Janet Fitch quotes:

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  • My thoughts about God are vague and abstract. My connection with the energy of the universe is shaky.

  • As a person with terrible handwriting, I love the computer. I've waited all my life for the computer.

  • My mother never met a gadget she didn't like. There were tube pans for baking the angel food cakes my father could have after his first heart attack, and Bundt pans and loaf pans and baking pans and grilling pans.

  • I'm particularly fond of the Mulholland Fountain, at Riverside Drive and Los Feliz Boulevard, when it turns colors at night.

  • Her fingers moved among barnacles and mussels, blue-black, sharp-edged. Neon red starfish were limp Dalis on the rocks, surrounded by bouquets of stinging anemones and purple bursts of spiny sea urchins.

  • You start realizing that good prose is crunchy. There's texture in your mouth as you say it. You realize bad writing, bland writing, has no texture, no taste, no corners in your mouth. I'm a great believer in reading aloud.

  • I tried writing fiction as a little kid, but had a teacher humiliate me, so didn't write again until I was a senior in college.

  • In a perverse way, I was glad for the stitches, glad it would show, that there would be scars. What was the point in just being hurt on the inside? It should bloody well show.

  • A figure in Los Angeles politics for five decades, my mother nevertheless had had her fill of talking to people by the time she came home at night.

  • When working on your own, you can make a choice and find out six months later that you made a bad choice. But when you work with people you trust, who understand your obsessions, you can take risks.

  • Wima and Josephine. Well okay then. Okay.

  • My father gave me Dostoevsky's 'Crime and Punishment' when I was in junior high; my junior high, angst-filled soul responded to that.

  • I'd rather see a writer write 15 minutes a day than save it all up for a Saturday. A work gets a coating on it when it's not been worked on for a while, makes it hard to break back in.

  • It's your flaws, not your strengths, that go down in the depths of your books. You're exposed, like dreaming you're naked in a public building.

  • The thing that makes vivid writing is when the reader is in the body of the story, the body of the character. Things smell like something; there's weather, there's texture, there's light.

  • Depression, suffering and anger are all part of being human.

  • Most women experience issues of power and sexuality, but very few women talk about it. There's the threat of the loss of approval.

  • I just wanted to live in books and in movies.

  • I always read poetry before I write, to sensitize me to the rhythms and music of language.

  • Who was I, really? I was the sole occupant of my mother's totalitarian state, my own personal history rewritten to fit the story she was telling that day. There were so many missing pieces. I was starting to find some of them, working my way upriver, collecting a secret cache of broken memories in a shoebox.

  • As a middle-aged woman who has had some luck as a writer, I'd like this profession of author to remain a possibility for young writers in the future - and not become an arena solely for the hobbyist or the well-heeled.

  • As an undergraduate, I had not studied literature - I was a history major.

  • The night crackled Everything had turned to static electricity in the heat. I combed my hair to watch the sparks fly from the ends.

  • The writer is both a sadist and a masochist. We create people we love, and then we torture them. The more we love them, and the more cleverly we torture them along the lines of their greatest vulnerability and fear, the better the story.

  • Use description of landscape to help you establish the emotional tone of the scene. Keep notes of how other authors establish mood and foreshadow events by describing the world around the character.

  • I started writing when I was 21. I was going to become an historian. And then I realized there was more to the world than just the past. I didn't want to spend my life in the library.

  • They dream of men with gentle hands, eloquent with tenderness, fingers that brushed along a cheek, that outlined open lips in the lovers' braille. Hands that sculpted sweetness from sullen flesh, that traced breast and ignited hips, opening, kneading. Flesh becomes bread in the heat of those hands, braided and rising.

  • A lot of people think they should be happy all the time. But the writer understands you need both. You need the whole piano: the richness of the whole human experience. Depression, suffering and anger are all part of being human.

  • I write every day... I never get ideas unless I'm actually writing. Ideas I get in the shower don't do me any good.

  • I wanted to be esteemed by the cognoscenti."Josie heard her father in her head, See, I told you. She's laughin at youSorry for being so ignorant, but is that a yes or a no?"The dreamy look in Meredith's eyes dissolved, and the focused intelligence, self-conscious, returnedBy a special few. Those in the know. Cogno meaning recognition-cogitato, to think."

  • Remember...we don't see objects, we see light. [...] Light can do anything water can do--flow, wash, trickle. It can do anything an artist can do--paint, burnish, carve. Candlelight falls, licks a face. There is always light in a room.

  • His voice was cloves and nightingales, it took us to spice markets in the Celebs, we drifted with him on a houseboat beyond the Coral Sea. We were like cobras following a reed flute.

  • This involves more than I can discuss here, but do it. Read the writers of great prose dialogue-people like Robert Stone and Joan Didion. Compression, saying as little as possible, making everything carry much more than is actually said. Conflict. Dialogue as part of an ongoing world, not just voices in a dark room. Never say the obvious. Skip the meet and greet.

  • purification in fire. public cremation

  • The Santa Anas blew in hot from the desert, shriveling the last of the spring grass into whiskers of pale straw. Only the oleanders thrived, their delicate poisonous blooms, their dagger green leaves. We could not sleep in the hot dry nights, my mother and I.

  • I wanted to tell her not to entertain despair like this. Despaire wasn't a guest, you didn't play its favorite music, find it a comfortable chair. Despair was the enemy." -white oleander

  • ...I was tired of men. Hanging in doorways, standing too close, their smell of beer or fifteen-year-old whiskey. Men who didn't come to the emergency room with you, men who left on Christmas Eve. Men who slammed the security gates, who made you love them and then changed their minds.

  • Now I wish she'd never broken any of her rules. I understood why she held to them so hard. Once you broke the first one, they all broke, one by one, like firecrackers exploding in your face in a parking lot on the Fourth of July.

  • She would be half a planet away, floating in a turquoise sea, dancing by moonlight to flamenco guitar.

  • Always learn poems by heart. They have to become the marrow in your bones. Like fluoride in the water, they'll make your soul impervious to the world's soft decay.

  • Love is a check, that can be forged, that can be cashed. Love is a payment that comes due.

  • Beauty was empty as a gourd, vain as a parakeet. But it had power. It smelled of musk and oranges and made you close your eyes in a prayer.

  • How could anybody confuse truth with beauty, I thought as I looked at him. Truth came with sunken eyes, bony or scarred, decayed. Its teeth were bad, its hair gray and unkempt. While beauty was empty as a gourd, vain as a parakeet. But it had power. It smelled of musk and oranges and made you close your eyes in a prayer.

  • Girls were born knowing how destructive the truth could be. They learned to hold it in, tamp it down, like gunpowder in an old fashioned gun. Then it exploded in your face on a November day in the rain.

  • Isn't it funny.I'm enjoying my hatred so much more than i ever enjoyed love. Love is temperamental. Tiring. It makes demands. Love uses you, changes its mind. But hatred, now, that's something you can use. Sculpt. Wield. It's hard, or soft, however you need it. Love humiliates you, but Hatred cradles you.

  • She was sitting cross-legged on her bed in her white kimono, writing in a notebook with an ink pen she dipped in a bottle. 'Never let a man stay the night,' she told me. 'Dawn has a way of casting a pall on any night magic.' The night magic sounded lovely. Someday I would have lovers and write a poem after.

  • The pearls weren't really white, they were a warm oyster beige, with little knots in between so if they broke, you only lost one. I wished my life could be like that, knotted up so that even if something broke, the whole thing wouldn't come apart.

  • Don't attach yourself to anyone who shows you the least bit of attention because you're lonely. Lonliness is the human condition. No one is ever going to fill that space. The best thing you can do it know yourself... know what you want.

  • It's such a liability to love another person.

  • Loneliness is the human condition. Cultivate it. The way it tunnels into you allows your soul room to grow.

  • Oleander time, she said. Lovers who kill each other now will blame it on the wind.

  • The phoenix must burn to emerge.

  • Don't hoard the past. Don't cherish anything. Burn it. The artist is the phoenix who burns to emerge.

  • I thought of my mother as Queen Christina, cool and sad, eyes trained on some distant horizon. That was where she belonged, in furs and palaces of rare treasures, fireplaces large enough to roast a reindeer, ships of Swedish maple.

  • My house is modern, but I like my writing room to be old fashioned. I write on a little wooden secretary desk.

  • Why does each man kill the thing he loves?...you killed it by accident. Thinking you were doing something else. It was a cherished vase that broke while you were cleaning it. The phone rang and you dropped it. Shattering, when all you wanted was to keep it safe.

  • This was how girls left. They packed up their suitcases and walked away in high heels. They pretended they weren't crying, that it wasn't the worst day of their lives.

  • I closed my eyes to watch tiny dancers like jeweled birds cross the dark screen of my eyelids.

  • A womans mistakes are different from a girls

  • For lunch, we drove into the hills and parked in the dappled shade of a big sycamore, its powdery white bark like a woman's body against the uncanny blue sky.

  • You must find a boy your own age. Someone mild and beautiful to be your lover. Someone who will tremble for your touch, offer you a marguerite by its long stem with his eyes lowered. Someone whose fingers are a poem.

  • I emitted some civetlike female stink, a distinct perfume of sexual wanting, that he had followed to find me here in the dark.

  • Rena noticed me watching it pass. 'You think they don't got problem?' Rena said. 'Everybody got problem. You got me, they got insurance, house payment, Preparation H.' She smiled, baring the part between her two upper teeth. 'We are the free birds. They want to be us.

  • He just wanted to stand close to her, touch her hair that was white as glacier milk...

  • Amazon is a marvelous conglomeration and delivery system for products of every imaginable function. But the book 'business' is really not the same as the sale of lawn rakes or adapters for telephones.

  • I was always mortified.Didn't they know they were tying thier mothers to the ground? Weren't chains ashamed of their prisoners?

  • We strive for beauty and balance, the sensual over the sentimental.

  • Love humiliates you, hatred cradles you.

  • Whenever she turned her steep focus to me, I felt the warmth that flowers must feel when they bloom through the snow, under the first concentrated rays of the sun.

  • The night crackled ... Everything had turned to static electricity in the heat. I combed my hair to watch the sparks fly from the ends.

  • Remember it all, every insult, every tear. Tattoo it on the inside of your mind. In life, knowledge of poisons is essential. I've told you, nobody becomes an artist unless they have to.

  • The way Starr felt in church, that's how I felt at the art museum, both safe and elevated.

  • Loneliness is the human condition. Cultivate it. The way it tunnels into you allows your soul room to grow. Never expect to outgrow loneliness. Never hope to find people who will understand you, someone to fill that space. If you expect to find people who will understand you, you will grow murderous with disappointment.

  • And if there is no god?You act as if there is, and it's the same thing.

  • The cake had a trick candle that wouldn't go out, so I didn't get my wish. Which was just that it would always be like this, that my life could be a party just for me.

  • If this was a sandalwood pyre she would have thrown herself in and this paper she'd become would have caught fire and she and him could sail away like two birds.

  • Her hatred glittered irresistibly. I could see it, the jewel, it was sapphire, it was the cold lakes of Norway.

  • Anytime you work with materials that are deep parts of yourself, you feel revulsion at showing things about yourself that you don't want people to know.

  • Their love as a dragonfly, skimming over echo park, stoppin to visit the lotus. Eating dreams and drinking blue sky.

  • I hated labels anyway. People didn't fit in slots--prostitute, housewife, saint--like sorting the mail. We were so mutable, fluid with fear and desire, ideals and angles, changeable as water.

  • My father was an engineer - he wasn't literary, not a writer or a journalist, but he was one of the world's great readers. Every two weeks, he'd take me to our local branch library and pull books off the shelf for me, stacking them up in my arms - 'Have you read this? And this? And this?

  • The sound of her laughter was sticky as sap, the smell of night-blooming jasmine soft as a milk bath.

  • Pick a better verb. Most people use twenty verbs to describe everything from a run in their stocking to the explosion of an A-bomb.

  • She was starting to think there might be such a thing as karma - that repetition - maybe you lived through the same thing over and over until you stopped caring. Maybe eventually it got less intense, until it was just nothing.

  • I love Derrick Brown for the surprise of one word waking up next to another. One moment tender, funny or romantic, the next, visceral, ironic and relevatory-here is the full chaos of life. An amazing talent.

  • history only existed in the human mind, subject to endless revision. 'each man kills the thing he loves'-Oscar Wilde. You kill it before it kills you, but he was wrong. you killed it by accident. thinking you were doing something else. shattering, when all you wanted to do was keep it safe.

  • To make films, you have to have boundless energy; you have to work and play with others really, really well, and I'm really a more contemplative kind of person. I like to sit at home and think, a lot.

  • When you're a little kid, you are small, your life is small - and you're terrifically aware of that. But when you read, you can ride Arabian horses across the desert, you can be a dogsledder.

  • Most people use twenty verbs to describe everything from a run in their stocking to the explosion of an atomic bomb.

  • My mother was an enthusiastic chef but wildly disorganized, and often preferred purchasing yet another jar of mace or chili powder rather than having to hunt down its last incarnation.

  • My perfect day would be to go on a picnic up Mt. Wilson with Christopher Isherwood, Greta Garbo, Aldous Huxley, and Bertrand Russell.

  • A cliche is like a coin that has been handled too much. Once language has been overly handled, it no longer leaves a clear imprint.

  • I write every day, including weekends. For writers, there are no weekends. It's just that your family is around, looking mournful, wondering when you're going to pay attention to them.

  • I was into the music scene, but I was also a bit of a perfectionist and very hard on myself... very dark in that way.

  • A novelist can get by on story, but the poet has nothing but the words.

  • Your protagonist is your reader's portal into the story. The more observant he or she can be, the more vivid will be the world you're creating. They don't have to be super-educated, they just have to be mentally active. Keep them looking, thinking, wondering, remembering.

  • While out on the perimeter, women discovered the freedom of badlands. They were curiously free to invent, without having to liberate themselves from the forms and rewards of the cultural norm.

  • Many women get involved with a man that you pretty much know isn't suitable and you're kind of breaking your rules, but he's attractive in some unknown way. And then he doesn't even realize what a sacrifice you're making by being with him and he dumps you!

  • As an artist, you can never get what you want. What you do never approaches what you want it to be.

  • I have a hard time with abstractions. I always go to the personal.

  • I've been depressed many times in my life. But under it all I'm an optimist.

  • Loneliness is the human condition. Cultivate it. The way it tunnels into you allows your soul room to grow. Never expect to outgrow loneliness. Never hope to find people who will understand you, someone to fill that space. An intelligent, sensitive person is the exception, the very great exception. If you expect to find people who will understand you, you will grow murderous with disappointment. The best you'll ever do is to understand yourself, know what it is that you want, and not let the cattle stand in your way.

  • We read so that we can be moved by a new way of looking at things.

  • What happened to a dream without a dreamer?

  • A cliché is like a coin that has been handled too much. Once language has been overly handled, it no longer leaves a clear imprint.

  • Find someone who will tremble for your touch, someone whose fingers are a poem.

  • How right that the body changed over time, becoming a gallery of scars, a canvas of experience, a testament to life and one's capacity to endure it.

  • How vast was a human being's capacity for suffering. The only thing you could do was stand in awe of it. It wasn't a question of survival at all. It was the fullness of it, how much could you hold, how much could you care.

  • In our exterior life, we can be only one person. But in our imagination, we can be anyone, anywhere.

  • I watched her for a long time, memorizing her shoulders, her long-legged gait. This was how girls left. They packed up their suitcases and walked away in high heels. They pretended they weren't crying, that it wasn't the worst day of their lives. That they didn't want their mothers to come running after them, begging their forgiveness, that they wouldn't have gone down on their knees and thanked god if they could stay.

  • Beauty was deceptive. I would rather wear my pain, my ugliness. I was torn and stitched. I was a strip mine, and they would just have to look. I hoped I made them sick. I hoped they saw me in their dreams.

  • I think we're starved for a life of the senses. We're in the garage, we're in the car, we drive to work, we're in a windowless cubicle that's gray and beige. In a way, it's funny that we consider ourselves an advanced culture, because people who live in so-called primitive environments still enjoy the richness of the smells, colors, and sounds of our world. We all crave that.

  • Memory is the fourth dimension to any landscape.

  • A cliche is everything you've ever heard of.

  • When I read, I want to be fully transported to another place. I want to feel things, smell things.

  • Take my advice. Stay away from all broken people.

  • I wanted to hear what she was saying. I wanted to smell that burnt midnight again, I wanted to feel that wind. It was a secret wanting, like a song I couldn't stop humming, or loving someone I could never have. No matter where I went, my compass pointed west. I would always know what time it was in California.

  • The story of her life. God gave you everything just to take it away. Just so you knew exactly what you were missing.

  • It was only natural to want to destroy something you could never have.

  • Inside every human being, there is unlimited time and space.

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