Imogen Poots quotes:

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  • With 'That Awkward Moment', you could argue I'm just playing the girlfriend of Zac Efron, but the director was such a creative force and let me make her my own. I loved being part of something that felt so relevant and fresh.

  • I'm lucky in that I have close friends and family and my agent to advise me.

  • There is more for women in terms of character roles now. Judi Dench and Maggie Smith have constantly changed over the years and challenged themselves with different roles. That's impressive.

  • I was very aware of Jeff Buckley. My brother actually bought me The Mamas And The Papas and Jeff Buckley for my birthday when I was in my early teens.

  • I'm a big Johnny Cash girl. And I love singers like Laura Marling and Joanna Newsom.

  • It's kind of funny, with all of the different outlets that come from acting that you could try, I would love to direct and kind of be involved in art direction, too.

  • I'm not a huge fan of scary movies, but I love doing them because your character arc gets condensed, and everything is elevated, and so you kind of have this amazing opportunity to go in many different places.

  • You collect people to take with you. Some people change, other people don't... it's wonderful because I've met some incredible friends.

  • I was about 14 when I started with a theater group; it was like a stage group on the weekends alongside school. And it was run by a group of guys who'd been to drama school themselves in London. So they introduced us to techniques that they'd learn about, and they kind of informed us about improvisation and screenwriting and all of that stuff.

  • Seriously, I don't think there's any right way to do anything apart from if you're just being you; then it's a sincere situation.

  • I love my real mom and dad; I love them both equally.

  • I think any relationship that is normal - I mean, there's no normal relationship, but in terms of a flawed relationship, there's always gonna be awkward moments within that because you're addressing things that the world is throwing at you, whether that's distance or whether that's where this is going or other people and past relationships, all these factors.

  • I don't think anything's ever simple. Everyone's just trying to understand each other, and whether that's because you're in a relationship or because you're meeting their friends or because their meeting your brother or whatever it is, nothing like that is ever smooth running.

  • My dad moved to London in his early 20s and didn't really go back. So the irony is I've spent lots and lots of time in Ireland, but not with my dad. I've shot films in Belfast, where he's from. And I've shot in Dun Laoghaire. Which is great. And I've shot in Dublin.

  • I do think 'All Is by My Side' is the type of film I'm the most happiest. You know, I'm figuring it out. I did just move to New York, so I have to pay my rent.

  • I find the aristocratic parts of London so unattractive and angular; the architecture is so white and gated. But in New York, it's different - even uptown it's really grand, and there's no real segregation there. It's all mixed up.

  • You've got these big studio films and these tiny independent films now. It's very much either/or. With the independent films, it's always a beautiful risk - it might never be seen. With the studio films, you're conforming to the formula of what's always been in place.

  • The business is so international now; you'll be working on an American film, and you'll start chatting to someone, and it's like: 'Oh, you're English, too.'

  • Unfortunately, Poots is the name that I've been graced with for my life, but it's not short for anything.

  • Once you play a superhero, is there any way back again? Once you're a superhero, it's just crazy.

  • I do think 'All Is by My Side' is the type of film I'm the most happiest.

  • If a role has been too one-dimensional, I have turned it down.

  • You can tell when someone is putting on a role. If someone really believes in what they're saying, it's quite hard to find cracks.

  • There's a lot of interviews now where nobody seems to talk about anything. Like it's illegal. But it can be fun if you stay involved. Like most conversations.

  • If I'm really honest, I'm not a huge fan of scary films. I remember being a teenager, and people getting out like Halloween [1978] or Saw [2004], and watching them, and I'd kind of just stare at the television logo and blur my eyes and pretend I was watching but I wasn't because I just found that I would take the movie home with me. I can scare myself like a pro.

  • Sometimes I think you just have to decide if you're going to stand up and get on with it or if you're going to be crushed and threatened.

  • I never personalize anything because I think that can be dangerous. For me, the best way is - this may sound pretentious - but its to breathe the character and get into the psychology of it.

  • You can tell when someone is putting on a role. If someone really believes in what theyre saying, its quite hard to find cracks.

  • In terms of driving, I actually don't have a driver's license, and it's kind of ridiculous. I've lived in Los Angeles for a couple of years and just have somehow managed to avoid taking the test, which I did last week and failed. I couldn't find the honker. I felt bad about it, but it's just a little bit embarrassing, I guess, to be in this film and not have a license.

  • Well, in terms of the filming with the car, you always wanted to be on the side which the cameras weren't, because - and it sounds ridiculous, but getting in and out of that car, all in leather, in the heat, was a problem.

  • I do admit to being slightly in love with Christopher Walken.

  • I can scare myself like a pro.

  • You collect people to take with you. Some people change, other people don't... it's wonderful because I've met some incredible friends

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