Giovanni Ribisi quotes:

I'm old fashioned with my cell phone. I like that human contact and I think it's important.

You have to take into account it was the cell phone that became what the modern-day concept of a phone call is, and this is a device that's attached to your hip 24/7. Before that there was 'leave a message' and before that there was 'hopefully you're home.'

I've been allowed to grow over the past twenty years. I've managed to avoid being trapped in one moment of my career and for that, I'm very thankful.

I grew up with Scientology - my parents at one point were clerical. It's a pragmatic philosophy, not merely a belief system. Yeah, it's had media exposure because certain luminaries do Scientology, but millions of people do it who are not celebrities. It's not a threat or some cult.

I'm so critical of myself. I'm actually really, really proud of the film. It's really cool to see a movie at Sundance because everybody is so supportive.

We went to - I guess it was a legitimate boiler room, and I sat in front of this guy who literally was on the phone with two people at once. They call it double fisting.

I used to shy away from publicity so as not to let it get in the way of the work. But it's part of the job. The tabloids are a whole other arena. If fame happens, it happens. I just want to maintain focus

There's the concept that if I do this big budget project, then that will help me do the things I really want to do and bring more money to those films.

For me, acting is all about the aesthetic. I just want to keep honing my craft. Not that I'm taking myself too seriously, but every artist should consider himself Picasso. Otherwise, you're doing yourself an injustice.

I just consider myself a committed actor. If a movie is a success, that's great; I'm happy for that. But I've learned just to concentrate on my job and do the best that I can.

I'm really happy with where I am, the movies in my life. Not satisfied, necessarily. But I won't put it on somebody else, blame anybody else for my position in the business. It's the choices I have made.

Dostoevski was on to something. You are the path you choose. You are what your vocation is.

I've been allowed to grow over the past twenty years. I've managed to avoid being trapped in one moment of my career and for that, I'm very thankful

I used to shy away from publicity so as not to let it get in the way of the work. But it's part of the job. The tabloids are a whole other arena. If fame happens, it happens. I just want to maintain focus.

My mother told me I was begging her to be an actor when I was four. My father and my grandfather saw at least one or two movies a week; they were film buffs, so I guess it just rubbed off on me.

What's sad is that there is an addictive quality to that, to believing your own hype; to allowing yourself to become validated by others and no longer by yourself. That's the danger of celebrity.

Do what you're doing while you're doing it.

I could almost say it is my religion. I guess that sounds pretentious, but I want to live and breathe cinema.

It was extremely useful to grow up in front of the camera. It gives the camera no significance. I think it helped me have perspective on things. The attraction that Hollywood can have, I feel like I'm over that. Instead I just concentrate on acting.

If I had to choose criteria, for me, it's about first the director. I want to be a part of something that's good and intellectually challenging. After the director it's the character and the story. That's the deal for me.

Those people are unabashedly ruthless as far as money is concerned.

I love talking about Scientology.

A lot of writers, because they don't understand actors, feel like, in order to be better at their performance, they have to change the words around a lot.

Acting is ephemeral. It's not like making a painting that lasts forever. You're doing something, and the very action which comes and goes, is being demonstrated in front of you. Within that process, you're trying to go against the grain.

Dostoevski was on to something. You are the path you choose. You are what your vocation is

I don't think that many people today, understand the nature of what an improv does for an actor in a specific setting. What an improv does for an actor is help him find the life; it's the life that an actor's after.

I want to be a part of something that's good and intellectually challenging.

If you do improvising, it can sometimes end up being a waste of time. And if you do that, it's more or less based on a writing process.

I'm definitely one of those people that what comes into my head falls out of my mouth. That's a way for me to be even more creative, to sort of get the ball rolling and start parlaying off of somebody and interacting. That charge or that friction sometimes - if it's positive or negative - is inspiring, and it gets people to be I think creative, maybe.

What an actor says is much, much less important than a life, so that's the great use for improvisation; you go, you find the life and then you add the words.

What's sad is that there is an addictive quality to that, to believing your own hype; to allowing yourself to become validated by others and no longer by yourself. That's the danger of celebrity

Without Scientology, I would be in an alley somewhere looking for dope.