Jeremy Irvine quotes:

There's nothing nicer than coming back to your village, where people like my mum's friends take the mick out of me. I prefer that to the craziness of Hollywood.

I actually collect old First and Second World War memorabilia.

I think that among my friends I'm known as being a hard worker; I think if you want to be an actor, there can't be any compromise. You have to work all day, every day. It's not a 9-5 job. There's always something to learn.

I collect old first and second World War artifacts and things. I'm a little secret history nerd. I've been lucky enough to do quite a few war movies too so I've taken little things off each film.

Great Expectations' is one of the greatest stories.

My first time acting for camera really was for Steven Spielberg in War Horse. I was trained in theater and I was actually working in theater at the time. I had a small role with the Royal Shakespeare Company, which is a huge prestigious theater company back in England. I honestly thought that was as good as it got.

I feel arrogant trying to give people advice.

The work my mum does, a lot of it is re-housing homeless people, that's a real job. I play make-believe and dressing up for a living!

I wouldn't want to see any animal in pain, no matter what.

I spend a lot of time in L.A., and I think it would probably be easier if I lived there work wise, but there's no city like London, there is so much going on. I can jump on the Tube and be anywhere in 20 minutes, and all my friends and family are here and I'm not prepared to give that up.

The only mistake guys can make is to try too hard with their appearance. There's something very unmanly about it.

I had a great drama teacher, and he sort of made out drama school as this incredibly difficult thing to get into: 6,000 people apply every year, and some of the schools only have 12 places. It's a phenomenally difficult thing to get into. And that excited me - I wanted that challenge.

My bedroom's like an armoury.

On the whole, British actors star in theater, and I think there's something quite grounding about that.

You can be the best actor in the world, but if you don't have that one lucky moment, it kind of doesn't matter. There are a lot of amazing actors who will never get the chance to prove themselves because they won't have that one lucky moment.

Nearly every taping or audition has to be in an American accent, so you don't have a choice; you just have to get good at it. I'm sure you can appreciate accents - it's like learning any skill, you have to work at it and work at it and it takes an awful lot of time, until it's muscle memory and you don't have to think about it anymore.

Determination becomes obsession and then it becomes all that matters.

Each year we go to the Cannes film festival and I tend to have all my friends pile in the back of my car and we'll drive from London. The poor production company think they're only putting me up and suddenly they've got eight people sleeping on my hotel room floor.

Every time I get a role I think, 'I've actually fooled them again, I can't believe they keep falling for this!

I like being outdoors a lot, and I come from a small village that's fairly remote.

All actors have to change their name.

I went to an all-boys school and hated feeling like one of the crowd.

I think in this world and this industry, if you let it, it does. And I feel that the people who don't have good friends and family around them are the ones who get a little funny. But I'm very lucky. I have good friends and good family and if I ever stepped out of line, my mom would take me down!

What I've realized is that all of these people are so successful because they love what they do and they work exceptionally hard. No one gets successful in this business by fluke really. There are probably a couple of exceptions but most people just work so hard. They are working every day and they are doing their prep.

I think most actors will tell you the same thing; when you're not working you put 100 percent into every audition.

I like doing stuff with my friends.

I'm an expert at killing time on planes now. I do a lot of reading. My secret sort of nerdy side is I'm quite into history so I read a lot of history books. Now I write for a few things and I've had a few history things published, which is cool. I indulge my nerdy side and it's kind of as far away as you can get from the acting world so that's nice as well.

If a horse doesn't want to do something, you're not going to make him do it. They're incredibly powerful animals.

I think camping is one of those things where if you're forced into it as a child, you'll probably hate it as an adult.

I always wonder whether I'll get treated differently with a different accent.

I've always been into dark colours.

I'm the biggest Chekov fan - there's something that he does that not many other writers do.

When I find a look that I like, that's my entire wardrobe.

For work, I have to be living in cities, I really cherish the time when I get to be out in the countryside.

For me, one of the biggest thrills is going to a theater and going, "Oh, I got a laugh!" Because you never quite get to hear it [otherwise].

People expect your life to change completely. The main difference is I can get work now. I can do my hobby as a job. It's great. It's a privilege. But in terms of the rest of the stuff, I still got all the same group of friends I always had. I don't do anything different. We still go to the same dirty bars and do the same things. So nothing really changes.

I've been very reluctant on the Twitter front. But I do Instagram now, so I'm slowly coming around. I'm quite a private person, so much of what I do for my job means that I have to be quite public so I'm just nervous about everything being public. I might turn around. Three years ago, I was against all social media but I actually really enjoy Instagram now. Who knows? I never say never!

I think I got into acting because I kind of had not much else to do! I guess I was kind of looking for something challenging. I heard about the London Theater scene and it was very different from the upbringing that I had and it felt like a challenge. And the whole sort of London Theater schools, I was told that 6,000 apply and there are like 30 accepted to each one. I was like, "Yeah. Let's see if we can do that!"

I had a lot of time before I actually got my break so to speak. I was building websites for other actors. I worked in a grocery store back in the little village where I grew up but I found it mind-numbingly boring.

The Railway Man was a particularly intense and immersive experience. I definitely got carried away. I lost about 35 pounds. I really was incredibly skinny and also quite unwell while we were filming. It wasn't very healthy. I don't recommend it. But then also doing the torture scenes, the water boarding stuff, there wasn't really any other way just to do it really.

It was a movie [The Railway Man] that stayed with me a long time. It's still one of the things I'm most proud of. I got to know the man that I was playing and unfortunately he passed away just before the movie came out. It's one that meant a huge amount to me, and one that I'm particularly proud of.

I hate the word "method acting." It's just so silly. You hear people going, "Yeah I'm a method actor." I'm like, "So what happens if you're playing a period film or something? You're in the Second World War. And what happens when your mom calls you on your phone? Do you go, 'Oh! What is this strange talking brick device?'" No. It's stupid. But you do everything you can to get in that mindset.

I'd love to get fat on camera. Wouldn't that be great? I'll tell you what's almost as hard though, getting bulked up, getting that big. Here we are in LA and you see guys walking down the street and everyone looks like Arnold Schwarzenegger. That's really quite grim, if you haven't done it before.

It's not often that you get to read something that just feels very original for a star but also something that feels like it's more than just a movie or entertainment. Even though the riots were one of the most pivotal riots in civil rights history, especially for the LGBT community, I knew surprisingly very little about them. You don't learn about Stonewall in schools. It's a bit gross really! So it certainly felt like something that was quite important.

I'm not scared of animals, except for rats. I'll break down in tears if I see a rat!

When I was growing up, there was a man who gave me lessons and things. I'm very dyslexic so he used to give me extra reading and writing. And he always knew that I was interested in stuff but he never told me that he was in the Second World War himself. One day he gave me his helmet that he had worn through the North Africa Campaign. It was just before he died. So I've got his helmet. That was pretty special to me.

Ralph Fiennes was a big hero of mine acting-wise growing up and while I was training. I just find him so watchable. He was playing this very intimidating character when we worked together and it certainly felt like he was in character off set as well! He was very cool. Before a scene, he'd be like, "Come on. Let's improvise. Let's just do stuff." But Jesus Christ. He's Ralph Fiennes!

With a horror movie most of the actual jumps and scares are made in the edit. It's often not very scary on set and then you watch the film and suddenly it's very scary because the way the jump scares fit together building up the suspense in the audience because it's making them jump when they're least expecting it.