John C. Reilly quotes:

Animation is a great way to work. No early morning call times, no make-up chair. In live action, you're always fighting the clock; the sun is always going down too soon.

Being a father has fulfilled me in parts of my life that sustain me. It gives me a comfort and patience. All actors have this hole inside that they're trying to fill by performing. I'm anxious to keep creating, but I'm not so desperate any more because I have the love and support of my kids and wife.

People say, 'Don't you get tired of people coming up to you all the time?' But what's wrong with strangers saying they love you?

I'm a big fan of the 'Harry Potter' movies and 'The Lord of the Rings' films.

If you're really being honest with yourself when you're acting, part of it is touching the real you. You can only separate yourself so much from the character. Those vulnerable moments do touch me.

Acting's all about the confidence you exude, especially on film. I mean, nervousness isn't attractive in anyone, but a film camera will seek it out and punish you.

I am one of those people who is not very patient in the makeup chair. I have been offered movies like 'Planet of the Apes' and stuff like 'The Grinch Who Stole Christmas' and I turned them down.

I was more like a middle child. My youngest brother was the baby, so he got all the attention that the baby gets. And my older brothers were getting into so much trouble that I was left in the middle, doing plays. I was up to no good, but my mother didn't know it!

I'm dating myself by saying this, but I was the test audience for 'Space Invaders.' I remember when that was the first game that wasn't a pinball game. I spent a lot of money on 'Space Invaders,' in the form of quarters, of course.

I'm aware of how lucky I am. Being able to make pretty good money, and get to do a lot of fun work, and at the same time I'm not besieged by photographers.

I know I'm not some matinee idol, but I think we're sold this bill of goods by the media, which says that only the most beautiful and dashing people can become movie stars. So when someone like me sneaks in, they have to redo the calculations.

Actually, acting turned out to be the perfect job for me, because I had a lot of different interests. I thought about being a priest at one point. I thought about being a teacher. I thought about being a lawyer. But I think acting is probably the best job for me.

I swear and it comes off a little angry, no matter how funny I'm trying to do it. If I use certain words with a certain intensity, it's like 'Whoa whoa whoa, buddy buddy!'

I like how pure the expression is in music. You can go straight to the heart of an audience rather than through their brain.

Most boys' first hero is their father. That was definitely true of my dad. He was a proud Irish American and he taught me a lot about ethics and responsibility. He also introduced me to a lot of wonderful folk music.

Honestly, to tell you the truth, being trapped in any video game sounds like a living nightmare to me. In most video games, the point is it's a fight for survival, so I think it would be a terrifying place to live.

I really enjoy my time off. If I'm going to go to work, it has to be something I really believe in, or else it's totally tedious.

I hear actors complain about being stereotyped, and a lot of the time, you have yourself to blame. Just don't take the part if you feel like it's a stereotypical part for you. You have control over your life. We don't have the old studio system, where you have to do what they tell you.

There are a lot of actors in the world, there's a small number that actually get to work as actors, and there is a tiny group of actors that are celebrated in the way that I have been. I feel incredibly lucky.

When I first joined SAG, there was another John Reilly. My dad was John Reilly, too, but growing up I was John John. Nobody in life calls me John C. It's more like, 'Hey you, Step Brother!'

I've never been someone who's been given work because of the way I look or because I have some box office appeal. I get work because people know I'm swinging as hard as I can, trying to connect, giving it my level best. I have a face for radio, but here I am doing what I do.

My family are all storytellers, and I think I inherited a lot more of that gene than other people in my family. I guess I was fun to have around.

I considered a lot of different jobs as a kid. I thought about becoming a priest or a lawyer. My father had a big linen-supply business and I considered working for him. What dawned on me was: 'If I'm an actor, I get to do the fun parts of every job!' Without having to go to four years of law school.

Here's the thing, with comedy - and I learned this from Will Ferrell - you can't be ashamed. If you're doing comedy, you have to fully commit to the joke. Shame is not part of it. If you act shy or uncomfortable about your body, that makes the audience shy and uncomfortable. And in a comedy you just want them to loosen up and laugh.

I don't know how to be like a Bill Murray or a Will Ferrell, these guys who know how to make a line funny just by, I don't know, some extra-sense perception. I only know character and emotion and real acting; that's all I know how to do.

I don't really get off on the anonymous love of strangers, which I think a lot of actors do. They're lacking something in their own personal lives, so they want the adoration of autographs and all that stuff.

This whole celebrity racket, it's not really my bag. I don't really do that stuff, and I am not looking to get famous myself. I would love it if my characters get famous, my work was well known and appreciated. But I'm an actor, not a spokes model or a celebrity or whatever that is. I don't know how to be that.

Despite not looking like a matinee idol, I feel like I have a lot to give. I've never had any trouble with women. People are always surprised with the romantic aspect of my movies.

There's something about the water - that solitary kind of peaceful feeling. You're on Earth but not quite.

Kind of the exhausting thing about doing pure comedy, or something that's broader, is you're kind of a slave to the laugh. If it's not funny, then there's not much point in doing it. The kind of ueber-objective is to make people laugh. You always have to have that in the back of your mind, 'Eh, I've got to figure out a way to make this funny.'

Being unprepared makes me nervous. I'm old-fashioned show folk.

I always felt really guilty if I spent too much time playing video games. It's a colossal waste of time. And I can't say it's a very satisfying feeling at the end of the day, if you've spent eight hours playing a video game; you just end up feeling kind of spent, and used.

One of the reasons people find me a believable actor is that I don't seem like one of the gods from Olympus. I seem like someone who was lucky enough to be let into Olympus.

I went to an all-boys Catholic school, and not only were we not allowed to wear pajamas, we had to wear dress shirts, dress pants, a tie, dress shoes... they stopped making us wear blazers, like, two years before I started there, so pajamas... you wouldn't even get in the front door wearing pajamas at my school.

One of the unique things is that whether we were out at sea or in the middle of the water tank, a lot of times you just couldn't leave. Especially when we were out at sea.

That's one of the difficult things of being an actor that I'm still not used to. You have to go, you have to show up at these places where you know nobody, and sometimes with really impressive, high stakes people like Roman Polanski.

I love card games, and I've always loved board games and stuff like that as a kid, and I think it's that part of your brain that's engaged in con movies. It's like this 'Who's outsmarting whom?'

I listen to a lot of Chicago blues, I suppose. It reminds me of growing up, I guess. But I'm also obsessed by close-harmony groups. Actually, I'm fascinated particularly by brother duos, how they blend together. The Everly Brothers, the Stanley Brothers, The McQuarrys. There's something inherently magical about harmony.

This is real human drama, we're not creating some amusement park ride for the summer. Even though the movie is really exciting to watch, it's got a real pathos behind it.

Hollywood is an illusion. These intense workplaces, with very close relationships, a few months at a time - and then it ends.

An actor's life is like a series of - it's like the first day of school happening over and over again.

I give as much as I can, and it's up to someone else to turn it into a movie. Good luck to you!

I kinda taught myself how to play guitar, and I still play to this day. It's become a pretty big part of my life.

I don't mind doing scripted material. It's actually kind of a relief, because improvising is a little bit like screenwriting on your feet.

I always say it takes as much preparation and thought to do a small part as a leading part. In some ways, leads are easier because you have the luxury of time to discover the character.

I love that people can't place me. They don't know my name. That's 'mission accomplished' in my world.

To me, it doesn't make any sense to pick your work based on the size of the budget of the movie.

God forbid you got seasick because there was no option to go back. So that really did force us to be a group.

I like people who are able to keep pushing themselves and challenging themselves even after great success.

I was a founding member of the 'Dungeons and Dragons' club at my high school. I was in chorus, I was in swing choir. I was an outcast but I was an outcast among a group of outcasts.

Hey, I'm just trying to become the Michael Caine/Gene Hackman of my generation."

I was never a very dependable employee for anything. Perfect for the actor's life!

I grew up listening to a lot of player-piano music in my house and a lot of old Tin Pan Alley songs and American standards. My dad listened to a lot of traditional Irish music and I grew up doing musical theater. So most of the music I was exposed to as a kid was pre-rock n' roll.

I'm not a big fan of kids' movies that have this knowing snarkiness to them or this post-modern take on storytelling. I think that sails right over the heads of most kids. There's something to be said for a well-told fairy tale. There's a reason that these mythic stories stay with us.

I did a movie with Leonardo DiCaprio, and his skill level was eons ahead of mine. It was really more like an abattoir - he just slaughtered my character over and over again.

I would love to do a western. I would love to play an explorer. That is always something that has really captured my imagination since I was a kid, like James Cook or Magellan or Earnest Shackleton.

It's thought of as an eccentric thing for an actor to really try to maintain quality control through the whole career. Most people think, 'You just work. You just keep working.' And in some ways I wish I could be a guy who's just a workhorse.

If I'm committed to something really stupid, then I'm in a comedy.

I actually envy actors who have a persona: 'This is the way I am. This is the part I play.' And do it over and over and over. To me, that's a lot easier than trying to reinvent yourself every six months.

[Country Music] is the final destination for many punk rockers [...] Rockabilly is the mid-point and then [they] end up at Country [...] There's purity to that music and I think that appeals to a lot of punk rock people - the precision, the purity, and the directness of Country Music.

You know, the truth is that us actors would all like to believe we re-invent the wheel, every time we play a character. But, we're human beings and our instruments are not violins, they are our bodies and our consciousness and our collective life experience.

Once you become tagged as anything, it becomes difficult to shake it, because the less imaginative people in the business want you to do what worked for the last guy. That's always been something I've had to deal with.

The thing I tried to remember when I was younger was 'Do something that's at least as good, if not better, than the last thing you did.' So I started with Brian De Palma and Sean Penn. I had a pretty high bar to start with.

I had [at school] my own little posse of people that all felt weird together so it wasn't so lonely.

For a long time, it was like I was part of some special forces unit: I'd land, meet everyone, five minutes later I'd have to do some amazing work, then - boom! - I'm out again. You know, playing supporting parts takes courage.

Oh, absolutely, it felt more serious than your typical job. One of the things that got us through how difficult the shooting actually was was that we are telling a real story.

I don't deliberately go into comedy or go into indies, but I do deliberately try to keep changing tact, because I think that is the key to longevity in a career.

I come from a pretty working-class neighborhood in Chicago. Hard work was just expected of you. It wasn't some noble thing you did; it was a prerequisite. It's what a man did. You get up, you put on your boots, and you work hard. We've lost a lot of that, I'm afraid.

There is a level of fame that is really unmanageable. But most of the people who experience that level of fame are compensated in other ways. Private villas and chauffeured boats.

In Chicago it's really a case of the play's the thing - people are just so happy to be acting, you know? We were all actors - not like in New York or Los Angeles, where everyone says they are actors but they are actually waiting tables and hustling for spots in commercials.

The truth is that filmmaking is not really an actor's medium; it's really a director's medium, so all I can really control is the character that I'm playing. So I try to look for characters that are interesting and engaging and different than what I've done before and hopefully it becomes a good movie.

Hey, I'm just trying to become the Michael Caine/Gene Hackman of my generation.

I'm not of the manor born; I've never felt entitled in that way. I just came to Hollywood to be an actor. All that lifestyle stuff is something to be managed.

You were there all day long, 12 hours a day. So there was none of this, 'I'm going back to my trailer, my trailer's bigger than your trailer,' that kind of Hollywood nonsense.

I try to take things that challenge me either physically or mentally, or I have to learn a new skill.

It's true that the skills required to be a conman are the same as those required for being an actor. Though those skills are in the service of something a bit more noble with acting, I hope.

Whenever I work on something, I try and throw everything I have at it. Then if the director finds it useful they use it, and if not, they ignore it!

A lot of times, good improv is when both people, or however many people are in the scene, really have no idea what the next thing you're going to say is.

There is something about the water - that solitary kind of peaceful feeling. You're on earth but not quite.

Just look around, in life, there's people who want to date people who look like themselves, and there are people who are just looking for a good fit. And a lot of times, a good fit is someone different than yourself. I'm not one to get too hung up on outside appearances. I find people attractive for more subtle reasons than just the way they look.

I don't know who I am, to tell you the truth.

I like working with people I know. It saves a lot of awkward conversations and getting-to-know-you kinda moments. You trust the people if you know them.

Improvisation, the main thing is it teaches you to be in the moment and present in the moment and be reactive and proactive for what's going on. Someone gives you something - a lot of actors are a little shut off, so they're just doing, "This is my character, these are my lines, I'm going to just send it to you then you send whatever you're sending." Improvisation teaches you to really be listening.

I would say whisky or pills. Not both because that can have disastrous consequences.

Whatever the reasons that I turn things down, I'm always happy when there's a good result, and I can enjoy it as a movie, you know? I don't feel like, 'Oh man, that was really good. I should have done it.' You have to make the decisions you have to make, whether it has to do with your family or repeating a character or whatever it is.

Somehow that doesn't feel like a natural human thing to do, to go to those dark places, you have to kind of force yourself to do that. And comedy, it's like you're excited to get there in the morning every day.

Why people pick me for the roles that they do is a bit of a mystery.

I do a lot of improvising on movies, actually.

I'm not a huge sports fan in general, I don't spend a lot of time watching other people do stuff. I tend to like to go out and do stuff myself.

The truth is, when you're at the track, it was an interesting thing about stock car racing as a sport, is you almost get more out of it watching it on TV.

I'm much more character based. I try to just be really committed to what I'm doing.

I just like surprising people. I never want to get to a place where people see that I am in a movie and they go see the movie and they expect a certain performance one way or the other. That is just inherently boring to me.

Unless you do the same thing, it's tough for stereotypes to stick. That said, whatever you've done that's most popular at a given moment is what people think "you do."

Movies are this thing that came into my life, and it still feels pretend in some way. I kind of do this thing, and I never really accepted this idea that I'm a film actor. That's what I do. I feel like I'm a theater actor that started doing films. Most people have never seen me in a play. They're fun, though.

I mean I was very shy but I was also very extroverted because I was doing plays. I'd been doing plays since I was a little kid. But, I did feel like an outsider because I went to like a 'college-prep' kind of high school that had a really big football team and was known for its program so I was like this weird boy that did plays.

When they're good, I like working with new actors.

I would consider directing. I think directing myself would be tough, but I'm definitely interested in directing. I might start off directing a play before I move to a film.

A lot of people that make films say, 'We need this kind of character. Who's done it before? Get them to do it again.' That is exactly what actors are pushing against. It's kind of a cliche to talk about being stereotyped in that way, but it happens.

If you get made fun for the way you look, then maybe wearing the same thing every day is the best way to protect yourself.

I'm alienated from this world because its weird and I don't want to be a part of it. I want to be part of the people that are more imaginative and crazy.

From the first time I did a movie, people have said, 'Oh, it's all going to change now.' And it would change, but very incrementally. I think I prefer that to some big explosion of fame all of the sudden.

I always get a headache the first time I watch a movie I'm in. Because you're staring at the screen so hard, your brain is doing all this work trying to put things in context of what the day-to-day experience of making it was. And the timeline that's in your head of when it was made, and on what day, how you felt. And then you're also trying to grasp what it's been edited into.

Young people can be annoying, let's face it. But they can also be really refreshing to be around and full of enthusiasm.

Actors in general are pretty good bullshit artists; we're good at just chewing the fat, interacting with people. So we're good ambassadors for movies.

There's so much joy in doing comedy work, and that's one of the reasons I like to do it - because it's just a hilarious day at work.

Surprising people is the key to career longevity for someone like me.

The less people know about me in reality, the more they can accept of me as a character.

I was a solid C student because I was doing so many plays. I was a drama nerd, but I was also kind of a Zelig-like character; I would shift between different groups of people. But the people I spent most of my time with were either chorus or swing choir or the drama nerds.

For a while I had a blues band in L.A., but I realized I was too optimistic to play the blues. I did not have the misery in my heart that the blues required.

I get the greatest joy from just doing anything, being an actor. Doing music, and doing what I love to do. I don't make a huge distinction between comedy and drama. I think the whole point is just trying to be as honest, from moment to moment, as you can be. If you're honest about the material, and the material is ridiculous, then you're in a comedy.

I like working. I wish I could say I made a deliberate choice to comedy, but it's just what came my way. It's what the studios wanted to make. Some of my friends were doing it, like Will Ferrell and Adam McKay, and they offered me 'Talladega Nights.' It's just nice work if you can get it. It's a joyful day at work, making your friends laugh.

I've worked with a lot of great directors and often times they solicit your ideas.

A lot of times, mainstream critics are much tougher on small, independent movies because they can be.

I feel like a teenager myself, so I appreciate it when the kids think you're all right.

It's a mystery why certain people find certain things funny.

I like being employed, you know. That's my favorite kind of acting.

I think just getting a movie done is an accomplishment in itself.

I end up improvising in almost everything to some degree, 'cause it's often necessary on movies. The script is one thing, and it's this kind of theory of what you're going to do, and then you get there on the day and you realize, "Oh, the script is not appropriate to this room, the door's over here."

Really if you look at my filmography, there's something for everyone!

I love to improvise, but I always thought "Man, it's like the final frontier for improvisational actors, to really go for something emotional, something that's not just chasing the laugh."