, people tend to find that there is some muse that they are connecting to.

  • We can believe we are being self-reliant and independent, and yet there is still clearly an overarching destiny, a Great Maker. So when we say we have faith in ourselves, we cannot really separate the small self from the large self.

  • My new house has a deck that wraps around my writing room; my writing room has many windows, and outside the windows I've hung bird feeders... for enticing different species. So I imagine I will be writing about that.

  • I think that 'Floor Sample' is a story of resiliency, a lifelong spiritual search, and a lifelong sense of spiritual companionship that is most often expressed as creativity. My desire in writing the book was to step from behind the icon of 'Julia the teacher' and introduce 'Julia the artist.'

  • Faith and Will' sprang from my personal experience with passing through a dark spiritual time.

  • I believe that when we ask to be led, we are led, and there's nothing too small or esoteric for spiritual help.

  • A God Jar is anything you wish it to be, in which you can put your wishes, dreams, problems, prayers. You may want to think of it as a spiritual mailbox.

  • Buy tabloids. Celebrity gossip is engrossing. Celebrity cellulite can make you forget turbulence.

  • People get so focused on the big dream that they forget about the process.

  • I started writing morning pages just to keep my hand in, you know, just because I was a writer and I didn't know what else to do but write. And then one day as I was writing, a character came sort of strolling in and I realized, Oh my God, I don't have to be just a screenwriter. I can write novels.

  • The original 'Artist's Way' focused on the nurturing of the self. The 'Artist's Way for Parents' focuses both on nurturing the self and nurturing the children in our care.

  • Art used to be made in the name of faith. We made cathedrals, we made stained-glass windows, we made murals.

  • In limits, there is freedom. Creativity thrives within structure. Creating safe havens where our children are allowed to dream, play, make a mess and, yes, clean it up, we teach them respect for themselves and others.

  • I grew up in what you might call a relentlessly creative household. We were given art supplies, music supplies... Our mother knew enough to get us started and then stand back and not meddle. My parents never said to us, 'Don't you think you'll need something to fall back on?' They acted as though creativity was completely normal.

  • When we clear the physical clutter from our lives, we literally make way for inspiration and 'good, orderly direction' to enter.

  • When I was first approached about doing an autobiography, I said, 'absolutely not.' But when I sat down, memories came pouring out. It wrote very quickly - I think there was an emotional impulse, because once I started in, the story itself carried me along. It was a very intense writing period and took a year and change to finish.

  • It's important always to have a sense of wonder.

  • When I ask for help with my creativity, I get it.

  • Art is not about thinking something up. It is the opposite - getting something down.

  • We have a lot of pressures on children very young. We have ambition. We over-schedule our children. We want them to have soccer lessons and violin lessons... I think children need to have at least an hour of fun a day.

  • I always start everything with the weather, because the weather is the first thing that I notice when I wake up in the morning.

  • So much of our mythology around money centers on the illusion that if we had 'more,' we would be more comfortable and more able to access our creativity. But creativity and prosperity are spiritual matters, not fiscal ones.

  • We go into parenting, and we discover that we don't have the answers. We are at a loss.

  • I ask to be made beautiful like the trees are beautiful, each growing according to a unique plan. Lop off a limb and and the tree will accommodate it's loss, still growing and still beautiful. It is my hope to be able to flourish in a similar fashion, taking on the shape and dimensions that is intended for me.

  • Each of us has an inner dream that we can unfold if we will just have the courage to admit what it is, and the faith to trust our own admission. The admitting is often very difficult.

  • Once we are willing to accept that anything worth doing might even be worth doing badly, our options widen.

  • Artists love other artists. Shadow artists are gravitating to their rightful tribe but cannot yet claim their birthright. Very often audacity, not talent, makes one person an artist and another a shadow artist-hiding in the shadows, afraid to step out and expose the dream to the light, fearful that it will disintegrate to the touch.

  • Art opens the closets, airs out the cellars and attics. It brings healing.

  • In recovering from our creative blocks, it is necessary to go gently and slowly... These are baby steps. Progress, not perfection, is what we should be asking of ourselves.

  • The beginner's humility and openness lead to exploration. Exploration leads to accomplishment. All of it begins at the beginning, with the first small and scary step.

  • The grace to be a beginner is always the best prayer for an artist.

  • I have learned, as a rule of thumb, never to ask whether you can do something. Say, instead, that you are doing it. Then fasten your seat belt. The most remarkable things follow.

  • Our modern ideas of 'functioning' through things are really quite inhuman. We have this idea that no matter what is going on we still have to color between the lines, act normal.

  • Creativity is our true nature; blocks are an unnatural thwarting of a process at once as normal and as miraculous as the blossoming of a flower at the end of a slender green stem.

  • Wherever you are is always the right place. There is never a need to fix anything, to hitch up the bootstraps of the soul and start at some higher place. Start right where you are.

  • Creativity - like human life itself - begins in darkness... bright ideas are preceded by a gestation period that is interior, murky, and completely necessary.

  • All too often, it is audacity and not talent that moves an artist to center stage.

  • Being in the mood to write, like being in the mood to make love, is a luxury that isn't necessary in a long-term relationship. Just as the first caress can lead to a change of heart, the first sentence, however tentative and awkward, can lead to a desire to go just a little further.

  • People frequently believe the creative life is grounded in fantasy. The more difficult truth is that creativity is grounded in reality, in the particular, the focused, the well observed or specifically imagined.

  • Enthusiasm is not an emotional state. It is a spiritual commitment, a loving surrender to our creative process. Enthusiasm - from the Greek, filled with God - is an ongoing energy supply tapped into the flow of life itself.

  • I believe that the dark night of the soul is a common spiritual experience. I believe, too, that the answer is continued seeking and perseverance. It helps to know that others have endured a loss of faith.

  • No matter what your age or your life path, whether making art is your career or your hobby or your dream, it is not too late or too egotistical or too selfish or too silly to work on your creativity.

  • Money cannot fill an empty soul.

  • Procrastination is not Laziness", I tell him. "It is fear. Call it by its right name, and forgive yourself.

  • It is important to remember that at first blush, going sane feels just like going crazy.

  • Just as a good rain clears the air, a good writing day clears the psyche.

  • Left to it's own devices, writing is like weather. It has a drama, a form, a force to it that shapes the day. Just as good rain clears the air, a good writing day clears the psyche. There is something very right about simply letting yourself write. And the way to do that is to begin, to begin where you are.

  • I am what I am again: a writer. I have metabolized the injury into art.

  • In times of pain, when the future is too terrifying to contemplate and the past too painful to remember, I have learned to pay attention to right now. The precise moment I was in was always the only safe place for me.

  • It hurts like hell when the world won't invest in you. But it's excruciating, almost more than you can bear, when you don't believe and invest in yourself.

  • It is my experience both as an artist and as a teacher that when we move out on faith into the act of creation, the universe is able to advance. It is a little like opening the gate at the top of a field irrigation system. Once we remove the blocks, the flow moves in.

  • Because if you're trying to write and you have unlimited time, you can procrastinate an unlimited account, but if you have limited time, you rush to the page trying to get something down in the little bit of fragment of time that you have, and you may write a great deal that way.

  • An artist paints, dances, draws, writes, designs, or acts at the expanding edge of consciousness. We press into the unknown rather than the known. This makes life lovely and lively.

  • Practice being kind to yourself in small, concrete ways. Look at your refrigerator. Are you feeding yourself nicely? Do you have socdks? An extra set of sheets? What about a new house plant? A thermos for the long drive to work? Allow yourself to pitch out some of your ragged clothes. You don't have to keep everything.

  • What we really want to do is what we are really meant to do. When we do what we are meant to do, money comes to us, doors open for us, we feel useful, and the work we do feels like play to us.

  • Adversity is a misperception as all works toward the good.

  • Fatigue can make it hard to have faith. Too much busyness can make it hard to have faith. Too much of too little solitude can impact faith. For that matter, so can a bout of hunger or overwork, anything carried to an extreme. Faith thrives on routine. Look at any monastery and you will see that. Faith keeps on keeping on.

  • I learned to just show up at the page and write down what I heard. Writing became more like eavesdropping and less like inventing a nuclear bomb.

  • There is a connection between self-nurturing and self-respect.

  • In our human lives, we are often impatient, ill-tempered, inappropriate. We find it difficult to treat our intimates with the love we really hold for them. Despite this, they bear with us because of the larger, higher level of family that they honor even in our outbursts. This is their commitment.

  • God does not give us more than we can handle," I am told but I wonder if God doesn't overestimate me just a little. Or perhaps, and this is likely, I underestimate God.

  • Perfectionism is not a quest for the best. It is a pursuit of the worst in ourselves, the part that tells us that nothing we do will ever be good enough - that we should try again.

  • There is not one pink flower, or even fifty pink flowers, but hundreds. Snowflakes, of course, are the ultimate exercise in sheer creative glee. No two alike. This creator looks suspiciously like someone who just might send us support for our creative ventures.

  • When we stop playing God, God can play through us.

  • Writing-and this is the big secret-wants to be written. Writing loves a writer the way God loves a true devotee. Writing will fill your heart if you let it. It will fill your pages and help to fill your life.

  • You are your own Promised Land, your own new frontier.

  • ... success or failure, the truth of a life really has little to do with its quality. The quality of life is in proportion, always, to the capacity for delight. The capacity for delight is the gift of paying attention.

  • I learned, when hit by loss, to ask the right question: "What next?" instead of "Why me?" . . . Whenever I am willing to ask "What is necessary next?" I have moved ahead. Whenever I have taken no for a final answer I have stalled and gotten stuck.

  • While there is no quick fix for instant, pain-free creativity, creative recovery (or discovery) is a teachable, trackable spiritual process. Each of us is complex and highly individual, yet there are common recognizable denominators to the creative recovery process.

  • In order to have a real relationship with our creativity, we must take the time and care to cultivate it.

  • An artist requires the upkeep of creative solitude. An artist requires the healing of time alone. Without this period of recharging, our artist becomes depleted. Until we experience the freedom of solitude, we cannot connect authentically. We may be enmeshed, but we are not encountered. Art lies in the moment of encounter. We meet our truth and we meet ourselves and we meet our self-expression.

  • Making art has taught me that the tiniest smidgen of progress is something to be cherished.

  • You do not need to work to become spiritual. You are spiritual; you need only to remember that fact. Spirit is within you. God is within you. (67)

  • Far from making me feel different and special, my [spiritual] experiences made me feel the same, ordinary, and interconnected. If I felt more spiritual, everyone else felt more spiritual as well. (276)

  • Creativity - like human life itself - begins in darkness

  • The doing of something productive regardless of the outcome is an act of faith. The doing of a small something when a large something is too much for us is perhaps especially an act of faith. Faith means going forward by whatever means we can.

  • A career must be husbanded. Care must be taken. Everyday must bring some small bit of progress. How would an artist with any self-worth act? Act that way.

  • The heart of creativity is an experience of the mystical union; the heart of the mystical union is an experience of creativity.

  • Artists and intellectuals are not he same animal. This causes a great deal of confusion. Our schools teach educate us intellectually but not artistically. We learn to deconstruct art, not construct it.

  • The need to be a great artist makes it hard to be an artist. The need to produce a great work of art makes it hard to produce any art at all.

  • We will experience the life we have the faith to experience.

  • Leap, and the net will appear.

  • My life is at least as intricate as my readers' lives. People say that 'The Artist's Way' changed their lives, but when they talk about 'Floor Sample,' they tell me, 'I was with you all the way.'

  • The creator made us creative. Our creativity is our gift from God. Our use of it is our gift to God. Accepting this bargain is the beginning of true self-acceptance.

  • Creativity flourishes when we have a sense of safety and self-acceptance.

  • Artists are visionaries. We routinely practice a form of faith, seeing clearly and moving toward a creative goal that shimmers in the distance - often visible to us, but invisible to those around us.

  • 'Faith and Will' is aimed at the same readership as 'The Artist's Way.' The book is for spiritual seekers in all walks of life.

  • You are on the look out for experience, strength, and hope. You want to hear from the horse's mouth exactly how disappointments have been survived. It helps to know that the greats have had hard times too and that your own hard times merely make you part of the club.

  • Mystery is at the heart of creativity. That, and surprise.

  • If you are too busy to develop your talents, you are too busy.

  • When you feel yourself to be in critical condition, you must treat yourself as gently as you would a sick friend.

  • Walk with me to the edge of the city, / Take off your shoes and feel the earth. / Remember who you are. You are a star. / A mountain, that fountain in the sun. / Your heart is the velvet cave / Where birds sing.

  • Technology teaches passivity. Absorbed in our devices - at any age - we are absorbed in someone else's perspective.

  • When we put the pen to paper, we articulate things in our life that we may have felt vague about. Before you write about something, somebody says, 'How do you feel?' and you say, 'Oh, I feel okay.' Then you write about it, and you discover you don't feel okay.

  • Nothing dies harder than a bad idea.

  • Faith is almost the bottom line of creativity; it requires a leap of faith any time we undertake a creative endeavor, whether this is going to the easel, or the page, or onto the stage - or for that matter, in a homelier way, picking out the right fabric for the kitchen curtains, which is also a creative act.

  • I believe that I am very lucky to have close friends who are faithful. From my friends, I have learned the importance of perseverance.

  • For most people, creativity is a serious business. They forget the telling phrase 'the play of ideas' and think that they need to knuckle down and work more. Often, the reverse is true. They need to play.

  • It's OK to stand back. But it's also good to demonstrate that it's fun to be involved. As long as you are willing to say, 'This looks fun. I'd like to try this, too,' your child will mimic your example of openness, playfulness and optimism.

  • You have to muster a certain amount of belief that you're not making a mistake and you're not a fool. And this means you have to have faith.

  • When it was suggested that I write a memoir I said, 'I'm not old enough. I'm not distinguished enough.' But I went home and sat down to write, and the material for the book just came flooding into my hands.

  • I have a personal prosperity plan. I know where my money goes, and how I can spend it more fruitfully. A prosperity plan is something fluid that may alter month to month.

  • In my experience, divorce takes you out for about 10 years, but you hear people talk about it lightly. The same with depression. You only have to have one good breakdown before you realize you need help. It's pretty frightening.

  • Faith and Will' is aimed at the same readership as 'The Artist's Way.' The book is for spiritual seekers in all walks of life.

  • Don't try to 'fix' the child's boredom - rather, let the child find his or her inner resources.

  • Love is the substance of all life. Everything is connected in love, absolutely everything.

  • My will for you is not harsh or unpleasant. It is gentle and perfectly tailored to your unique needs. Do not fear my direction. I am your heart's happiest guide.

  • The voice of our original self is often muffled, overwhelmed, even strangled, by the voices of other people's expectations.

  • I surrender my anxiety and my sense of urgency. I allow God to guide me in the pacing of my life. I open my heart to God's timing. I release my deadlines, agendas, and stridency to the gentle yet often swift pacing of God. As I open my heart to God's unfoldings, my heart attains peace. As I relax into God's timing, my heart contains comfort. As I allow God to set the tone and schedule of my days, I find myself in the right time and place, open and available to God's opportunities.

  • Art is an act of the soul, not the intellect. When we are dealing with people's dreams - their visions, really - we are in the realm of the sacred. We are involved with forces and energies larger than our own. We are engaged in a sacred transaction of which we know only a little: the shadow, not the shape.

  • We don't always know what makes us happy. We know, instead, what we think SHOULD. We are baffled and confused when our attempts at happiness fail...We are mute when it comes to naming accurately our own preferences, delights, gifts, talents. The voice of our original self is often muffled, overwhelmed, even strangled, by the voices of other people's expectations. The tongue of the original self is the language of the heart.

  • As we lose our vagueness about ourself, our values, our life situation, we become available to the moment. It is there, in the particular, that we contact the creative self. Art lies in the moment of encounter: we meet our truth and we meet ourselves; we meet ourselves and we meet our self-expression .

  • The face of love is variable. I am able to love without demanding that my relationships assume the structures and forms I might choose for them. My love is fluid, flexible, committed, creative. My love allows people and events to unfold as they need. My love is not controlling. It does not dictate or demand. My love allows those I love the freedom to assume the forms most true to them. I release all those I love from my preconceptions of their path. I allow them the dignity of self-definition while I offer them a constant love that is every variable in shape.

  • Life is a spiritual dance and that our unseen partner has steps to teach us if we will allow ourselves to be led. The next time you are restless, remind yourself it is the universe asking 'Shall we dance?

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