Imogen Cunningham quotes:

I don't think there's any such thing as teaching people photography, other than influencing them a little. People have to be their own learners. They have to have a certain talent.

Which is my best picture? The one I will do tomorrow.

My mind is vacant on names, but I know him as well as anything. When I need names they drop out of my head; when I don't need them they drop back.

Suppose Cartier-Bresson asked the man who jumped the puddle to do it again --- it never would have been the same. Start stealing!

I don't talk about success. I don't know what it is. Wait until I'm dead.

Some people say to me, Isn't it too bad that people discovered you so late? I never thought that.

Which of my photographs is my favorite? The one I'm going to take tomorrow.

I don't know what love means.

I don't love the world. I think Jupiter should have hit us.

Get it out of your historic head.

Well, I turn people into human beings by not making them into gods.

I never stopped photographing. There were a couple of years when I didn't have a darkroom, but that didn't stop me from photographing.

I was brought up on art. My father thought I had a great hand at art and sent me to art school. But he did not want me to become a photographer.

I turn people into human beings by not making them into gods.

Everybody who does anything for the public can be criticized. There's always someone who doesn't like it.

When I need names they drop out of my head; when I don't need them they drop back.

I was invited to photograph Hollywood. They asked me what I would like to photograph. I said, Ugly men.

You see, I became kind of a drop-out in science after I came back to America.

I became kind of a drop-out in science after I came back to America. I wanted to photograph.

When you do portraits professionally it's not a desire, it's for money.

A woman said to me when she first sat down, You're photographing the wrong side of my face. I said, Oh, is there one?

When People magazine called me, I did the job on Ansel. I'm older than Ansel and he has to mind me.

I was poor. When you're poor you work, and when you're rich you expect somebody to hand it to you. So I think being reasonably poor is very good for people.

When people ask me silly questions about my private life, I just say, I don't discuss that.

The thing that's fascinating about portraiture is that nobody is alike.

I wasn't very ambitious. I think that's the solution. I just took things as they came. I wouldn't say I didn't have any problem, but I didn't care. I didn't think I was going to save the world by doing photography as some of these people do. I was just having a good time doing it, and so I still had a good time no matter what I had to photograph.

The formula for doing a good job in photography is to think like a poet.

So many people dislike themselves so thoroughly that they never see any reproduction of themselves that suits. None of us is born with the right face. It's a tough job being a portrait photographer.

...There are too many people studying it [photography] now who are never going to make it. You can't give them a formula for making it. You have to have it in you first, you don't learn it. The seeing eye is the important thing.

You know, a documentary is only interesting once in a while. If you look at a whole book of Dorothea [Lange]'s where she has row after row of people bending over and digging out carrots - that can be very tedious. And so it's only once in a while that something happens that is worth doing.

None of us is born with the right face. It's a tough job being a portrait photographer.

I just believe in working. I'm not one of those romantic explainers of my own individual point of view.

I don't resent anything.

I think San Francisco is the best place in the whole world for an easy life.

I never divide photographers into creative and uncreative, I just call them photographers. Who is creative? How do you know who is creative or not?

Oh, you ask me, what is the greatest torture of a person who does portraits for a living? I could fill several volumes with nice nasty stories. I don't know.

It's silly to keep people alive who have a terrible disease.

There are certain things you don't discuss with Ansel, especially if you don't agree.

I'd never kill myself for a man. I wouldn't do it for anybody.

Anybody is influenced by where and how he lives.

I told the students that whatever they did in class was for the wastebasket.