Jonathan Levine quotes:

I'm a writer and director. And the movie I've seen a million times is 'Coming Home,' directed by Hal Ashby and starring Jon Voight, Jane Fonda and Bruce Dern.

I've been a huge fan of Hal Ashby forever. And I think that the distinctive thing about 'Coming Home' is the love story, and how - kind of emotionally real it is, and how these two characters allow each other to see their - kind of vulnerabilities. And it's great because it's a love story that's not really that cheesy, either.

I used to obsess on critical reactions to my films, and it's really not a healthy way to live your life, so my new take on it is simply, 'I hope people like it!' I'm not going to be looking at the tomato meter for at least a year! I was very lucky on '50/50' that most critics really liked it.

I like zombie movies, and I like genre movies a lot. To watch. Less so to make, I think. But I grew up on that stuff. I would just grow up watching a lot of horror movies, a lot of slasher movies and then zombie movies.

Usually, the kills are almost Wile E. Coyote kind of things in horror movies.

For whatever reason, the films I gravitate towards do have these strange sort of tonal balances to them... I kind of realized on '50/ 50' why I liked these blending of tones, because I think it's kind of what life is like: funny one minute, sad the next, scary the next.

I really hope everyone who saw 'Twilight' sees 'Warm Bodies,' but at the same time... I don't resent the comparison on a level of quality because I don't judge other movies like that. Now that I make movies, I see how hard it is to do everything. I pretty much love all movies.

I kind of viewed '50/ 50' and 'Warm Bodies' both as my next films after 'The Wackness.' In my head, I was just like, 'I'll try the big, fun, adventure-weird movie, and I'll do the small, heartfelt comedy-drama, and one of them will probably work out, and I'll get to work more.'

I was Paul Schrader's assistant for six months before I went to film school, and he's very much about knowing what's going to happen on every page before you even start writing dialogue - the entire plot and character arcs are mapped out.

Warm Bodies' was a more long-term thing; I had to write the script, who knew if it was every really going to happen, if I'd find the right actors, and so on, so I grabbed '50/50' because I just fell in love with it.

I have a cameo in every movie. In '50/50,' I'm in the back of the bus.

I definitely think for up and coming filmmakers, people graduating from film school, people that want to do their own movies, horror movies are a great way to go.

Life has a funny way of turning you into the one thing you don't want to be.

I think I'm always conscious of not letting things fit into a specific box. Being a filmmaker and trying to chart a career, you never want anyone to be able to pigeonhole you into one specific thing.

I think that's the great thing about zombies, is, you know, going back to even 'Night of the Living Dead,' they've always been a tool for kind of holding up a mirror to us and showing us something about ourselves that we might not otherwise know.