Grant Morrison quotes:

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  • Unlike novel characters, comic book characters last an eternity. When a character is changed beyond recognition, there's no longer the merchandising aspect.

  • Burnout is grist to the mill. I write every day, for most of the day, so it's just about turning into metaphor whatever's going on in my life, in the world, and in my head. Every nightmare, every moment of grief or joy or failure, is a moment I can convert into cash via words.

  • We've always known we'd eventually be called upon to open our shirts and save the day, and the superhero was a crude, hopeful attempt to talk about how we all might feel on that day of great power, and great responsibility.

  • I was always interested in myths growing up. So, first I got into some Roman myths, then I was interested in Norse, then Celtic, then I started spreading to all the other mythologies.

  • I love 'Batman.' I love the Adam West 'Batman.' I love the animated 'Batman.' The character of Batman can encompass any interpretation, which is what makes that character so brilliant and why it's survived so many different media.

  • Hell is only the Cringe Eternal and the Place of our Self's Undoing. When Nietzsche proclaimed "God is Dead!" he forgot to add that Satan is also dead and we are free from all that antique tat."

  • Life doesn't have plots and subplots and denouements. It's just a big collection of loose ends and dangling threads that never get explained.

  • We're the new power, come to replace the old. Cameras in the head, children with microchips, spin doctors rewriting reality as it happens.

  • It's hard for me to believe that a shy, bespectacled college graduate like Brad Meltzer who's a novelist and a father is a really setting out to be weirdly misogynistic.

  • I'm the evil mastermind behind the scenes. I'm the wicked puppeteer who pulls the strings and makes you dance. I'm your writer.

  • Look at us! Are we not proof that there is no good, no evil, no truth, no reason? Are we not proof that the universe is a drooling idiot with no fashion sense - Mr Nobody on the fundamental philosophy of the Brotherhood of DADA

  • I guess my inspiration is this - I like to pretend that every story that ever happened to 'Batman' was real and is part of this one guy's life.

  • Kipling: Where's your sense of humor?Rebis: We're working on reconstructing it..."

  • We love our superheroes because they refuse to give up on us. We can analyze them out of existence, kill them, ban them, mock them, and still they return, patiently reminding us of who we are and what we wish we could be.

  • Metaphor is one of a group of problem-solving medicines known as figures of speech which are normally used to treat literal thinking and other diseases.

  • Kipling: Where's your sense of humor? Rebis: We're working on reconstructing it...

  • He felt the hot impact of bullets. He heard the sound of chopping meat. He thought 'is that me?' . . . and then he opened his eyes.

  • The only time I ever met a character that I wrote was when I met Ian McKellan, when he was playing Magneto in the 'X-Men' movies.

  • Write comic books if you love comic books so much that you want to write them. Don't write them like movies. Comics can do a lot of things that movies can't do, and vice versa.

  • I was a clubber in the Nineties. I went dancing every week.

  • In the world of the superheroes, everything had value, potential, mystery. Any person, thing, or object could be drafted into service in the struggle against darkness and evil - remade as a weapon or a warrior or a superhero. Even a little bee named Michael - after God's own avenging angel - could pitch in to win the battle against wickedness.

  • Gayness is built into Batman. I'm not using gay in the pejorative sense, but Batman is very, very gay. There's just no denying it. Obviously as a fictional character he's intended to be heterosexual, but the basis of the whole concept is utterly gay.

  • My greatest accomplishment so far is to keep selling enough that I never want for the labor that sustains my Presbyterian soul.

  • I just wanted all the wars to be over so that we could spend the money on starships and Mars colonies.

  • I'm lucky to have a job doing something I really love to do, and I'm happy to accept the pressures of relentless deadlines or reader expectations as necessary evils. It's probably not as stressful as mining coal or leading men into battle.

  • I don't like to think of my readership as 'fans,' a word which has always suggested a kind of power relationship I'm uncomfortable with.

  • There are dozens of unfinished or aborted projects in my files, but I can only assume they don't get done because they're not robust enough to struggle through the birth process.

  • Then I reminded myself that all intelligent children suffer bad dreams.

  • Performing magic has a lot to do with the arrangement of apparent coincidences and providing pathways along which desires can travel, or, to put it in more basic terms, there's little point in sigilizing for a lottery win if you don't also buy a lottery ticket.

  • Oh, yes! Fill the churches with dirty thoughts! Introduce honesty to the White House! Write letters in dead languages to people you've never met! Paint filthy words on the foreheads of children! Burn your credit cards and wear high heels! Asylum doors stand open! Fill the suburbs with murder and rape! Divine madness! Let there be ecstasy, ecstasy in the streets! Laugh and the world laughs with you!

  • If our shallow, self-critical culture sometimes seems to lack a sense of the numinous or spiritual it's only in the same way a fish lacks a sense of the ocean.

  • The interior of our skulls contains a portal to infinity.

  • Idealists and reformers all become executioners in their turn. The road to utopia ends with the steps of the scaffold, the endless moment of the guillotine.

  • If this book has made any point clear, I hope it's that things don't have to be real to be true. Or vice versa.

  • Reality and unreality have no clear distinction in our present circumstances.

  • It's quite possible we may actually be looking at some kind of super-sanity here. A brilliant new modification of human perception, more suited to urban life at the end of the twentieth century...He creates himself each day. He sees himself as the lord of misrule and the world as a theatre of the absurd.

  • When [Wonder Woman creator William Moulton] Marston died in 1947, they got rid of the pervy elements, and instantly sales plummeted. Wonder Woman should be the most sexually attractive, intelligent, potent woman you can imagine. Instead she became this weird cross between the Virgin Mary and Mary Tyler Moore that didn't even appeal to girls.

  • I've always felt I had more in common with the modernist approach than with postmodernism, but I can see where the connection might arise - and to be honest, I'm no academic, so I tend to use these words, like in Alice In Wonderland, to mean what I want them to mean rather than what they actually do mean.

  • A bullet in the right place can change the world.

  • A cannon fires only once but words detonate across centuries

  • A comic will always be more 'personal' than a DVD or CD, both of which require electronic 'players' to decode their content. With comics, the reader is the player so the engagement with the material is always more fundamental and dynamic. Reading comics is a much less passive activity than consuming CDs and DVDs.

  • Abandon the 'I', because it's a lie.

  • Actually, it's as if [Superman is] more real than we are. We writers come and go, generations of artists leave their interpretations, and yet something persists, something that is always Superman.

  • Adults...struggle desperately with fiction, demanding constantly that it conform to the rules of everyday life. Adults foolishly demand to know how Superman can possibly fly, or how Batman can possibly run a multibillion-dollar business empire during the day and fight crime at night, when the answer is obvious even to the smallest child: because it's not real.

  • Afraid? Batman's not afraid of anything. It's me. I'm afraid. I'm afraid that The Joker may be right about me. Sometimes"¦I question the rationality of my actions. And I'm afraid that when I walk through those asylum gates... when I walk into Arkham and the doors close behind me... it'll be just like coming home.

  • All I know is that you won't come back until they're all dead. 'Eternity.' Every last one of them. Every man. Every woman. Every child. Global massacre. I dream about that day. A planet of corpses

  • American writers often say they find it difficult to write Superman. They say he's too powerful; you can't give him problems. But Superman is a metaphor. For me, Superman has the same problems we do, but on a Paul Bunyan scale. If Superman walks the dog, he walks it around the asteroid belt because it can fly in space. When Superman's relatives visit, they come from the 31st century and bring some hellish monster conqueror from the future. But it's still a story about your relatives visiting.

  • And I ask him why he cuts his arms with a razor. "Just fo feel. Just to feel something.

  • And that's why people read comics, to get away from the way life works, which is quite cruel and unheroic and ends in death.

  • And when it's all done, when there's no one left you'll come back for me. And tell me who I am and why I have to do what I do. And explain 'Eternity.' You'll come back

  • Because it all derived from Superman. I mean, I love all the characters, but Superman is just this perfect human pop-culture distillation of a really basic idea. He's a good guy. He loves us. He will not stop in defending us. How beautiful is that? He's like a sci-fi Jesus. He'll never let you down. And only in fiction can that guy actually exist, because real guys will always let you down one way or another. We actually made up an idea that beautiful. That's just cool to me. We made a little paper universe where all of the above is true.

  • Before it was a Bomb, the Bomb was an Idea. Superman, however, was a Faster, Stronger, Better Idea.

  • Consciousness, rather than being something that we have, is something we participate in.

  • Einstein was wrong! I"M the speed of like CRACKING through shivery rainbows and GOD the sky whirls and withers like a melting RAINBOW!

  • Enough madness? Enough? And how do you measure madness? - The Joker

  • Everyone does magic all the time in different ways. 'Life' plus 'significance' = magic.

  • From now on, I'm opting for ontological terrorism.

  • He read me extracts from a medical journal describing the progress of a staphylococcus aureus infection. And then he pleasured me with a potato.

  • Hell changes constantly but there are certain consistent landmarks which always stay in the same relation to one another.

  • I AM happy". They understood what we english people have long forgot. We're not our sadness. We're not our happiness or our pain but our language hypnotizes us and traps us in little labelled boxes ()

  • I can always see ways to improve what I've done. At the same time, knowing it's all an ongoing life's work allows me to be less precious about blind alleys, failed experiments, and misfires.

  • I couldn't think of one clever way to stop this guy, so I just trusted to mindless violence.

  • I do like to keep abreast of what the hardcore vocal members of the comics-reading audience are talking about on Internet message boards, but there are so few of them, as a percentage of the buying audience, that I can't allow their opinions to dictate story direction.

  • I have to confess I'm not a huge comics fan in the wider sense of comics as an art form.

  • I just do what I do because it feels right. Other people attach labels to that.

  • I loved IRON MAN: Robert Downey Jr. has been and probably will be my favourite actor for a long time"¦but IRON MAN, THE INCREDIBLE HULK, SUPERMAN RETURNS and all the others feel a little like Saturday morning cartoons next to the carbon black glory that is 'The Dark Knight.' Trust me, *this* is the future of this sort of thing.

  • I plan years in advance, but I like to leave enough space in the narrative scheme to change things, because I always get my best ideas the closer I come to the end of a project, after I've lived with it for a while.

  • I prefer working out of strict continuity, because no normal human being can have a firm grip on the constantly shifting bardo-like territory of a comics universe, where entire histories can be erased by a strong enough super-sneeze.

  • I should say I am far more cleverer than any of the people who put me here. As a matter of fact, I could leave any time I wanted. It's only a doll house after all. Anyway, I don't mind. I like dolls. Particularly the live ones.

  • I tend to only read comics written by friends or people I've known. And I'm not a great comic reader.

  • I think any writer coming on to 'Batman' should at least attempt to do their own definitive version. What it means to them. Whatever they think that symbol or character can say.

  • I think that superhero comics in particular are really useful for talking about big emotions and feelings, and personifying and concretizing symbols.

  • I thought I could capture the stories of the city on paper. I thought I could write about the horrors of the city. Horror stories you see. I tell you I didn't have to look far for material. Everywhere I looked, there were stories hidden there in the dark corners. . . . I wrote and still there were more. . . . No one would publish them. 'Too horrible,' they said. 'Sick mind,' they said. I thought I could write about the horrors of the city but the horror is too big and it goes on forever.

  • I use everything. Turning life into stories is how I make sense of my experience. No matter how weird or disturbing or upsetting to me personally, it all finds its way in there.

  • I will rise from the darkness, shining like the morning star. Illuminated woman am I.

  • I won't tell you again! Don't look back! In hell you never look back!

  • I write dozens and dozens of pages more than I need, and then edit them down to size. It's more like sculpture than construction.

  • I'm a fan myself, so I try to write the kind of comics I want to read.

  • I'm at a stage in my career where I don't expect or get too much editorial input into what I'm doing. I have a proven track record of success, so my editors are willing to cut me some slack even when a particular approach is not to their personal taste.

  • Imagine the earth's population of six billion people reduced to just one hundred representatives. Statistically, that makes 30 white, 70 non-white. It means 6 people own 59% of the wealth and they all live in North America. 80 are in substandard housing. One has an education. One owns a computer. Don't blame me if it all sounds crazy.

  • It surprises me constantly that my sometimes-unorthodox approach has such a large following, but I'm very grateful to my readers for allowing me to continue writing 10 or 12 hours a day.

  • It's mostly just you have to convince yourself that there's nothing else in the room but John Lennon and suddenly things start John Lennon-ing!

  • It's always interesting to see what the real enthusiasts think, but they're rarely representative of the tastes of the wider audience, so I tend to write for myself, for an imagined smart 14-year-old, and for a couple of friends who are still big comics fans.

  • It's salt. Why don't you sprinkle some on me, honey? Aren't I just good enough to eat?

  • It's so horrible to realize you're just the same as everyone else, isn't it?

  • It's stupid, I know, but I care. All the things that meant so much when we were young. Under the blankets late at night, listening to long-distance radio. All those things lost now or broken. Can you remember? Can you remember that feeling? Perhaps I ought to go to a doctor.

  • Laugh and the world laughs with you!

  • My art school rejection letter arrived as a cold manila fist that closed around my fragile hopes ... The fear was practically edible. Nothing would happen unless I get out and make it happen. Then, as if handling me the keys to the jet pack, my dad bought me a typewriter and a taped message to the inside of its case: "Son - the world is waiting to hear from you".

  • One must commit acts of the highest treason only when dressed in the most resplendent finery.

  • Only nothing is impossible.

  • Remember it's all just a mirror we made to see ourselves in.

  • Seven actors have played Batman on the big screen, and if you can name all seven without reading any further, your youth has been wasted.

  • Sometimes I pretend not to look at my own characters, because that's like different people getting off with your girlfriend or something.

  • Sometimes it's only madness that makes us what we are.

  • Sometimes you wonder, in an interconnected universe, who's dreaming who?

  • Sometimes... sometimes I think the Asylum is a head. We're inside a huge head that dreams us all into being. Perhaps it's your head, Batman. Arkham is a looking glass... and we are you.

  • Stop being frightened. You only see a monster because they want you to see monsters everywhere. They've conditioned you to look for monsters in every shadow, every coat hung on every door. As long as we keep seeing monsters, we'll continue to need protection and that's how other people get to control our lives.

  • Study yourself the way a hunter studied prey. Exploit your own weaknesses to create desired changes within yourself.

  • Superhero science has taught me this: Entire universes fit comfortably inside our skulls. Not just one or two but endless universes can be packed into that dark, wet, and bony hollow without breaking it open from the inside. The space in our heads will stretch to accommodate them all. The real doorway to the fifth dimension was always right here. Inside. That infinite interior space contains all the divine, the alien, and the unworldly we'll ever need.

  • Superman loves everyone. He's like Jesus except he punches people.

  • Talking to oneself, I have often thought, is the best way to be sure of intelligent and witty conversation.

  • The big problem is time. I don't have enough of it to do all the things I think about doing.

  • The first light had cast the first shadow.

  • The 'medium' is unaware of its attractiveness, that's all. Everyone loves comics. I've proven this to my own satisfaction by handing them out to acountants, insurance brokers, hairdressers, mothers of children, black belts, pop stars, taxi drivers, painters, lesbians, doctors etc. etc. The X-Files, Buffy, the Matrix, X-Men - mainstream culture is not what it once was when science fiction and comics fans huddled in cellars like Gnostic Christians dodging the Romans. We should come up into the light soon before we suffocate.

  • The moon is so beautiful. It's a big silver dollar, flipped by God. And it landed scarred side up, see? So He made the world.

  • The more I think about it, the more I realize that schools are just factories for turning out robots, that's all. They get you when your small and vulnerable and they take all the human parts away, bit by bit, until you're just a wind-up toy. Turn the key and set it running. And the toy goes to university, gets a job, settles down with someone nice...

  • The only thing that made me, or any of us, special was that no one in the whole of history would ever see the universe exactly the same way any other of us saw it.

  • The perfect fascist state needs to operate in conditions of perpetual warfare. Have you ever noticed how the world has been in constant crisis since World War II?

  • The thing that's been exciting about 'Superman' is to see how the character has developed through generations.

  • The world gets more like Disneyland every day, and it's the same the other way round. I can't explain what I know. Try explaining RED to a DOG and see how fast he gets bored.

  • There's a palace in your head, boy. Learn to live in it always.

  • These characters were like twelve-bar blues or other chord progressions. Given the basic parameters of Batman, different creators could play very different music.

  • This is the end of our sentence

  • We tell our children they're trapped like rats on a doomed, bankrupt, gangster-haunted planet with dwindling resources, with nothing to look forward to but rising sea levels and imminent mass extinctions, then raise a disapproving eyebrow when, in response, they dress in black, cut themselves with razors, starve themselves, gorge themselves, or kill one another.

  • Whatever you do, make sure you go right to the top, because you sure as hell can't piss upwards on people.

  • When was the last time you had a thought that wasn't put there by THEM?

  • Who needs girls when you've got comics?

  • Why am I in Hell? It hurts. It hurts all the time. Why am I in Hell? I just want to go home and lie on the bed the way I used to. Please take me home.

  • Why did you make it so hard for me? I'd rather empty the ocean with a sieve. I do it for you. Or count the grains of sand on every beach. All for you. There are so many people, so many countries. But I have time. All the time in the world. Eternity.

  • With Marvel and DC, you're working with their pre-established fictional universes and characters. At those places, you're working with characters who will outlive you and maybe your children and your childern's children. Batman will outlive me, Spider-Man will outlive me, the Avengers will outlive me, and so it goes.

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