Jeanette Winterson quotes:

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  • Quest is at the heart of what I do-the holy grail, and the terror that you'll never find it, seemed a perfect metaphor for life.

  • I live alone, with cats, books, pictures, fresh vegetables to cook, the garden, the hens to feed.

  • If you continually write and read yourself as a fiction, you can change what's crushing you.

  • I don't believe in happy endings.

  • I wanted to cause trouble, but I know now it stays with you.

  • Writers have to have a knack for listening. I need to be able to hear what is being said to me by the voices I create.

  • I like to look at how people work together when they are put into stressful situations, when life stops being cozy.

  • With animal behavior, they're all fine until you introduce some rogue element into the cage, and then they go crazy.

  • Life gives you enough hard knocks so it's unlikely you'll stay that sure of yourself.

  • I don't read reviews because by then it's too late - whatever anyone says, the book won't change. It is written.

  • I never cared about money.

  • Perhaps all romance is like that; not a contract between equal parties but an explosion of dreams and desires that can find no outlet in everyday life. Only a drama will do and while the fireworks last the sky is a different colour.

  • Odd to think that the piece of you I know best is already dead. The cells on the surface of your skin are thin and flat without the blood vessels or nerve endings. Dead cells, thickest on the palms of your hands and the soles of your feet."

  • The truth is that love smashes into your life like an ice floe, and even if your heart is built like the Titanic you go down.

  • He liked me because I am short. I flatter myself. He did not dislike me. He liked no one except Josephine and he liked her the way he liked chicken.

  • Your weak point is the open, vulnerable place where you can always be hurt. Love, in all its aspects, opens the self so fully.

  • My books always begin with a sentence and an image - not necessarily connected.

  • I hate the word lesbian; it tells you nothing; its only purpose is to inflame.

  • In my subconscious, my books were part of a single emotional journey.

  • My mother told stories - of their life in the war and how she'd played the accordion in the air-raid shelter and it had got rid of the rats. Apparently rats like violins and pianos but they can't stand the accordion

  • You never give away your heart; you lend it from time to time. If it were not so, how could we take it back without asking?

  • your morse code interferes with my heart beat. I had a steady heart before you, I replied upon it, it had seen active service and grown strong. Now you alter its pace with your own rhythm you play upon me, drumming me taught.

  • Hold in, hold in, one crack and the wall is breached. I need now to be finite, self-contained, to stop this bacterial grief dividing and multiplying till its weight is the weight of the world. Bacteria: agents of putrefaction. My father's decay lodged in me."

  • I don't write for any group. I write to bring about a change in consciousness.

  • To create a past that seemed authentic but would be a fiction, you need an invented language.

  • What's invisible to us is also crucial for our own well-being.

  • Nothing has an unlikely quality. It is heavy.

  • He would love her if she were a wolf that tore out his heart. And he wondered what that said about love.

  • I dream of flight, not to be as the angels are, but to rise above the smallness of it all. The smallnesss that I am. Against the daily death the iconography of wings.

  • Meatspace still has some advantages for a carbon-based girl."

  • There's a whole generation growing up thinking you shouldn't seek knowledge for its own sake, and that theatre and art and books are activities that you do after-hours, rather than things that are at the heart of life. That's a huge change.

  • You've got these twenty million people who call themselves the Evangelical Christians who will put their hand up and say, I believe in the devil, I'm against abortion and gay rights, and we have to blow up the world. It's frightening.

  • I know now, after fifty years, that the finding/losing, forgetting/remembering, leaving/returning, never stops. The whole of life is about another chance, and while we are alive, till the very end, there is always another chance.

  • In the space between chaos and shape there was another chance.

  • Love is vivid. I never wanted the pale version. Love is full strength. I never wanted the diluted version. I never shied away from love's hugeness but I had no idea that love could be as reliable as the sun. The daily rising of love.

  • The Anglo-American tradition is much more linear than the European tradition. If you think about writers like Borges, Calvino, Perec or Marquez, they're not bound in the same sort of way. They don't come out of the classic 19th-century novel, which is where all the problems start. 19th-century novels are fabulous and we should all read them, but we shouldn't write them.

  • In the heat of her hands I thought, This is the campfire that mocks the sun. This place will warm me, feed me and care for me. I will hold on to this pulse against other rhythms. The world will come and go in the tide of a day but here is her hand with my future in its palm.

  • However it is debased or misinterpreted, love is a redemptive feature. To focus on one individual so that their desires become superior to yours is a very cleansing experience.

  • I hated historical novels with fluttering cloaks.

  • Two things significantly distinguish human beings from the other animals; an interest in the past and the possibility of language. Brought together they make a third: Art. The invisible city not calculated to exist. Beyond the lofty pretensions of the merely ceremonial, long after the dramatic connivings of plitical life, like it or not, it remains. Time past eternally present and undestroyed.

  • One room is always enough for one person. Two rooms is not enough for two people. That is one of the conundrums in life.

  • People being encouraged to make up their own minds and think for themselves is so important. This world talks endlessly about freedom of choice, but we've never been [nothing] more than a nation of robots. Everybody is seduced by corporate culture.

  • Whether you want to call it God or the mystery of the cosmos doesn't matter to me.

  • If we had the courage to love we would not so value these acts of war.

  • A curse on this game. How can you stick at a game when the rules keep on changing? I shall call myself Alice and play croquet with the flamingos. In Wonderland everyone cheats and love is Wonderland, isn't it?

  • Names are still magic; even Sharon, Karen, Darren, and Warren are magic to somebody somewhere. In fairy stories, naming is knowledge. When I know your name, I can call your name, and when I call your name, you'll come to me.

  • I think people deceive themselves about themselves, particularly as they get older.

  • I have found that I am not a space where people want to live, at least not without decorating first.

  • I never wanted children. If I'd been deeply in love with a man and he'd wanted children, it would have been difficult.

  • To be ill adjusted to a deranged world is not a breakdown.

  • Naked is the best disguise.

  • Men will gamble and plot and fight and fall, all for the winning of a trophy. A woman's heart, a piece of land, a kingdom, a lordship, a contract, a ship, an egg -- it hardly matters the which or the what, as soon as it is seen to be desired by one, another will make a prize of it.

  • We don't go to Shakespeare to find out about life in Elizabethan England; we go to Shakespeare to find out about ourselves now.

  • I wanted to write a new fable and see how many rules you could break.

  • Tell me the story, Pew. . . . It was a woman. You always say that. There's always a woman somewhere, child; a princess, a witch, a stepmother, a mermaid, a fairy godmother, or one as wicked as she is beautiful, or as beautiful as she is good. Is that the complete list? Then there is the woman you love. Who's she? That's another story.

  • Book collecting is an obsession, an occupation, a disease, an addiction, a fascination, an absurdity, a fate. It is not a hobby. Those who do it must do it.

  • I wanted to invent myself as a fictional character. And I did, and it has caused a great deal of confusion.

  • The tamer my love, the farther away it is from love. In fierceness, in heat, in longing, in risk, I find something of love's nature. In my desire for you, I burn at the right temperature to walk through love's fire. So when you ask me why I cannot love you more calmly, I answer that to love you calmly is not to love you at all.

  • Age is information failure. The body loses fluency.

  • I say I'm in love with her. What does that mean? It means I review my future and my past in the light of this feeling. It is as though I wrote in a foreign language that I am suddenly able to read. Wordlessly, she explains me to myself. LIke genius she is ignorant of what she does.

  • There are many forms of love and affection, some people can spend their whole lives together without knowing each other's names. Naming is a difficult and time-consuming process; it concerns essences, and it means power. But on the wild nights who can call you home? Only the one who knows your name.

  • Confidence and superiority: It's the usual fundamentalist stuff: I've got the truth, and you haven't.

  • You don't get over it because 'it' is the person you loved.

  • It's not progress to take books off shelves. If one more person says this [ebooks] is the new Gutenberg, I will probably commit homicide, because the whole point of Gutenberg was to put books on shelves, not to take them off.

  • The Humans is a laugh-and-cry book. Troubling, thrilling, puzzling, believable and impossible. Matt Haig uses words like a tin-opener. We are the tin.

  • There are times when it will go so wrong that you will barely be alive, and times when you realise that being barely alive, on your own terms, is better than living a bloated half-life on someone else's terms.

  • Happy ending are only a pause. There are three kinds of big endings: Revenge. Tragedy. Forgiveness. Revenge and Tragedy often happen together. Forgiveness redeems the past. Forgiveness unblocks the future.

  • I didn't mind being unpopular at school, because everyone else was a heathen.

  • I think heterosexuality and homosexuality are a kind of psychosis, and the truth is somewhere in the middle.

  • Language is a finding-place not a hiding place.

  • This hole in my heart is in the shape of you. No one else can fit it. Why would I want them to?

  • Sometimes I think of you and I feel giddy. Memory makes me lightheaded, drunk on champagne. All the things we did. And if anyone has said this was the price I would have agreed to pay it. That surprises me; that with the hurt and the mess comes a shift of recognition. It was worth it. Love is worth it.

  • I will do whatever I have to do to reach people with the things I believe are important. Life is too short not to do everything you can.

  • Birth is a shipwreck, the mewling infant shored on unknown land.

  • The key to happiness, she said, is tolerance of those who do not do as you do.' `What if those who do not do as you do are gunning you down?' I said.... Alaska frowned. `Guns are intolerant. Guns are a failure of communication.

  • The key to happiness ... is tolerance of those who do not do as you do.

  • Poetry is easier to learn than prose. Once you have learned it you can use it as a light and a laser. It shows up your true situation and it helps you cut through it.

  • I have a theory that every time you make an important choice, the part of you left behind continues the other life you could have had.

  • Freud, one of the grand masters of narrative, knew that the past is not fixed in the way that linear time suggests. We can return. We can pick up what we dropped. We can mend what others broke. We can talk with the dead.

  • Art saved me; it got me through my depression and self-loathing, back to a place of innocence.

  • Why is the measure of love loss?

  • Infatuation.First Love.Lust.My passion can be explained away.But this is sure: Whatever she touches, she reveals

  • We heal up through being loved, and through loving others. We don't heal by forming a secret society of one - by assessing about the only other 'one' we might admit, and being doomed to disappointment.

  • I feel in colour, strong tones that I hue down for the comfort of the pastelly inclined. Beige and magnolia and a hint of pink are what the well-decorated heart is wearing; who wants my blood red and vein-blue?

  • The Bible writers didn't care that they were bunching together sequences some of which were historical, some preposterous, and some downright manipulative. Faithful recording was not their business; faith was.

  • I can't do it. I've been here before and it's not a room with a view. The only power I have is the negative power of withdrawal. If I don't withdraw I have no power at all. A relationship where one person has no power or negative power, isn't a relationship, it's the bond between master and slave.

  • Great control and great discipline are necessary when you reach your own editing stage of the book, but in the early stages you have to be prepared to let anything happen and to get it wrong or go off track. The development of a character is not smooth or simple - it is as tricky as meeting someone new whom you would like to know better.

  • Memory loss is one way of coping with damage.

  • I think every work of art is an act of faith, or we wouldn't bother to do it. It is a message in a bottle, a shout in the dark. It's saying, 'I'm here and I believe that you are somewhere and that you will answer if necessary across time, not necessarily in my lifetime.'

  • ..to change something you do not understand is the true nature of evil.

  • I've lived my life like a serial killer; finish with one part, strangle it and move on to the next. Life in neat little boxes is life in neat little coffins, the dead bodies of the past laid out side by side. I am discovering, now, in the late afternoon of the day, that the dead still speak.

  • Some people are happy when they are at the sea; I'm happy when I'm standing in front of a shelf of books. It feels like the known place and also the beginning of a new adventure. It has that simultaneous paradoxical effect of making me feel absolutely calm and very excited.

  • It's hard to remember that this day will never come again. That the time is now and the place is here and that there are no second chances at a single moment.

  • Writing is both bomb and bomb disposal-a necessary shattering of cliche and assumption, and a powerful defusing of the soul-destroying messages of modern life (that nothing matters, nothing changes, money is everything, etc). Writing is a state of being as well as an act of doing.

  • The body shuts down when it has too much to bear; goes its own way quietly inside, waiting for a better time, leaving you numb and half alive.

  • I looked at my palms trying to see the other life, the parallel life. The point at which my selves broke away and one married a fat man and the other stayed here.

  • He wrote on a piece of paper with his pencil. Psychosis: out of touch with reality. Since then, I have been trying to find out what reality is, so that I can touch it.

  • Do all lovers feel helpless and valiant in the presence of the beloved? Helpless because the need to roll over like a pet dog is never far away. Valiant because you know you would slay a dragon with a pocket knife if you had to.

  • What can i tell you about the choices we make? Fate reads like the polar opposite of decision, and so much of life reads like fate.

  • I felt like a seed in a pomegranate. Some say that the pomegranate was the real apple of Eve, fruit of the womb, I would eat my way into perdition to taste you.

  • Ordinary professionalism and 20 years' experience can accomplish a lot, but it can't access the hidden places.

  • Quoting her mother: The trouble with a book is you never know what's in it until it's too late!

  • I like being on my own better than I like anything else, but I can't give up love. Maybe it's the tension between longing and aloneness that I need. My own funicular railway, holding in balance the two things most likely to destroy me.

  • Life cannot be calculated. That's the big mistake our civilization made. We never accepted that randomness is not a mistake in the equation -- it is part of the equation.

  • Hopeless heart that thrives on paradox; that longs for the beloved and is secretly relieved when the beloved is not there.

  • Reading is a rendezvous with your soul.

  • I'm always nervous about going home, just as I am nervous about rereading books that have meant a lot to me.

  • Literature offers us all, writers and readers, the best method of discovering and retelling the changing story of ourselves. The story is both journey and surprise. And as everyone knows, even the past is altered, depending on, not the facts, but the interpretation.

  • Time that withers you will wither me. We will fall like ripe fruit and roll down the grass together. Dear friend, let me lie beside you watching the clouds until the earth covers us and we are gone.

  • To me, life, for all its privations, is a luminous thing. You have to risk it.

  • [Fiction and poetry] are medicines, they're doses, and they heal the rupture that reality makes on the imagination.

  • Moss that is concentrating on being green.

  • The asynarte city; two rhythms unconnected, profanity, holiness, and out of that strange bed, art.

  • Meatspace still has some advantages for a carbon-based girl.

  • Any measurement must take into account the position of the observer. There is no such thing as measurement absolute, there is only measurement relative.

  • The curious are always in some danger. If you are curious you might never come home, like all the men who now live with mermaids at the bottom of the sea.Or the people who found Atlantis.

  • When a woman gives birth her waters break and she pours out the child and the child runs free.

  • The continuous narrative of existence is a lie. There is no continuous narrative, there are lit-up moments, and the rest is dark.

  • Darkness as well as light. Or do I mean darkness, another kind of light? Lucifer would say so, and I have a weakness for fallen angels.

  • The future is foretold from the past and the future is only possible because of the past. Without past and future, the present is partial. All time is eternally present and so all time is ours. There is no sense in forgetting and every sense in dreaming. Thus the present is made rich.

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