John Lurie quotes:

If someone who knows what's going on comes up and says they liked the music, I appreciate that.

But, you know, I'd be happy just making music.

I remember seeing McCoy Tyner in concert, and thinking that the music was incredible, but wanting to be invited in. I figured that humor was the way of letting the audience in. I've gotten a hard time about it, but I love to be funny onstage.

Kenny G is not real jazz. I don't even think Wynton Marsalis is real jazz. I don't think Harry Connick Jr. is real jazz. If there is such a thing as real jazz, The Lounge Lizards is real jazz, Henry Threadgill is real jazz, Bill Frisell is real jazz, you know?

I've been through this fame thing before, when the band was big in '80, '81.

I had a mystical experience when I was in my late teens, early 20s, and I spent years trying to recapture that.

What do you know about music? You're not a lawyer.

When I first got sick, they told me I had a year to live, and I was writing my memoir really fast. There were really weird things happening with my nervous system and my heart and stuff, and it didn't look like I was gonna make it, so I was writing really fast, and then I couldn't write anymore.

I'd always maintained an image so that people wouldn't approach me.

What I believe to be jazz is constructed and improvised music which is in the air right now. But I don't think that's most people's definition of jazz, you know? We don't know what we're talking about, because we don't know the definition.

I've had encounters with animals that have been really mystical. I've always been really into animals. But the way they appear in the paintings, they come from my mind's eye more than: 'I'm gonna draw a dog now.' It isn't thought out: 'Now I'm gonna draw a bird.' They just appear.

When I was about 17 I knew that I was going to be serious about music. Before that I thought, fairly certainly, that I would be a writer. Before that, I thought I would be a forward in the NBA. And before that I thought that I would own a snake farm.

It seems like there are always gatekeepers. People between you and the people who are moved by your work. They often make a beautiful thing creepy.

I guess I just want everything to be available immediately.

The loss of music is very painful, and I don't revisit stuff unless there is a solid reason to do it.

I play music, I paint - these things come from your depths.