Irvine Welsh quotes:

When I'm not writing, I read loads of fiction, but I've been writing quite constantly lately so I've been reading a lot of nonfiction - philosophy, religion, science, history, social or cultural studies.

I think young writers should get other degrees first, social sciences, arts degrees or even business degrees. What you learn is research skills, a necessity because a lot of writing is about trying to find information.

I enjoy the freedom of the blank page.

It's different in Scotland. People who come to readings are more interested in literature as such, but the readership in general is really quite diverse. It's a cliche, but it's said that people who read my books don't read any other books, and you do get that element.

It was around the summer of 1982 when the drug problem really impacted. It became a lifestyle rather than a recreation. When you start lying and stealing, you cannot con yourself you're in control any more.

I grew up in a place where everybody was a storyteller, but nobody wrote. It was that kind of Celtic, storytelling tradition: everybody would have a story at the pub or at parties, even at the clubs and raves.

There's that horrible-beautiful moment, that bitter-sweet impasse where you know that somebody is bullshitting you but they're doing it with such panache and conviction...no, it's because they say exactly what you want to hear, at that point in time.

It's hard to maintain both smack and crack habbits and remember to keep up mobile-phone payments.

There's all this stuff that is happening in Edinburgh now, it's a sad attempt to create an Edinburgh society, similar to a London society, a highbrow literature celebrity society.

I'm working on a screenplay right now for the BBC, but I hope to have the decks cleared soon so I can get into the studio with my pals and put down some more tracks, try to get a strong dance single together.

I wanted to capture the excitement of house music, almost like a four-four beat, and the best way to do that was to use a language that was rhythmic and performative.

But even Es and cocaine, over the years they blow holes in your brain, rob you of your memories, your past. Which is fair enough, convenient even."

I'm more of a warrior than you'll ever be. I believe in the class war. I believe in the battle of the sexes. I believe in my tribe. I believe in the righteous, intelligent clued-up section of the working classes against the brain-dead moronic masses as well as the mediocre, soulless bourgeoisie.

I'm always watching people over a short time frame, putting them in an extreme position. Sometimes you don't see the humanity in a person because the time frame is so short and the circumstance so extreme.

I'd always done a lot of sniffing glue as a kid. I was very interested in glue, and then I went to lager and speed, and I drifted into heroin because as a kid growing up everybody told me, 'don't smoke marijuana, it will kill you'.

Here ah am in the junky's limbo; too sick tae sleep, too tired tae stay awake. A twilight zone ay the senses where nothing's real except the crushing, omnipresent misery n pain in your mind n body.

Basically, particularly in Britain, it's a hegemonic thing that people who write tend to come from the leisure classes. They can afford the time and the books.

The first job of a writer is to be honest.

I tend to read more nonfiction, really, because when I'm writing I don't like to read other fiction.

There is a kind of mysticism to writing.

You were what you were and you are what you are. Fuck that regrets bullshit.

When I first started to get into writing, it was via music. I'd generate ideas for songs that would turn into stories, then they'd turn into novels. I was biased toward music.

It was the books I started reading. It was the music I started listening to. It was the television I started watching. I found myself thinking again. I tried to stop because it was only causing pain. I couldn't. Wen all this is in your head it has to come out into your life. If it doesn't, you get crushed. I'm not going to get crushed.

You can't just have stuff that is free and escapist, you have to have stuff that is confrontational as well. You need stuff that is mystical but you need the realism too.

I feel like I've exhausted guys and male friendships.

Now there is apparently a causal link between heroin addiction and vegetarianism.

Sometimes ah think that people become junkies just because they subconsciously crave a wee bit ay silence.

You can't lie to your soul.

I spend so much time on the screen when I am writing, the last thing you want to do is spend more time on the Internet looking at a screen. That's what I hate about all this technology.

Choose us. Choose life. Choose mortgage payments; choose washing machines; choose cars; choose sitting oan a couch watching mind-numbing and spirit-crushing game shows, stuffing fuckin junk food intae yir mooth. Choose rotting away, pishing and shiteing yersel in a home, a total fuckin embarrassment tae the selfish, fucked-up brats ye've produced. Choose life.

Ah sortay jist laugh whin some cats say that racism's an English thing and we're aw Jock Tamson's bairn up here . . . it's likesay pure shite man, gadges talkin through their erses.

Ah remember walkin along Princes Street wi Spud, we both hate walkin along that hideous street, deadened by tourists and shoppers, the twin curse ay modern capitalism.

His friends will decline in their numbers as his needs increase. The inverse, or perverse, mathematics ay life.

I didn't have any concept of Trainspotting being published. It was a selfish act. I did it for myself.

Once you've been with each other in a primal, shagging state, it's hard to talk about the weather.

There's nothing worse than a violent beating from an unremarkable person. Physical violence with someone is too much like shagging them. Too much id involved.

Now, for the first time, he's seeing that there really is a way out of this, and it's all so simple. You don't have to run away. You just meet somebody special and step sideways into a parallel universe.

What worries me is the professionalism of everything.

The establishment, the newspapers, they try to create something called Scottish literature, but when people are actually going to write, they are not going to necessarily prescribe to that, they'll write what they feel.

When I started off with Trainspotting, it was the way the characters came to me. That's how they sounded to me. It seemed pretentious to sound any other way. I wasn't making any kind of political statement.

The dead man is on the trolley and the woman collapses across his chest. That's what the ghouls want a shufti at, like at that Princess Diana's funeral, they want to scrutinise those who really knew her, to drink the misery out of their faces.

When people start writing there is this idea that you have to get everything right first time, every sentence has to be perfect, every paragraph has to be perfect, every chapter has to be perfect, but what you're doing is not any kind of public show, until you're ready for it.

I'd always liked to read, but when I picked up books I wasn't getting the same kind of excitement from them that I was from going out clubbing. I wanted to get the same kind of feel.

Sometimes there's a snobbery among literary types that these people don't really get it, but in a lot of ways they get it more than the literati. There's a culture in the background that they understand and know. They get that deeper level.

Every kind of book I've written has been written in a different way. There has not been any set time for writing, any set way, I haven't re-invented the process every time but I almost have.

Writing is about culture and should be about everything. That's what makes it what it is.

By definition, you have to live until you die. Better to make that life as complete and enjoyable an experience as possible, in case death is shite, which I suspect it will be.

We start off with high hopes, then we bottle it. We realise that we're all going to die, without really finding out the big answers. We develop all those long-winded ideas which just interpret the reality of our lives in different ways, without really extending our body of worthwhile knowledge, about the big things, the real things. Basically, we live a short disappointing life; and then we die. We fill up our lives with shite, things like careers and relationships to delude ourselves that it isn't all totally pointless.

Ah suppose man, ah'm too much ay a perfectionist, ken? It's likesay, if things go a bit dodgy, ah jist cannae be bothered, y'know.

Some people are easier to love when you don't have to be around them.

I was anti-everything and everyone. I didn't want people around me. This aversion was not some big crippling anxiety; merely a mature recognition of my own psychological vulnerability and my lack of suitability as a companion. Thoughts jostled for space in my crowded brain as i struggled to give them some order which might serve to motivate my listless life.

I'm not running away, I'm moving on.

His eyes are wild, psychotic slits that bat-dance in your soul looking for good things to crush or bad elements to identify with.

Thoughts jostled for space in my crowded brain as I struggled to give them some order which might serve to motivate my listless life

don't let jesus in. AA is just one obsession replaced with another

I grew up in what was not so much a familyas a genetic disaster.

Everything in the street today seems soft focus.

Good luck to progressive candidates in U.S. Senate elections against the usual rich, white, racist, women-hating pricks they run against.

It's only now that I realize that behaviour always has a context and precedents, it's what you do rather than what you are, although we often never recognise that context or understand what these precedents are.

I love doubt in a woman. It's nearly as sexy as determination.

Are you asking me or telling me?

That's all very well as an abstract moral principle, Avril, a coffee-table theoretical construct, but there's no denying the sheer gratuitous pleasure to be derived from seeing members of the ruling class in pain and torment.

When people start writing there is this idea that you have to get everything right first time, every sentence has to be perfect, every paragraph has to be perfect, every chapter has to be perfect, but what youre doing is not any kind of public show, until youre ready for it.

But even Es and cocaine, over the years they blow holes in your brain, rob you of your memories, your past. Which is fair enough, convenient even.

When two people were in love you had to leave them to it. Especially when you weren't in love and wished that you were. That could embarrass. That could hurt.

He emphasised basic truths: you are not dying yet, you have to live your life until you are. Underpinning them was the belief that the grim reality of impending death can be talked away by trying to invest in the present reality of life. I didn't believe that at the time, but now I do. By definition, you have to live until you die. Better to make that life as complete and enjoyable an experience as possible, in case death is shite, which I suspect it will be.

Thir must be less tae life than this

Ah walk doon Hammersmith Broadway, London seeming strange and alien, after only a three-month absence, as familiar places do when you've been away. It's as if everything is a copy of what you knew before, similar, yet somehow lacking in its usual qualities, a bit like the wey things are in a dream. They say you have to live in a place to know it, but you have to come fresh tae really see it.

How did it make you feel?

Bruce, you're an ugly and silly old man. You're very possibly an alcoholic and God knows what else. You're the type of sad case who preys on vulnerable, weak and stupid women in order to boost his own shattered ego. You're a mess. You've gone wrong somewhere pal.

You can only live in the world you ken. The rest is just wishful thinking or paranoia.

Love does not exist, it's like religion, the state wants you to believe in that kind of crap so they can control you, and f**k your head up.

Even as I'm shoveling up my hooter, I realize the sad truth. Coke bores me, It bores us all. We're jaded cunts, in a scene we hate, a city we hate, pretending that we're at the center of the universe, trashing ourselves with crap drugs to stave off the feeling that real life is happening somewhere else, aware that all we're doing is feeding that paranoia and disenchantment, yet somehow we're too apathetic to stop. Cause, sadly, there's nothing else of interest to stop for.

Iggy Pop looks right at me as he sings the line: 'America takes drugs in psychic defence'; only he changes 'America' to 'Scatlin', and defines us mair accurately in a single sentence than all the others have ever done.

It wis like auld times, but in a sense that only served tae remind us ay how much things hud changed.

It's all okay, it's all beautiful; but ah fear that this internal sea is gaunnae subside soon, leaving this poisonous shite washed up, stranded up in ma body.

Bad luck is usually transmitted by close proximity to habitual sufferers.

Ah wonder if anybody this side of the Atlantic has ever bought a baseball bat with playing baseball in mind.

Rents once sais, thirs nothin like a darker skin tone tae increase the vigilance ay the police n the magistrates: too right.

Choose life "¦ I chose not to choose life. I chose something else. And the reasons? There are no reasons. Who needs reasons when you've got heroin?

How many shots does it take before the concept ay choice becomes obsolete?

Most middle-class people I know don't really live like me. Middle-class people worry a lot about money. They worry a lot about job security, and they do a lot of nine-to-five stuff.